Im Verlag der Gesellschat. (19 cm). Mensual. Variantes del título: Der Teutsche Merkur.
Incluye supl.: Anzeiger des Teutschen Merkur (1783-1788). Continuada por: Der Neue Teutsche Merkur, a partir de ...en.(1790).
Includes supl.: Anzeiger des Teutschen Merkur (1783-1788). Continued by: Der Neue Teutsche Merkur, from en.(1790).
Incluye supl.: Anzeiger des Teutschen Merkur (1783-1788). Continuada por: Der Neue Teutsche Merkur, a partir de en.(1790).
Since he formed Eclectic in 1985, Jordan Merkur has mounted 16 productions; some through Equity Showcase, and others as co - productions. Assassins was put on in association with Grassy Knoll ...Productions using Canadian Stage's Berkley Street theatre facility. Social relevance aside, Merkur also looks for literate, provocative and engaging texts, and over the years, Eclectic has been responsible for an impressive array of theatre productions, including Hello and Goodbye by South African playwright Athol Fugard, and Howard Brenton's Bloody Poetry which starred Martha Burns (who copped a Dora nomination for her performance) and Brent Carver (who went on to become the toast of Broadway in Kiss of the Spiderwoman). Was Assassins as costly as the average big - budget musical? Not really, since Merkur also has a talent for getting the most for his money, mounting this show for $150,000. He says that it would have cost approximately Dollar half a million in a larger space. He also credits Canadian Stage with helping to make the show a success, saying that Artistic Director Bob Baker, "couldn't have been more supportive."
Mit der Einführung eines speziellen Tarifwerkes für junge Leute (Schüler, Studenten, Berufsanfänger und Beamtenanwärter) hat die Hanse-Merkur im Vorjahr als erstes Unternehmen der privaten ...Krankenversicherung neue Akzente gesetzt. So sind die unter 25jährigen im Bestand der Hanse-Merkur KV mit 19,3 Prozent vertreten, am Neuzugang des Jahres 1986 bereits mit über 40 Prozent.
Arbeitsbescheinigung, ausgestellt vom Handwerk der Zinn und Silberplatten Knopfgießer (handschriftlich ergänzt) zu Leipzig. Nicht ausgefüllt.
Arbeitsbescheinigung, ausgestellt vom Handwerk der Zinn ...und Silberplatten Knopfgießer (handschriftlich ergänzt) zu Leipzig. Nicht ausgefüllt.
Arbeitsbescheinigung, ausgestellt vom Handwerk der Zinn und Silberplatten Knopfgießer (handschriftlich ergänzt) zu Leipzig. Nicht ausgefüllt.
Arbeitsbescheinigung, ausgestellt vom Handwerk der Zinn ...und Silberplatten Knopfgießer (handschriftlich ergänzt) zu Leipzig. Nicht ausgefüllt.
Provider: - Institution: - Data provided by Europeana Collections- All metadata published by Europeana are available free of restriction under the Creative Commons CC0 1.0 Universal Public Domain ...Dedication. However, Europeana requests that you actively acknowledge and give attribution to all metadata sources including Europeana
Provider: - Institution: - Data provided by Europeana Collections- All metadata published by Europeana are available free of restriction under the Creative Commons CC0 1.0 Universal Public Domain ...Dedication. However, Europeana requests that you actively acknowledge and give attribution to all metadata sources including Europeana
Provider: - Institution: - Data provided by Europeana Collections- All metadata published by Europeana are available free of restriction under the Creative Commons CC0 1.0 Universal Public Domain ...Dedication. However, Europeana requests that you actively acknowledge and give attribution to all metadata sources including Europeana
This thesis analyses processes of discursive European identity formation in three cultural journals: Esprit, from France, the British New Left Review and the German Merkur during the time periods ...1989-92, and, a decade later, during 2003-06. The theoretical framework which the thesis brings to bear on this analysis is that of the European Public Sphere. This model builds on Jürgen Habermas’s original model of a “public sphere”, and alleges that a sphere of common debate about issues of European concern can lead to a more defined and integrated sense of a European identity which is widely perceived as vague and inchoate. The relevancy of the public sphere model and its connection to the larger debate about European identity, especially since 1989, are discussed in the first part of the thesis. The second part provides a comparative analysis of the main European debates in the journals during the respective time periods. It outlines the mechanisms by which identity is expressed and assesses when, and to what extent, shared notions of European identity emerge. The analysis finds that identity formation does not occur through a developmental, gradual convergence of views as the European public sphere model envisages. Rather, it is brought about in much more haphazard back-and-forth movements. Moreover, shared notions of European identity between all the journals only arise in moments of perceived crises. Such crises are identified as the most salient factor which galvanizes expressions of a common, shared sense of European identity across national boundaries and ideological cleavages. The thesis concludes that the model of the EPS is too dependent on a partial view of how identity formation occurs and should thus adopt a more nuanced understanding about the complex factors that are at play in these processes. For the principled attempt to circumscribe identity formation as the outcome of communicative processes alone is likely to be thwarted by external events.
