This article uses three databases to describe quantitative features of works by sixteenth-century Slovenian Protestant writers that may have a major impact on studies of sixteenth-century standard ...Slovenian: the number of characters in an individual book, the number of different words (potential headwords) in an individual book, and the number of new words a book introduces. A comparison of the ratios between these data provides an objective perspective on the formation of sixteenth-century standard Slovenian, drawing attention to facts that have to date been insufficiently observed.
The monograph (‘The Slavic image of word : the forces of depiction in a Slavic language of the sixteenth century’) sets the groundwork for the elucidation of some historical development in the middle ...of the evolution of Slavic languages that also influenced the establishment of literary language both in Slovenia and Russia in the mid-sixteenth century (the beginning of Slavic literary and liturgy, the intertwining of Greek and Latin Christian linguistic patterns, connection to the East-West Schism in 1054).
The book (‘The Cyclorama of the Slavic Word (A Test of Renaissance Humanism through a Cross-Section of the Complete Works of Primož Trubar and Maximus the Greek)’) presents a detailed cultural and ...historical analysis of the problems associated with the attempts to link Western and Eastern Christianity since the first century of Christianization onward, with special attention being paid to the importance of the Slavic presence in European history, including questions regarding the role of individual contributions (biographical and historical overviews) to the spiritual history of the Christian East and West. This book uses juxtaposition to present the work, creativity and views of two key figures in Slovenia and Russia, Primož Trubar and Maximus the Greek (St. Maxim the Greek). The said Slavic authors, who also wrote in Latin, German and Greek, but consciously chose Slavic for very specific reasons (Primož Trubar used it as his mother language and Maximus the Greek as a language of salvation), are studied on the basis of primary archival sources, with special regard to manuscripts (of Maximus the Greek) and to early printing (of Primož Trubar) in the sixteenth century. In addition, Neža Zajc also critically analyzes the Renaissance period and presents the option of viewing it from a different perspective: the hypotheses to date that were based on secondary literature have proven to be insufficiently explanatory or proved unsatisfactory.
Provider: - Institution: - Data provided by Europeana Collections- Vabilo na Trubarjev recital v izvedbi Ljubiteljskega gledališča Teharje in vokalne skupine Fantje z Jožefovega hriba pod vodstvom ...Primoža Krta v Knjižnici Laško. - All metadata published by Europeana are available free of restriction under the Creative Commons CC0 1.0 Universal Public Domain Dedication. However, Europeana requests that you actively acknowledge and give attribution to all metadata sources including Europeana
Mit dem vorliegenden Band wird die Herausgabe älterer slawischer Texte, die im Curriculum des Studiums der Slawischen Philologie eine Rolle spielen können, fortgesetzt (vgl. zuletzt die Nr. 3 der ...Materialien zum Curriculum der west - und südslawischen Linguistik, Band 25 dieser Reihe). Die Auswahl der Texte wurde anhand der Textzusammenstellung Reformacijsko slovstvo. Izbrano delo (eds. J. Pogačnik,...), Ljubljana 1976 getroffen. Mit einem Nachwort von Jože Pogačnik.
Provider: - Institution: - Data provided by Europeana Collections- Spomenik Primoža Trubarja ob cerkvi sv Maksimilijana v Celju. Avtor: Boris Kalin- All metadata published by Europeana are available ...free of restriction under the Creative Commons CC0 1.0 Universal Public Domain Dedication. However, Europeana requests that you actively acknowledge and give attribution to all metadata sources including Europeana
Provider: - Institution: - Data provided by Europeana Collections- Vabilo na slovesnost ob 500-letnici reformacije leta 2017 v celjskem Narodnem domu v izvedbi Ljubiteljskega gledališča Teharje ...Celje, Dekliškega pevskega zbora Gimnazije – Center Celje in Fantovske vokalne zasedbe Gimnazije – Center Celje. - All metadata published by Europeana are available free of restriction under the Creative Commons CC0 1.0 Universal Public Domain Dedication. However, Europeana requests that you actively acknowledge and give attribution to all metadata sources including Europeana
U ovom radu ukratko opisujemo tijek desetgodišnjeg istraživanja Novog testamenta,
prvog hrvatskog cjelovitog prijevoda Novog zavjeta iz 1562./3. kao i izdanja prote-
stantske tiskare u Urachu pokraj ...Tübingena sredinom šesnaestog stoljeća. Sve je poče-
lo pretiskom 2007. glagoljičkog i ćiriličnog teksta Novog testamenta. Zatim je uslijedio
latinički prijepis glagoljskog izdanja, da bi se istraživanje nastavilo četverogodišnjim
istraživačkim projektom pod naslovom „Jezik izdanja hrvatske protestantske tiskare u
kontekstu književnojezičnih smjernica XVI. stoljeća“. Sva su ova istraživanja urodila
izdavanjem više znanstvenih članaka i sačinjavanjem računalnog programa za obradu
filoloških tekstova, koji kao korpus uključuje Novi testament i Artikule.
r Die vorliegende Untersuchung ist dem thematischen Rahmen Raum-Zeit in der Theorie der Relativitat gegenuber Raum und Zeit in der klassischen Naturphilosophie (space-time in the theory of relativity ...versus space and time in the classical natural philosophy) gewidmet. Auf den ersten Blick unterscheiden sich die drei Protagonisten Šop, Trubar und Montaigne – die anhand ihrer Autobiografien oder Bibliografien komparativ untersucht werden – sehr voneinander, da sie jeweils den kroatischen, slowenischen und franzosischen ethno-genetischen und teilweise auch distanzierten zeitlichen Ursprungen verpflichtet sind. Die Abhandlung konzentriert sich auf bestimmte Ereignisse, die ihr Schaffen kennzeichnet, aus dem die Relativitat von Lebenszeit und Lebensraum hervorgeht. Die gemeinsamen Zuge dieser Kunstler des geschriebenen und gesprochenen Wortes als Fruchte einer weltgestaltenden Lebensphilosophie werden auf eine Weise beleuchtet, die ihre gemeinsame Bezeichnung als „Zeitreisende” rechtfertigt. Somit wird auch dieser Terminus technicus prazisiert. Es wird dargestellt, wie die Denker mit ihrem Sein und ihrer Kreativitat den Rahmen von Konventionen und Kausalitaten sprengten, die zu den zeit-raumlichen, spatio-temporalen Dimensionen und Bedingungen ihrer jeweiligen Epochen gehorten. Die bewussten und unbewussten biblischen Ausgangspunkte ihres Verhaltens und ihrer kosmischen Botschaft sind dabei von wesentlicher Bedeutung.
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