Vergil verband seine Eklogen, Georgica und Aeneis so geschickt zu einer Einheit, dass Autoren wie Properz und Ovid bei der Konzeption eigener Gesamtwerke vor einer Herausforderung standen. Daneben ...sind ab dem 1. Jahrhundert nach Christus angeblich vergilische Jugendwerke bezeugt, die heute mit dem Titel Appendix Vergiliana bezeichnet werden und im Mittelpunkt der Studie stehen. Diese vergilischen iuvenilia bildeten keine konstante Sammlung; vielmehr wurde Vergils Trias im Laufe der Zeit durch unterschiedliche Appendices ergänzt. Dies zeigt sich nicht nur in der antiken und mittelalterlichen Rezeption, sondern auch in den Handschriften selbst. Dank einer neuen Erklärung der komplexen Überlieferung lassen sich die Veränderungen von Vergils Œuvre in diesen materiellen Textzeugen endlich besser verstehen.
"I sing of arms and of a man: his fate had made him fugitive: he was the first to journey from the coasts of Troy as far as Italy and the Lavinian shores." The resonant opening lines of Virgil's ...Aeneid rank among the most famous and consistently recited verses to have been passed down to later ages by antiquity. And after the Odyssey and the Iliad, Virgil's masterpiece is arguably the greatest classical text in the whole of Western literature. This sinuous and richly characterised epic vitally influenced the poetry of Dante, Petrarch and Milton. The doomed love of Dido and Aeneas inspired Purcell, while for T S Eliot Virgil's poem was 'the classic of all Europe'. The poet's stirring tale of a refugee Trojan prince, 'torn from Libyan waves' to found a new homeland in Italy, has provided much fertile material for writings on colonialism and for discourses of ethnic and national identity. The Aeneid has even been viewed as a template and a source of philosophical justification for British and American imperialism and adventurism. In his major new book Philip Hardie explores the many remarkable afterlives - ancient, medieval and modern - of the Aeneid in literature, music, politics, the visual arts and film.
Gathering together over 60 new and revised discussions of textual issues, this volume represents notorious problems in well-known texts from the classical era by authors including Horace, Ennius, and ...Vergil.
A follow-up to Vegiliana: Critical Studies on the Texts of Publius Vergilius Maro (2017), the volume includes major contributions to the discussion of Horace’s Carmen IV 8 and IV 12, along with studies on Catullus Carmen 67 and Hadrian’s Animula vagula, as well as a new contribution on Livy’s text at IV 20 in connection with Cossus’s spolia opima, and on Vergil’s Aeneid 3. 147–152 and 11. 151–153. On Ennius, the author presents several new ideas on Ann. 42 Sk. and 220–22l, and in editing Horace, he suggests new principles for the critical apparatus and tries to find a balance by weighing both sides in several studies, comparing a conservative and a radical approach.
Critica will be an important resource for students and scholars of Latin language and literature.
Virgil's Aeneid invites its reader to identify with the Roman nation whose origins and destiny it celebrates. But, as J. D. Reed argues in Virgil's Gaze, the great Roman epic satisfies this ...identification only indirectly--if at all. In retelling the story of Aeneas' foundational journey from Troy to Italy, Virgil defines Roman national identity only provisionally, through oppositions to other ethnic identities--especially Trojan, Carthaginian, Italian, and Greek--oppositions that shift with the shifting perspective of the narrative. Roman identity emerges as multivalent and constantly changing rather than unitary and stable. The Roman self that the poem gives us is capacious--adaptable to a universal nationality, potentially an imperial force--but empty at its heart. However, the incongruities that produce this emptiness are also what make the Aeneid endlessly readable, since they forestall a single perspective and a single notion of the Roman. Focusing on questions of narratology, intertextuality, and ideology, Virgil's Gaze offers new readings of such major episodes as the fall of Troy, the pageant of heroes in the underworld, the death of Turnus, and the disconcertingly sensual descriptions of the slain Euryalus, Pallas, and Camilla. While advancing a highly original argument, Reed's wide-ranging study also serves as an ideal introduction to the poetics and principal themes of the Aeneid.
During the decades following the English civil wars, British poets seeking to make sense of lingering political instabilities turned to Virgil’s Georgics . This ancient poem betrays deep ...ambivalences about war, political power, and empire, and such poets as Andrew Marvell, John Dryden, and Anne Finch found in these attitudes valuable ways of responding to the uncertainties of their own time. Composed during a period of brutal conflict in Rome, Virgil’s agricultural poem distrusts easy stability, urging its readers to understand that lasting peace must be sowed, tended, reaped, and replanted, year after year. Like the ancient poet, who famously depicted a farmer’s scythe suddenly recast as a sword, the poets discussed in Cultivating Peace imagine states of peace and war to be fundamentally and materially linked. In distinct ways, they dismantle the dream of the golden age renewed, proposing instead that peace must be sustained by constant labor.
This book is a systematic study of the importance of Greek tragedy as a fundamental 'intertext' for Vergil's Aeneid. Vassiliki Panoussi argues that the epic's representation of ritual acts, ...especially sacrifice, mourning, marriage, and maenadic rites, mobilizes a connection to tragedy. The tragic-ritual model offers a fresh look into the political and cultural function of the Aeneid, expanding our awareness of the poem's scope, particularly in relation to gender, and presenting new readings of celebrated episodes, such as Anchises' games, Amata's maenadic rites, Dido's suicide, and the killing of Turnus. She interprets the Aeneid as a work that reflects the dynamic nature of Augustan ideology, contributing to the redefinition of civic discourse and national identity. In her rich study, readers will find a unique exploration of the complex relationship between Greek tragedy and Vergil's Aeneid and a stimulating discussion of problems of gender, power, and ideology in ancient Rome.
Tracing the path from Troy's destruction to Rome's foundation, the Aeneid explores the transition between past and future. As the Trojans struggle to found a new city and the narrator sings of his ...audience's often-painful history, memory becomes intertwined with a crucial leitmotif: the challenge of being part of a group that survives violence and destruction only to face the daunting task of remembering what was lost. This book offers a new reading of the Aeneid that engages with critical work on memory and questions the prevailing view that Aeneas must forget his disastrous history in order to escape from a cycle of loss. Considering crucial scenes such as Aeneas' reconstruction of Celaeno's prophecy and his slaying of Turnus, this book demonstrates that memory in the Aeneid is a reconstructive and dynamic process, one that offers a social and narrative mechanism for integrating a traumatic past with an uncertain future.
At the end of the Thebaid, Statius enjoins his epic 'not to compete with the divine Aeneid but rather to follow at a distance and always revere its footprints'. The nature of the Thebaid's ...interaction with the Aeneid is, however, a matter of debate. This 2007 book argues that the Thebaid reworks themes, scenes, and ideas from Virgil in order to show that the Aeneid's representation of monarchy is inadequate. It also demonstrates how the Thebaid's fascination with horror, spectacle, and unspeakable violence is tied to Statius' critique of the moral and political virtues at the heart of the Aeneid. Professor Ganiban offers both a way to interpret the Thebaid and a largely sequential reading of the poem.
