Podlaga za raziskavo je bila skupina 329 povedi iz del Ivana Cankarja, ki vsebujejo kompaktne izraze oči so gledale, so gledale oči, kakor tudi povedi, ki vsebujejo te tri besede, ločene z drugimi ...besedami. Take povedi je Ivan Cankar uporabljal za opis moških in ženskih literarnih oseb. Pojavljanje takih povedi v delih, njihov razpored v romanih in njihova dolžina so raziskani s kvantitativno metodo. Klasifikacija skupine je izvedena glede na uporabo prislovov ob glagolu »gledati«.
The article analyzes the various concepts of space in Cankar's drama: the place of writing and its echoes in dramatic texts, theatrical space and the conventions of dramatic writing connected with ...it, and the structure of dramatic space as regards the interpretation of individual dramatic texts. Cankar rejected closet dramas intended only to be read; an analysis of dramatic texts shows he envisioned theatre's visual, spatial dimension.
In this article, I present a new strategy for researching stage speech based upon a specific protocol of steps. Developed through a comprehensive study of stage speech investigating breakthrough ...stagings of Ivan Cankar's drama Hlapci (Eng. The Bondsmen or The Servants) during the last fifty years, the strategy approaches the research of stage speech in a way that is objective (using a combination of audio perception and computer-assisted phonetic analysis) and interdisciplinary (including theatre studies, sociology, and other fields alongside phonetics), while considering the integration of stage speech into directorial concept and its integration with other staging factors (e.g., scenography, mise-en-scene, costumes, music, movement).
Do druge svetovne vojne so v srbščino večinoma prevajali Cankarjevo kratko pripovedno prozo. Prvi prevajalci Cankarjevih del so bili študenti profesorja jugoslovanske književnosti na beograjski ...univerzi Pavla Popovića: Miloš Ivković, Uroš Džonić, Ljubica Janković in Božidar Kovačević. Avtorji srbskih prevodov so bili tudi Slovenci (Vladislav Fabjančič, Tone Potokar) in Hrvat Niko Bartulović. Profesorja Pavla Popoviča in njegove študente je s Cankarjem povezovala težnja po združitvi jugoslovanskih narodov. Srbi so začeli prevajati Cankarjeva dela še v času njegovega življenja, tako da je število njegovih prevedenih del in ponatisov veliko. V literaturi je malo podatkov o zgodnejših srbskih prevodih (Vučenov 1977: 270) in o prvih prevajalcih.
Razprava obravnava dobro znano zgodbo o Prešernovi poeziji in Šenoovi avtobiografski noveli Karamfil sa pjesnikova groba (1878), a vanjo vstopa z nove perspektive. Po eni strani zasleduje ...transformacijo gorske krajine v mitski kraj slovenstva, ki je potekala v starejši slovenski poeziji, hkrati pa Šenoovo nacionalno »spreobrnitev« obravnava v širšem kontekstu evropskega kulturnega nacionalizma in komemorativnih kultov pesnikov.
V članku s primerjalno analizo recepcij dveh nacionalnih pesnitev, Prešernovega Krsta pri Savici in Máchovega Maja, ugotavljamo, v čem sta si bila podobna in kako sta se razlikovala procesa ...kanonizacije teh dveh del, ki sta v obdobju narodnih preporodov v 19. stoletju zasedli podobni mesti v češki in slovenski nacionalni literaturi. Primerjamo, kako so se skozi pisemsko, kritiško in literarno recepcijo spreminjali pogledi na deli od prve objave (1836) do tedaj, ko sta bili sprejeti v nacionalni literarni kanon.
This article focuses on Cankar's novel Gospa Judit, exploring the connection between the text's main innovations and its inherent fragments of Nietzschean philosophy. These innovations-i.e., ...syncretism of genres, essayisation (discursivity), interweaving of two first-person narrators, a female protagonist, as well as an evaluative criterion or satirical polemic, and autobiography as the main poetical principle-were examined from the perspective of the nuclei of Nietzsche's philosophy: morality, will to power, individuality, autobiographicality, and yearning. A Nietzschean approach of adopting a moral framework is analysed as a critique of the nation's morality, while the will to power is perceived as a trait of a distinct individuality or autobiography. Finally, the work is analysed as the mirror of society.
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