Il trattamento di Clara descritto dalla dott.ssa Marina Amore fornisce nuove intuizioni sul ruolo delle funzioni somatiche nello sviluppo dei disturbi emotivi e nella comunicazione terapeutica. ...Secondo la teoria del processo referenziale le descrizioni di specifiche esperienze corporee possono servire a costruire connessioni con il modo simbolico e verbale quando le narrazioni che coinvolgono persone ed eventi della vita non sono accessibili. Durante i 10 anni di trattamento, i racconti di Clara dei suoi gravi sintomi nevralgici e delle sue esperienze corporee ed emotive nelle sue interazioni con la dott.ssa Amore le permisero alla fine di parlare delle esperienze passate e presenti con i suoi genitori e le altre persone, e di ricostruire schemi delle emozioni che erano state dissociate. Le sensazioni corporee della dott.ssa Amore nelle sue interazioni con Clara l’hanno guidata nel lavoro terapeutico e hanno inoltre aperto una nuova comprensione delle esperienze nella sua stessa vita. Il processo referenziale può essere visto come un processo che ha avuto luogo in profondità tra e dentro i due partecipanti mentre riconoscevano il processo di crescita di Clara e lavoravano anche per risolvere il loro senso di perdita nella fase finale.
Simboli sukoba i nade Neagoe, Alexandru
Kairos,
12/2017, Letnik:
11, Številka:
2
Journal Article, Paper
Odprti dostop
Ovaj članak donosi analizu upotrebe simbola u knjigama Daniel i Otkrivenje. Prvi dio studije procjenjuje razinu tematskog jedinstva, za koje se može reći da postoji između dvije knjige (s obzirom na ...njihov zajednički književni žanr). U drugom dijelu članka istražuju se različite uloge koje simbolizam igra u ove dvije knjige. Konačno, završni dijelovi ujedinjuju nalaze istraživanja, ukazujući na to kako je, unatoč složenom simbolizmu u knjigama Daniela i Otkrivenja, moguće o njima govoriti (pojedinačno i skupno) kao o knjigama koje imaju jedinstvenu poruku koja bi se mogla opisati kao pobjeda dobra nad zlom, ili točnije, kao suverenost Boga u svijetu u kojem izgleda da prevladava zlo. Istodobno, ta jedinstvena poruka može za određene skupine i okruženja poprimiti širok raspon posebnih značenja.
The present article offers an analysis of the use of symbolism in the books of Daniel and Revelation. Thus, the first section of the study evaluates the degree of thematic unity which may be said to exist between the two books (given their common literary genre). Secondly, the article explores the different roles which symbolism plays within the two books. Finally, a concluding section brings together the findings of the study, indicating that despite the complex symbolism of Daniel and Revelation, it is plausible to speak of these books (individually and together) as having a unifying message which could be described as the victory of good over evil or, more precisely, the sovereignty of God in a world where evil seems to prevail. At the same time, this unifying message can take a wide variety of distinctive meanings for specific groups and for specific settings.
Every natural symbol - derived from blood, breath or excrement - carries a social meaning and this work focuses on the ways in which any one culture makes its selections from body symbolism. Each ...person treats their body as an image of society and the author examines the varieties of ritual and symbolic expression and the patterns of social ritual in which they are embodied.Natural Symbols is a book about religion and it concerns our own society at least as much as any other. It has stimulated new insights into religious and political movements and has provoked re-appraisals of current progressive orthodoxies in many fields. As a classic, it represents a work of anthropology in its widest sense, exploring themes such as the social meaning of natural symbols and the image of the body in society which are now very much in vogue in anthropology, sociology and cultural studies.In this reissue and with a new Introduction, Natural Symbols will continue to appeal to all students of anthropology, sociology and religion.
Among the creation of geomorphological maps the data collection of elements and features is one of the most important steps. The most relevant information to be collected are not only their position ...(geolocalization) but also their classification and properties according to the official encoding: within this context the Italian National Geologic Service (SGN) set up data collection and data storing standards through a focused documentation, the “I Quaderni” (series III), n.4 e n.10. In this paper we describe a new system to collect these kind of data directly on the field through the most commonly used tablets and smartphones. This system is based on an ESRI Geodatabase Enterprise installed on a server, an ArcGIS Online account and the ESRI Collector App for smartphones. Data collected by operators on the field are directly sent to the Geodatabase on server using mobile internet connection; data structure and format follow the national standards, so they are ready to be added into a geomorphological map.
Among the creation of geomorphological maps the data collection of elements and features is one of the most important steps. The most relevant information to be collected are not only their position ...(geolocalization) but also their classification and properties according to the official encoding: within this context the Italian National Geologic Service (SGN) set up data collection and data storing standards through a focused documentation, the “I Quaderni” (series III), n.4 e n.10. In this paper we describe a new system to collect these kind of data directly on the field through the most commonly used tablets and smartphones. This system is based on an ESRI Geodatabase Enterprise installed on a server, an ArcGIS Online account and the ESRI Collector App for smartphones. Data collected by operators on the field are directly sent to the Geodatabase on server using mobile internet connection; data structure and format follow the national standards, so they are ready to be added into a geomorphological map.
In this paper, we explore how the emotions of eco‐anxiety and eco‐anger can be perceived as potentially constructive responses to the climate crisis. We examine the context in which these emotions ...are experienced and expressed in light of the relationship between human beings and Nature. We argue that these eco‐emotions are both visceral and numinous, and that this dual characteristic is critical when determining how best to respond to eco‐anxiety and eco‐anger. We propose that a suitable approach to this challenge is to draw from the imagination and the symbolic domain, and we offer personal reflections on what this process may look like.
Dans cet article les auteurs explorent comment les émotions d’éco‐anxiété et d’éco‐colère peuvent être perçues comme des réponses potentiellement constructives à la crise du climat. A la lumière de la relation entre les êtres humains et la nature ils étudient le contexte dans lequel ces émotions sont ressenties et exprimées et soutiennent que ces éco‐émotions sont à la fois viscérales et numineuses. Les auteurs suggèrent que cette double caractéristique est cruciale quand il s’agit de déterminer comment répondre au mieux à l’éco‐anxiété et l’éco‐colère. Ils suggèrent que l’approche qui convient pour relever ce défi est de s’appuyer sur l’imagination et le domaine symbolique. Des réflexions personnelles sont données afin d’illustrer à quoi pourrait ressembler ce processus.
In diesem Artikel untersuchen die Autoren, wie die Emotionen von Öko‐Angst und Öko‐Wut als potentiell konstruktive Reaktionen auf die Klimakrise wahrgenommen werden können. Sie untersuchen den Kontext, in dem diese Emotionen erlebt und ausgedrückt werden, im Lichte der Beziehung zwischen Mensch und Natur und argumentieren, daß diese Öko‐Emotionen sowohl viszeral als auch numinos sind. Die Autoren schlagen vor, daß dieses duale Merkmal entscheidend ist wenn es darum geht zu bestimmen, wie man am besten auf Öko‐Angst und Öko‐Wut reagiert und sie regen an, einen geeigneten Ansatz für diese Herausforderung darin zu sehen, aus der Vorstellungskraft und dem symbolischen Bereich zu schöpfen. Es werden persönliche Reflexionen darüber angeboten, wie dieser Prozeß aussehen könnte.
In questo articolo, gli Autori esplorano come le emozioni di eco‐ansia ed eco‐rabbia possono essere percepite come risposte potenzialmente costruttive alla crisi climatica. Esaminano il contesto in cui queste emozioni sono vissute ed espresse alla luce della relazione tra gli esseri umani e la natura e sostengono che queste ecoemozioni siano sia viscerali che numinose. Gli autori suggeriscono che questa duplice caratteristica è fondamentale nel determinare il modo migliore per rispondere all'eco‐ansia e all'eco‐rabbia e propongono che un approccio adeguato a questa sfida sia quello di attingere dall'immaginazione e dal dominio simbolico. Vengono offerte riflessioni personali su come potrebbe essere questo processo.
Авторы статьи исследуют возможность воспринимать эмоции эко‐тревоги и эко‐опасности как потенциально конструктивные ответы на климатический кризис. Они рассматривают контекст, в котором данные эмоции переживаются и выражаются в свете отношений между человеком и природой, и утверждают, что эти эко‐эмоции являются одновременно висцеральными и нуминозными. Авторы полагают, что эта двойственная характеристика имеет решающее значение при определении того, как лучше реагировать на эко‐тревогу и эко‐опасность, и призывают использовать воображение и сферу символического. Предлагаются личные размышления о том, что может представлять собой этот процесс.
En el presente trabajo, los autores exploran como las emociones de eco‐ansiedad y eco‐enojo pueden percibirse como respuestas potencialmente constructivas a la crisis climática. Se examina el contexto en el cual estas emociones son experimentadas y expresadas a la luz de la relación entre seres humanos y naturaleza, y se argumenta que estas eco‐emociones son tanto viscerales como numinosas. Los autores sugieren que esta característica dual es crítica al momento de determinar el mejor modo de responder a la eco‐ansiedad y al eco‐enojo, y proponen que un abordaje apropiado a este desafío se basa en la imaginación y en el domino simbólico. Se ofrecen reflexiones personales acerca de cómo puede manifestarse este proceso.
生态焦虑和生态愤怒的语境化:对内脏和神性情感的试探性回应。
在本文中, 作者探讨了生态焦虑和生态愤怒的情绪可能是对为对气候危机的建设性反应。他们研究了这些情绪被体验和表达的背景, 并与人类与自然的关系相关联, 认为这些生态情绪既是内脏的又是神圣的。作者认为, 在我们要决定如何最好地应对生态焦虑和生态愤怒时, 这种双重性的特征至关重要, 他们提出应从想象和意象的领域寻求应对这一挑战的合适方法。对于这一过程可能出现的情况, 作者进行了个人的反思。
The aim of this article is to outline the path of growth and development that proceeds from the icon to the cultural icon, defining its semiotic status and describing the specificities of its ...formation. The cultural icon is, from the semiotic point of view, a symbolic hypoicon generated in the symbolic way within a specific sub-culture. Cultural icons can reach a higher level of brand awareness and they permit heritage marketing actions.
Tekstovi s elementima mitskog jezika često su oni u kojima se nalaze simboličke vrijednosti te prenesena i prikrivena značenja svega što se naoko čini sasvim obično i svakodnevno. Motivima u ...umjetničkim i narodnim bajkama svojstvena je plošnost izričaja, no u njihovoj selektivnoj uporabi često se kriju vrijednosti i značenja koja se mogu protumačiti detaljnijim istraživanjem i razumijevanjem značenjskog konteksta stvaranja bajke. Ovaj rad polazi od ideje da se autorica Priča iz davnine u svojim bajkama služila motivskim i značenjskim spektrom koji se aplicira na floru u slavenskoj mitologiji. Korištenje pojedinih primjera flore nosi simboličke i značenjske funkcije koje se mogu detektirati proučavanjem korpusa mitskih motiva i elemenata koji su se baštinili u slavenskoj mitologiji i etnobotanici.
Texts with the elements of mythic language are often those in which symbolic values are found and the transcribed and hidden meanings in everything which seems quite commonly and daily. The motives in artistic and folk fairy tales are often attributed with means of one dimensionality, but in the selective use of these motifs there are hidden values and significance which can be interpreted through detailed research and understanding the meaning context of fairy tales. This paper is based on the idea that the author of the Story of Long Ago in her fairy tales used motifs and meanings spectrum which is applied to the flora of Slavic mythology. The use of specific specimens of flora carries symbolic and meaningful functions within which that can be detected by studying the corpus of mythical motifs and elements that were inherited in Slavic mythology and ethnobotanics.
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