Cet ouvrage propose une approche inédite de l’œuvre de Stendhal à travers une analyse des liens qui l’unissent à la musique. Quels ont été ses rapports avec la musique ? Quels étaient ses ...compositeurs, ses opéras préférés et pourquoi ? Ce livre montre comment la musique, et particulièrement l’opéra, a totalement imprégné l’œuvre de Stendhal : dans ses romans, ses nouvelles ou ses écrits intimes, il a cherché à transformer la musique en mots, faisant souvent référence à Mozart ou Cimarosa. Persuadé d’avoir été un musicien manqué, Stendhal a rêvé de rivaliser, en tant qu’écrivain, avec la musique et ainsi d’atteindre l’idéal romantique de la fraternité des arts.
Leonardo Sciascia, écrivain du social, de la politique, du pouvoir, a dit : « celui qui aime Stendhal ne peut pas aimer Proust ». Et Sciascia, en tant qu’écrivain du social, de la politique, du ...pouvoir, avoue à plusieurs reprises aimer Stendhal : Stendhal for ever est le titre d’une section de Faits divers d’histoire littéraire et civile (1989). Jacques Dubois, qui a étudié Proust et son sens du social, le sait très bien. Ce n’est pas un hasard si Stendhal une sociologie romanesque commence a...
This work aims to analyze the intertextual relations between the work O Vermelho e o Negro, by Stendhal, and Os tambourines de São Luís, by JosuéMontello. With the focus on the role of the writer's ...library in the process of literary creation, we hope to reconstruct a way of reading that brings the Montello reader of Stendhal closer to the Montello writer. For this, we used the discussions about intertextuality in Samoyault (2008) and the writer's library in Lopez (2007), in addition to the critical apparatus of Montello (1973) and Oliveira (2007) and the marginalia collected in the library of Josué Montello in Stendhal (1939). As methodological procedures, after going through the theoretical questions about intertextuality in the writer's library, we will compare Montello's critical writings on the two works with an emphasis on the treatment of historical events that comprise them, in addition to analyzing the examples of Stendhal's work that appear in the Josué Montello's library. As a result, several points of convergence were found between aspects of the works that showed the influence of one on the other, making it clear that the process of literary creation uses different techniques to achieve its final result.
The article proposes a comparative and text-oriented analysis of Vie de Henry Brulard and Le Rouge et le Noir and it wants to illustrate how elements of the Novel are evoked and recalled in the ...autobiographical writing by textual occurrences, following three themes: the presence of the father, the language, the erotic aspect. This analysis put under scrutiny how these interconnections between Fiction and Autobiography work, by showing how some autobiographical echoes that were firstly transposed in the Novel are re-elaborated and proposed again in the Autobiography after the contamination with Fiction. Thus, throughout the process of re-elaboration of mnemonic materials, memories could lose their bond with the historic event, which instead bring to the fore revealing signs of Stendhal's personal truth.
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