El presente artículo analiza las ollas con forma de stamnos a colletto, vasos contenedores realizados en Etruria durante la época helenística. Estos vasos se caracterizan por tener un canal circular ...en el hombro, por eso es posible asociar esta forma cerámica con la de los potes meleiros ibéricos y con la de los melopitari grecos. Por eso, las ollas tienen que considerarse específicos contenedores para conservar la miel.
it L’articolo esamina le olle stamnoidi a colletto, vasi realizzati in Etruria in età ellenistica. La presenza del colletto sulla spalla, uno spazio vuoto delimitato da un cordone plastico, è un elemento che accomuna questa forma vascolare ai potes meleiros iberici e melopitari greci. Come questi, anche le olle stamnoidi possono quindi essere considerate specifici contenitori per lo stoccaggio di miele.
The relic of the Precious Blood of the Passion of Christ is kept in the crypt of the Basilica of Sant'Andrea in Mantua. Venerated over the centuries by popes and emperors, it was, according to ...tradition, transferred from Calvary to Mantua by the Roman centurion (later saint) Longinus, who had pierced the side of Jesus to verify his death (John 19.34). This devotional tradition was corroborated by historical testimonials and miraculous facts. The soil soaked with the Precious Blood was hidden underground, for fear of desecration, and then found again in two subsequent retrievals (in 804 and 1048 A.D.). Due to its donation to the Holy Roman Emperor, Henry III, a part of the relic finally arrived, through various vicissitudes, in Weingarten, a town now twinned with Mantua. Guardianship of the prestigious Christian relic rests in Mantua, with the Confraternity of the Precious Blood of Jesus Christ.
Jannat Vasi denies having a signature style, but certain themes run through the many luxury residential interiors she has designed across India. Since founding her eponymous Mumbai India-based firm ...Jannat Vasi Interior Design in 2012, Vasi has created bright, modern spaces that favor inlaid stonework, detailed craftsmanship, and rich layers of materials and textures. Vasi earned a certificate in furniture design from Pratt Institute in New York and has since built relationships with Indian manufacturers. Beyond that, she and her five-person team let clients' personalities and heritages guide their concepts. Although the apartment is not a seasonal retreat but the year-round residence of a family of five, Vasi dubbed it Summer Home for its warm, light palette of white oak-veneered walls and ceiling, blush boucle-covered custom armchairs, sage Nama Home side tables, and ombre Calico wall covering that evokes twilight skies.
We report an elderly patient presenting with a stroke and also hemolytic anemia secondary to mitral and tricuspid valve repair 3 years earlier, in whom two‐dimensional transesophageal ...echocardiography (2DTEE) suspected a fistula into the pulmonary artery (APAF) from the posterior wall of the aortic arch. For further assessment, two‐dimensional transthoracic echocardiography (2DTTE) and live/real time three‐dimensional transthoracic echocardiography (3DTTE) were performed. 2DTTE showed findings similar to 2DTEE. Color Doppler guided continuous‐wave Doppler showed continuous flow throughout the cardiac cycle with systolic preponderance across the fistula with a small peak pressure gradient of 22 mmHg. Sequential systematic cropping of the 3D datasets obtained from 3DTTE confirmed that the flow signals originated from the posterior wall of the aortic arch and not the lumen. Thus, 3DTTE served to increase the confidence level that the fistula most likely originated from a vasum vasi in the wall of the aortic arch. To our knowledge, this type of fistula has not been reported previously. Fistulas from the aortic lumen to the pulmonary artery are also rare and so far only 24 cases have been reported in the literature. These are also reviewed by us.
This catalogue comprises those vases from Corinth and Athens with painted decoration in the Detroit Institute of Arts. Each vase is given a description of salient features, attribution to a painter ...and date, and discussion of the painted decoration.
La recherche a analysé la figure éclectique de Raffaele Gargiulo, marchand d'antiquités célèbre en Europe, collectionneur, personnage complexe et controversé de l'histoire du Musée de Naples, dans le ...monde des Antiquités napolitaines de la première moitié du XIXème siècle. À partir de sa collection d’objets provenant de la Grande-Grèce; l'une des plus riches du Musée de Naples, et en examinant en particulier les vases peints, nous avons analysé ses méthodes de travail ainsi que ses techniques de restauration, les matériaux qu’il a utilisés et les choix qu’il a faits pour reconstruire et comprendre les critères qui ont guidé la pratique de la restauration des vases du musée Royal Bourbon dans la première moitié du XIXème siècle. La recherche a analysé les événements historiques qui ont conduit le Musée Royal à acheter l’intégralité de la collection de Raffaele Gargiulo et, en particulier, sa collection de vases. Le travail effectué est accompagné de documents d'archives qui illustrent les longues négociations concernant l'achat des matériaux, commencé en 1852 et achevé en 1855 et renseignent sur les tendances et les choix effectués par le Musée Royal de Naples en étroite collaboration avec la Commission des Antiquités et des Beaux-Arts. L’enquête a permis d’en savoir plus sur le restaurateur-marchand qu’était R. Gargiulo et sur les relations qu’il entretenait avec les personnes impliquées dans ces affaires. En partant des sources bibliographiques, des anciens inventaires et des documents d’archives, nous avons identifié les vases de la collection Gargiulo (environ 481 vases) et tous les “vases Gargiulo" achetés par le Musée de Naples. Nous avons compilé le catalogue des vases, en les classant par type de céramique et en rédigeant une fiche pour chacun d’eux. À travers le catalogage des vases, qui a permis la reconstruction de la collection, nous avons cherché à identifier et à mettre en évidence les goûts du collectionneur R. Gargiulo mais aussi des personnes impliquées dans les choix (ministre, directeur du Musée, experts), qui ont déterminé un certain style pour les collections du Musée de Naples.
The research focuses on the eclectic figure of Raffaele Gargiulo, who was a dealer, an expert, a restorer, a collector, a controversial figure in the history of the Naples Museum and Neapolitan antiques market in the first half of the nineteenth century. Starting from his collection of antiquites, one of the richest coming from Magna Graecia and which arrived in the Naples Museum, we have primarily examined the vases and have tried to analyze the restoration methods, the materials used and the choices made to reconstruct the criteria that guided the practice of the vases restoration in the Royal Bourbon Museum in the first half of the nineteenth century. The research analyzes the historical events that led to the purchase, by the Museum, of Raffaele Gargiulo’s collection, focusing mainly on the study of the vases collection. The research, enriched by archival documentation aimed at illustrating the long negotiation in the acquisition of the objects, which began in 1852 and ended in 1855, has shown the judgements and the choices made by the Neapolitan Museum in cooperation with the Commissione di Antichità e Belle Arti. Furthermore, it has contributed to define the figure of the restorer-dealer Gargiulo and his relationship with the people interested in the deal. A combination of archival documentation, old inventories and surveys in the Museum’s stores has allowed us to identify the Gargiulo’s vases collection (about 481 vases) and all the "Gargiulo’s vases" in the Museum. The vases catalogue has been created, in order to classify them according to type of ceramic, with an individual file for each vase. Thanks to the catalogue, which has aimed to the reconstruction of the collection, we have been able to highlight the aspects related to the criteria and to the taste of the collector Gargiulo and of the figures involved (Minister, Director of the Museum, experts, etc.). They have all contributed to the enrichment of the collections of the Naples Museum through the variety of artifacts and provenance from different locations in the Naples Kingdom.The research has also investigated the figure of the restorer Gargiulo, his "career" and his activities at the «Officina dei Vasi Italo-greci» of the Naples Museum. The restoration methods have been analyzed on some vases that still preserve the ancient interventions, focusing on a comparative study between old photos and archival documentation.
La ricerca ha analizzato l'eclettica figura di Raffaele Gargiulo, commerciante, abile restauratore, collezionista, figura controversa nella storia del Museo di Napoli e dell’antiquaria napoletana nella prima metà del XIX secolo. Partendo dalla sua collezione, una delle raccolte più ricche di materiali di provenienza magnogreca mai giunte nel Museo di Napoli, esaminando in particolare i vasi, si è cercato poi di analizzare i metodi di restauro, i materiali adoperati e le scelte attuate per ricostruire e comprendere i criteri che guidarono la pratica del restauro dei vasi del Museo Borbonico nella prima metà dell'Ottocento. La ricerca ha analizzato le vicende che hanno portato all’acquisizione da parte del Museo Borbonico della collezione di Gargiulo nella sua totalità e, in particolare, della collezione vascolare. Il lavoro, corredato da documenti archivistici volti ad illustrare la lunga trattativa nell'acquisizione dei materiali, iniziata nel 1852 e conclusa nel 1855, ha messo in evidenza le valutazioni, le tendenze e le scelte operate a Napoli presso il Museo in stretto rapporto con la Commissione di Antichità e Belle Arti e ha contribuito a delineare la figura del restauratore-commerciante Gargiulo e il suo rapporto con le figure che, più o meno appassionatamente, si interessarono alla vicenda.Sono stati individuati, sulla base delle fonti, degli antichi inventari e dei documenti archivistici, i vasi della collezione Gargiulo (481 vasi ca.) e tutti i “vasi Gargiulo” immessi nel Museo. Si è redatto il catalogo dei vasi, diviso per classi ceramiche e con la redazione di singole schede per ogni vaso. Attraverso il catalogo e quindi la ricostituzione della collezione, si sono potute individuare, nella sua varietà di classi ceramiche e di provenienze, gli aspetti relativi ai criteri e al gusto di Gargiulo e delle figure coinvolte (Ministro, Direttore del Museo, esperti, etc.) che hanno determinato anche una scelta di gusto e di rappresentatività per le collezioni del Museo di Napoli. La ricerca ha anche preso in esame la figura del restauratore Gargiulo, la sua “carriera” e la sua attività presso «l’Officina dei Vasi Italo-greci» del Museo di Napoli. Si sono esaminati i metodi di restauro su alcuni vasi che ancora conservano gli interventi antichi, anche attraverso uno studio comparativo tra le foto antiche e i documenti di archivio.
本研究は、高校生が有する NOSI の理解の実態を VASI アンケート調査によって明らかにすることを目的とした。結果、「研究の結論は集めたデータと一致しなければならない」ことについて理解している生徒の割合は顕著に高かった一方、「科学的 investigation はすべて問いから始まり、必ずしも仮説を検証するわけではない」、「全ての ...investigationがたどる単一の手順は存在しない」、「解釈は、集めたデータと既有知識とを組み合わせることによってなされる」ことについて理解している生徒の割合は著しく低かった。
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