This paper draws together as many as possible of the clues and pieces of the puzzle surrounding T. S. Eliot's "infamous" literary term "objective correlative". Many different scholars have claimed ...many different sources for the term, in Pound, Whitman, Baudelaire, Washington Allston, Santayana, Husserl, Nietzsche, Newman, Walter Pater, Coleridge, Russell, Bradley, Bergson, Bosanquet, Schopenhauer and Arnold. This paper aims to rewrite this list by surveying those individuals who, in different ways, either offer the truest claim to being the source of the term, or contributed the most to Eliot's development of it: Allston, Husserl, Bradley and Bergson. What the paper will argue is that Eliot's possible inspiration for the term is more indebted to the idealist tradition, and Bergson's aesthetic development of it, than to the phenomenology of Husserl.
The same principle would apply to diagnostic and treatment procedures, creating a natural feedback for demand, depending on the patient's wishes and willingness to pay-without threatening the ...principle that everyone has equal access, because the cost represents a percentage of their income. Artificial intelligence to help with patient care and research, under strict ethical guidelines. Blanco, for capturing the essence of making a diagnosis or getting to the core of a research problem: "Unravelling embroideries, I'll re-grasp the thread" (La Renuncia); and Eliot, for his understanding of human beings: ". . . human kind cannot bear very much reality" (The Four Quartets).
The New Cambridge Companion to T.S. Eliot Edited by Jason Harding Cambridge University Press Cambridge 2016 xx + 212 pp. ISBN 978 1 107 03701 4 (hbck) ; ISBN 978 1 107 69105 6 (pbck) ; ISBN 978 1 316 ...57866 7 (e-book) £49.99 $89.99 (hbck); £18.99 $29.99 (pbck); $24 (e-book). Cambridge Companions to Literature.
As an alternative to the seemingly natural objectivity and self-evidence of “data,” this paper builds on recent francophone literature by developing a critical conceptualization of “digital traces.” ...Underlining the materiality and discursiveness of traces allows us to understand and articulate both the technical and sociopolitical implications of digital technology. The philosophies of Gilbert Simondon and Michel Foucault give strong ontological and epistemological groundings for interpreting the relationships between technology and processes of subjectification. In this light, digital traces are framed as objects and products of heteronomous interventions, the logics of which can be traced through the programs and algorithms deployed. Through the empirical examples of “Predictive Policing” and “Quantified Self” digital traces are contrasted with the premises and dreams of Big Data. While the later claims to algorithmically correlative, predict and preempt the future by reducing it to a “what-is-to-come,” the digital trace paradigm offers a new perspective on how forms of self-control and control of the self are interdependent facets of “algorithmic governmentality.”
The second Supplement to the Oxford English Dictionary, edited by Robert Burchfield between 1957 and 1986, more than doubled the number of literary eponyms in the dictionary, to 167. The first ...edition of 1933 (OED1), including the first Supplement, had Aristophank (first attested 1827) and Sophoclean (1649) but not Æschylean (1844) or Euripidean (1821); Ossianesque (1874) but not Omaresque (1892); Coleridgean (1834) but not Southeyon (1817); and so on. In addition to these missing nineteenth-century terms, the second Supplement -- and subsequently the integrated second edition of 1989 (OED2)--also added a number of newer ones, such as Joycean (1927), Poundian (1939), Woolfian (1936), and Yeatsian (1928). However, although there are headwords in OED2 as recent as Durellian , Gravesian , and Greeneian (all 1961), and as expendable, arguably, as Lylian , Runyonesque, and Pinerotic, there is no Eliotian, Eliotesque, or Eliotic to be found in any edition--including, as of early 2016, the current OED Online (OED3), which is in the midst of a complete revision.
The Wasteland addresses modernity and the lost connection to high culture and refined life. It explores the interplay between emotional sufferings, portrayal of madness in pleasure, contemporary ...psychiatry and offers solutions from the Indian Upanishad. Words such as Datta, Dayavadham, and Damyatta proffer a wonderful solution to break free from the madness of sensual and materialistic life. The poem is an outlet for Eliot's anxieties around the loss of cultural and moral identity in the modern world, a world that "lacks traditional structures of authority and belief thus only containing "soil that may not be conducive to new growth" (Lewis). The theme of the poem is relative and meaningful and also is prophetic of the modern times. Keywords: T.S. Eliot, The Wasteland, social criticism, contemporary psychiatry, moral identity
Liberal Realism Dean, William D.
The Journal of religion,
04/2016, Letnik:
96, Številka:
2
Journal Article
Recenzirano
T.S. Eliot's Four Quartets provides sufficient evidence of the apparent or real ambiguity of God. Eliot's voice is authoritative but is one among many such voices, some of which sharply differ from ...Eliot's. Further, Eliot seems virtually to invite people not to take his word as authoritative, acknowledging that for him God was "ineffable" and joking that his own poetry was conducted "with shabby equipment always deteriorating." Nonetheless, "The Dry Salvages" does provide some subjective evidence: its search was not narrowly religious but was broadly theological, implicitly seeking ultimate as well as cultural grounds for moral behavior. Here, Dean analyzes Eliot's God language in "The Dry Salvages" and suggests the implications of that God language. He also proposes that that poem's representation of the appearance and/or the reality of the moral ambiguity of God could contribute to a new realism in religious liberalism.
Eliot's "Four Elizabethan Dramatists" is one of the substantial critiques on Elizabethan drama from a modernist perspective. The prominence laid on classical principles and realism, on the one hand ...and the interconnection between drama and poetry, on the other contribute to the inconsistency of creativity rather than stationing an unswerving artistic form. While the modern dramatic tradition has improved upon the technical aspects, Elizabethans relied on the poetic brilliance. Eliot argues for a dramatic tradition that stably balances between realism, poetry and technique. This essay is an attempt to critically read Eliot's essay to locate his contribution to dramaturgy. Keywords: T. S. Eliot, Elizabethan, modernist, realism, Charles Lamb, Willaim Archer
Brian Cherney reflects on his childhood and youth in Peterborough, Ontario, in the 1940s and 1950s and his musical studies at the University of Toronto. He considers the varied influence that family, ...recordings, CBC broadcasts, attending live concerts, piano lessons, reading about music, and spending time in Europe in the late 1960s had in shaping his emerging interest in becoming a composer. Cherney considers that it was only in the mid-1970s, after his appointment to McGill in 1972, that he developed the self-awareness, critical insight, and confidence to become a mature composer … someone who dared, in T.S. Eliot’s words, to “disturb the universe.”
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