The publication focuses on the most important aspects of field research, documentation, archiving and preservation of folk music heritage: it contains elementary guidelines for fieldwork, provides ...the basics concepts of music and text transcriptions, and draws attention to the correct handling and preservation of unique field material, especially sound and written sources. It is intended to address those who are interested in the discovery and research of folk instrumental and vocal music, to support them with recommendations for their work, and thus to make them aware not only of the importance of discovering and collecting folk music in the field, but also of the importance of preserving documented field material. The bilingual Slovenian-Hungarian handbook Snemanje in arhiviranje ljudske glasbe / Népzene rögzítése és archiválása (Folk Music Recording and Archiving Handbook) is the result of the project “Folk Music Heritage: Exploration, study and dissemination of the common folk music heritage”, carried out in the framework of the Interreg V-A Slovenia Hungary cross-border cooperation in the years 2018-2021.
Članek proučuje fenomen združenj hozonkai za ohranjanje ljudskih pesmi oz. ljudskih uprizoritvenih umetnosti, ki si prizadevajo ohraniti in prenašati japonske ljudske pesmi v »avtentični«, ...nespremenjeni obliki. Kot primer enega takšnih združenj in njegovega ravnanja z ljudskim glasbenim izročilom avtorica obravnava organizacijo in trenutne dejavnosti združenja Kokiriko uta hozonkai – ustanovljenega leta 1951 in zadolženega za ohranjanje in prenos plesne pesmi Kagura mai.Ob upoštevanju Hughesovih splošnih značilnosti združenj kot osnove avtorica poudari skupne značilnosti, ki jih Kokiriko uta hozonkai deli z večino združenj, hkrati pa osvetli tudi njegove posebnosti. Kokiriko uta hozonkai ima močnejši koncept lokalnosti in ni povsem konservativen glede morebitnih sprememb v glasbi Kagure mai v prihodnosti. Raziskava o združenju Kokiriku uta hozonkai in njegovem »ohranjanju« Kagure mai zastavlja tudi vprašanje, ali hozonkai resnično prenaša starodavno različico pesmi Kagura mai?
Dediščina v akciji Fakin Bajec, Jasna; Lemut Bajec, Melita; Pogačar, Martin ...
2021
eBook
Odprti dostop
Stories, memories, relationships, traditional skills, dialects, and other tangible and intangible elements of cultural heritage provide opportunities and ways that can lead to compassionate, quality, ...authentic, and sustainable living in the present and in the future. The preservation and interpretation of unique cultural and natural artefacts from the past is not only in the hands of professionals from heritage institutions and research centres, but also in the hands of civil society of which children and youth are its integral part. Local people have become important participants in co-creating heritage, yet young people are still often not understood as equal bearers of culture or co-creators of heritage. How should we act to make youth’s bold ideas heard and realised in heritage projects and activities? The handbook ('Heritage in action: Ways and opportunities of integrating heritage practices into educational programs') presents approaches, methods, techniques, and examples of good practice that can address children and young people to actively participate in the exploration and interpretation of the past and (re)creation of cultural heritage in their local community. It is intended for the educators in kindergartens, schools, universities, youth centers, and local associations who want to encourage the younger generations to a deeper understanding of their ancestors’ lives.
Diversity of Belonging in Europe analyzes conflicting notions of identity and belonging in contemporary Europe. Addressing the creation, negotiation, and (re) use of diverse spaces and places of ...belonging, the book examines their fascinating complexities in the context of a changing Europe. Taking an innovative interdisciplinary approach, the volume examines renegotiations of belonging played out through cultural encounters with difference and change, in diverse public spaces and contested places. Highlighting the interconnections between social change and culture, heritage, and memory, the chapters analyze multilayered public spaces and the negotiations over culture and belonging that are connected to them. Through analyses of diverse case studies, the editors and authors draw out the significance of the participation or exclusion of differing community, grassroots, and activist groups in such practices and discourses of belonging in relation to the contemporary emergence of identity conflicts and political uses of the past across Europe. They analyze the ways in which people’s sense of belonging is connected to cultural, heritage, and memory practices undertaken in different public spaces, including museums, cultural and community centres, city monuments and built heritage, neglected urban spaces, and online fora. Diversity of Belonging in Europe provides a valuable contribution to the existing bodies of work on identities, migration, public space, memory, and heritage. The book will be of interest to scholars and students with an interest in contested belonging, public spaces, and the role of culture and heritage. Susannah Eckersley is Senior Lecturer at Newcastle University, UK, an Associated Research Fellow at the Leibniz Centre for Contemporary History (ZZF) in Potsdam, Germany, and the Project Leader of en/counter/points – a collaborative European research project on public spaces and belonging funded by HERA. Her expertise is in memory, museums, difficult heritage, migration, identities, and belonging. Claske Vos is an anthropologist and Assistant Professor in the Department of European Studies at the Humanities Faculty of the University of Amsterdam, the Netherlands. Her current work focuses on the intersection of EU funding, cultural activism, and enlargement. Her expertise is in European cultural policy, cultural heritage, Southeast Europe, and European identity formation.
Trajnostnost kulturne dediščine je kompleksno vprašanje, ki se zlasti na projektni ravni redko meri. Razlog za to je predvsem pomanjkanje splošnih kazalnikov, zaradi česar so številni projekti s ...področja dediščine samo delno trajnostni. V članku avtorici opredelita pojem trajnostne dediščine ter predstavita metode za njegovo ugotavljanje in presojo. Raziskava, ki sta jo opravili, se je osredotočala na analizo izbranih primerov dobre prakse v Grčiji, Italiji in Španiji ter na Poljskem, Portugalskem in Nizozemskem, ti so bili kot strateški projekti vključeni v posamezne instrumente regionalne ali lokalne politike Evropske unije. Metode, s katerimi sta proučevali kazalnike, ki bi se lahko uporabili za vrednotenje trajnostnih naložb v kulturno dediščino, so vključevale kabinetno raziskavo in naknadno analizo izbranih projektov s področja dediščine, financiranih v okviru posameznih instrumentov politike EU, intervjuje z upravitelji kulturne dediščine, fokusne skupine in primerjalno analizo proučevanih primerov dobre prakse. Iz izsledkov je razviden ključen pomen naslednjih dejavnikov: sodelovanje in široka vključenost raznih deležnikov, dobro kulturno upravljanje, razvejani viri financiranja, vključenost lokalne skupnosti, ki kulturno dediščino vzame za svojo, upoštevanje strokovnih standardov, inovativne rešitve in skrbno prostorsko načrtovanje pri zagotavljanju trajnostne dediščine. Primeri dobre prakse so težko prenosljivi, saj je uspeh prenosa odvisen od značilnosti lokalnega okolja. Za opredelitev trajnostne dediščine na projektni ravni je predlagan splošen nabor kazalnikov trajnostnosti, na podlagi katerih bi bile lahko v okviru instrumentov politike opredeljene prihodnje prednostne naloge in upravičene naložbe.
Cultural practices of exploring, revitalizing, interpreting and developing cultural heritage have become an important driving force in alleviating the social, cultural, environmental and economic ...challenges of today's world and in initiating sustainable progress in local communities. The interpretation of cultural uniqueness is not only in the hands of professionals from heritage institutions or research centres, but also in the hands of local residents, who are recognized as heritage bearers, cultural activists, practitioners and transmitters of heritage to the younger generations. The main objective of the model is to describe steps to achieve community involvement in cultural heritage projects and guidelines for carrying out the valorisation process with the active participation of the local population. The model outlines interesting and instructive case studies of how different interactive and “soft” methods can be used to build communities by following both top-down and bottom-up approaches. In addition, presented practices also show how to convince the younger generation that local heritage offers many opportunities to put bold ideas into practice.
This collection provides an in-depth and up-to-date examination of the concept of Intangible Cultural Heritage and the issues surrounding its value to society. Critically engaging with the UNESCO ...2003 Convention for the Safeguarding of the Intangible Cultural Heritage , the book also discusses local-level conceptualizations of living cultural traditions, practices and expressions, and reflects on the efforts that seek to safeguard them. Exploring a global range of case studies, the book considers the diverse perspectives currently involved with intangible cultural heritage and presents a rich picture of the geographic, socioeconomic and political contexts impacting research in this area. With contributions from established and emerging scholars, public servants, professionals, students and community members, this volume is also deeply enhanced by an interdisciplinary approach which draws on the theories and practices of heritage and museum studies, anthropology, folklore studies, ethnomusicology, and the study of cultural policy and related law. The Routledge Companion to Intangible Cultural Heritage undoubtedly broadens the international heritage discourse and is an invaluable learning tool for instructors, students and practitioners in the field.
Introduction Michelle Stefano and Peter Davis
A Decade Later: Critical Reflections on the UNESCO-ICH Paradigm
1. Development of UNESCO’s 2003 Convention: Creating a New Heritage Protection Paradigm? Janet Blake 2. The Examination of Nomination Files under the UNESCO Convention for the Safeguarding of the Intangible Cultural Heritage Rieks Smeets and Harriet Deacon 3. A Conversation with Richard Kurin 4. Placing Intangible Cultural Heritage, Owing a Tradition, Affirming Sovereignty: the Role of Spatiality in the Practice of the 2003 Convention Chiara Bortolloto 5. Is Intangible Cultural Heritage an Anthropological Topic? Towards Interdisciplinarity in France Christian Hottin and Sylvie Grenet 6. The Impact of UNESCO’s 2003 Convention on National Policy-making: Developing a New Heritage Protection Paradigm? Janet Blake
Reality Check: The Challenges Facing ICH Safeguarding
7. From the Bottom Up: the Identification and Safeguarding of Intangible Cultural Heritage in Guyana Aron Mazel, Gerard Corsane, Raquel Thomas and Samantha James 8. Making the Past Pay? Intangible (Cultural) Heritage in South Africa and Mauritius Rosabelle Boswell 9. A Conversation with Yelsy Hernández Zamora on Intangible Cultural Heritage in Cuba 10. The Management of Intangible Cultural Heritage in China Tracey L-D Lu 11. Ageing Musically: Tangible Sites of Intangible Cultural Heritage Bradley Hanson 12. Intangible Cultural Heritage in the Czech Republic: Between National and Local Heritage Petr Janeček 13. Damming Ava Mezin: Challenges to Safeguarding Minority Intangible Cultural Heritage in Turkey Sarah Elliott 14. Documenting and Safeguarding Intangible Cultural Heritage: the Experience in Scotland Alison McCleery and Jared Bowers
Intangible Cultural Heritage Up Close
15. Officially Ridin’ Swangas: Slab as Tangible and Intangible Cultural Heritage in Houston, Texas Langston Collin Wilkins 16. Locating Intangible Cultural Heritage in Norway Joel Taylor 17. Intangible Cultural Heritage in India: Reflections on Selected Forms of Dance Parasmoni Dutta 18. Second-hand as Living Heritage: Intangible Dimensions of Things with History Staffan Appelgren and Anna Bohlin 19. A Conversation with Linina Phuttitarn on Safeguarding a Spiritual Festival in Thailand 20. Public Experiences and the Social Capacity of Intangible Cultural Heritage in Japan: Bingata, a Textile-Dyeing Practice from Okinawa Sumiko Sarashima 21. Stretching the Dough: Economic Resiliency and the Kinaesthetics of Food Heritage across the US-Mexico Border Maribel Alvarez
Intangible Cultural Heritage and Place
22. Refuting Timelessness: Emerging Relationships to Intangible Cultural Heritage for Younger Indigenous Australians Amanda Kearney and Gabrielle Kowalewski 23. Common Ground: Insurgence, Imagination and Intangible Cultural Heritage Jos Smith 24. Indigenous Geography and Place-Based Intangible Cultural Heritage RDK Herman 25. ‘If there’s no place to dance to it, it’s going to die’: A Conversation on the Living Tradition of Baltimore Club Music and the Importance of Place Michelle L. Stefano with Christopher Clayton and Baronhawk Poitier 26. Landscape and Intangible Cultural Heritage: Interactions, Memories and Meanings Maggie Roe
Intangible Cultural Heritage, Museums and Archives
27. Making History Tangible: POLIN Museum of the History of Polish Jews, Warsaw Barbara Kirshenblatt-Gimblett 28. A Conversation with Clifford Murphy on Archives and Intangible Cultural Heritage 29. Bin Jelmood House: Narrating an Intangible History in Qatar Scott Cooper and Karen Exell 30. Standing in the Gap: Lumbee Cultural Preservation at the Baltimore American Indian Center Ashley Minner 31. A Conversation with Tara Gujadhur on the Traditional Arts and Ethnology Center in Laos 32. Museums and Intangible Cultural Heritage in Lusophone Countries Ana Mercedes Stoffel and Isabel Victor
Alternative Approaches to Safeguarding and Promoting Intangible Cultural Heritage
33. Safeguarding Maritime Intangible Cultural Heritage: Ecomuseum Batana, Croatia Dragana Lucija Ratković Aydemir 34. Reflections of a Heritage Professional: Intangible Cultural Heritage at the Ecomuseum of Terraces and Vineyards, Italy Donatella Murtas 35. Conveying Peruvian Intangible Heritage through Digital Environments Natalie Underberg-Goode 36. Growing Ecomuseums on the Canadian Prairies: Prospects for Intangible Cultural Heritage Glenn Sutter 37. The Intangible Made Tangible in Wales Einir M. Young, Gwenan H. Griffith, Marc Evans, S. Arwel Jones 38. A Conversation with Paula dos Santos and Marcelle Pereira on Intangible Cultural Heritage and Social and Ecological Justice
"It is a most welcome addition to literature, and a must-have for all who want to deepen their understanding of the scholarly research into and safeguarding practice of Intangible Cultural Heritage. (...) With the publication of this Routledge Companion, Intangible Cultural Heritage has certainly reached a new level of scholarly recognition. And that is a very good thing."
- Steven Engelsman, Director, Weltmuseum Wien, Austria "The Routledge Companion to Intangible Cultural Heritgae provides asnapshop- or rather, a whole picture album- of the evolution of a profoundly important cultural policiy and paradigm... The editors have assembled here a massive and varied set of essays- 38 individual chapters written by 54 authors, including anthropologists, folklorists, legals scholars, museum professionals, ethomusicologists, and community members." - Michael Dylan Foster, University of California, USA
Michelle L. Stefano is a Folklife Specialist (Research and Programs) at the American Folklife Center of the Library of Congress, Washington, DC. From 2011-2016, Stefano worked for Maryland Traditions, the folklife program of the state of Maryland, of which she was its Co-Director from 2015-2016. From 2012-2016, she led the partnership between Maryland Traditions and the University of Maryland, Baltimore County, where she was Visiting Assistant Professor in American Studies. She co-edited Safeguarding Intangible Cultural Heritage (2012) with Peter Davis and Gerard Corsane.
Peter Davis is Emeritus Professor of Museology in the International Centre for Cultural and Heritage Studies at Newcastle University, UK. He is honorary editor of Archives of Natural History , the journal of the Society for the History of Natural History, and a series editor for Heritage Matters . His research interests include the interactions between nature, culture and concepts of place and space. He has published widely on ecomuseums and intangible cultural heritage.
Open access – no commercial reuse
Na Slovenskem narodopisnem inštitutu Urban Jarnik, kjer raziskave in dokumentacije obsegajo vsa področja slovstvene folklore, je nesnovna kulturna dediščina močno razvejano raziskovalno področje. ...Avtorica v prispevku predstavlja kratek zgodovinski pregled zbiranja slovstvene folklore na Koroškem v funkciji utrjevanja slovenskega jezika, kulture in identitete (do leta 1920), v funkciji ohranjanja jezika, kulture in identitete (do leta 1991) in v iskanju sodobnih funkcij slovenske slovstvene folklore na Koroškem kot žive dediščine.
The Catalogue of Good Practices of Sustainable Culinary Heritage Experiences in Mediterranean Area provides a detailed description of 18 culinary experiences from 8 different Mediterranean countries: ...Italy, France, Spain, Portugal, Croatia, Greece, Cyprus and Slovenia. The good practices cover various types of culinary experiences, namely tourist sites networks dedicated to food or culinary products, services connected to food products, professional activities linked to food highlighted through a touristic activity, culinary events, specific tourist sites dedicated to food or culinary products. The Catalogue reveals how culinary experiences work, who is involved, and what are the “ingredients” which make them successful. Each culinary experience is described through a story in which you will find valuable information on: local (territorial) anchoring and relationship to heritage, organising and managing aspects, relation to existing policies and strategies, sustainability aspects, innovative aspects, monitoring and stakeholders’ views.
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