Moyses Chaon, II Guerra Mundial, Brasil, judios en el ejercito brasileiro Abstract This article deals with one of the great Generals of the Jewish Division that participated in the Second World War. ..." Moises Ao final da guerra, em 23 de maio de 1945, ainda na Itália, na cidade de Alessandria, o Comandante do V Exercito Americano, Tenente General Lucian Truscott agraciou os soldados brasileiros da FEB e da FAB que mais se destacaram com as seguintes medalhas: 1 - Citaçâo de Combate - Medalha "Distinguished Service Cross" (Cruz de Serviços Distintos) - APOLLO MIGUEL REZK (1G - 153466) - Primeiro Tenente R/2 de Infantaria 2 - Citaçâo de Combate - Medalha "Silver Star" (Estrela de Prata) - MOYSES CHAHON (1G-163.603) - Primeiro Tenente de Infantaria GERVAZIO DESCHAMPS PINTO (1G-149.061) - Segundo Tenente de Infantaria JOAO GUILHERME SCHULTZ MARQUES (1G-243.180) - Primeiro Sargento de Infantaria AFONSO DE MELLO(1G-267.486) - Soldado de Infantaria 3 - Citaçâo de Combate - Medalha "Bronze Star" (Estrela de Bronze) - concedida a 11 militares brasileiros, entre os quais os Tenente Coronéis Humberto de Alencar Castello Branco e Amaury Kruel, que um dia se tornariam Marechais do Exército Brasileiro. 4 - Citaçâo de Combate - Medalha "Air Medal" (Medalha de Aeronáutica) - concedida a 20 pilotos de caça brasileiros, Portanto, apenas 4 brasileiros receberam a Silver Star, entre os quais Moyses. Classe outorgada pelo Presidente d Republica; Em extensa citaçâo no diploma, Moyses é louvado pela coragem com que comandou seu pelotăo, mantendo-se por 4 dias em em face de sucessivos e violentos contra-ataques inimigos, sendo atacado a granadas de măo, desabrigado e sob fogo de artilharia e morteiros.
Ungeduld des Herzens (1939) is the only novel published during Stefan Zweig's lifetime. Written between 1936 and 1938, the book's genesis coincided with key events in Austrian and European history, ...including the mass displacement of Jews from Germany and the ‘Anschluss’ of Austria with Nazi‐Germany. A closer inspection of the changes from the first to the tenth and final manuscript version of the novel indicates that Zweig started out with the intention to write a psychological novella about a tragic love story. As work on the text progressed, however, Zweig added characters and plot elements which appear to comment on the political developments of the time. In this article, I will argue that the revisions Zweig made while he was re‐writing the novel add an important political subtext that aligns with the ethical objectives of his later exile works.
Zusammenfassung
Ungeduld des Herzens (1939) ist der einzige zu Lebzeiten veröffentlichte Roman von Stefan Zweig. Die Textgenese zwischen 1936 und 1938 fällt mit Schlüsselereignissen in der österreichischen und europäischen Geschichte, wie etwa der Massenflucht von Juden aus Deutschland und dem ʻAnschlussʼ Österreichs an Nazi‐Deutschland zusammen. Eine nähere Betrachtung der Textänderungen von der ersten bis zur zehnten und letzten Manuskriptstufe deutet darauf hin, dass Zweig anfangs die psychologische Betrachtung einer tragischen Liebesgeschichte in Novellenform plante. Mit jeder weiteren Textstufe fügt Zweig jedoch Figuren und Handlungselemente ein, die auf die politischen Entwicklungen der Zeit Bezug zu nehmen scheinen. Dieser Aufsatz versucht darzulegen, dass Zweig durch die Textänderungen einen politischen Subtext in den Roman einführt, der sich mit den ethischen Wirkungsabsichten seines Spätwerks weitestgehend deckt.
The sudden emergence of a foreign language in the course of an analysis is understood as a crossroad between the past and the present: The author links this emergence to Freud's search for the ...meaning of the uncanny in different languages. She suggests that the uncanny is that which provokes curiosity and is at the same time rejected, as it refers to incestuous desires that are frightening, forbidden, and disgusting. The following question is raised: Is incest at the core of the riddle of anxiety? The author traces the multiocular structure leading to an understanding of what has taken place and the vicissitudes of the sexual and the melancholic in an analysis. It is the force of the repetition compulsion that enables repressed infantile sexuality to find its way in the transference, so that it can, for the first time, be named, in terms of its contradictory and opposing forces: red and black. The author establishes a link between Freud and Laplanche in the understanding that sexuality is only incompletely transformed into psychic reality.
Objetiva-se comparar impressões sobre o Rio de Janeiro em textos de escritores, refugiados no Brasil durante o Estado Novo de Vargas no contexto das perseguições nazistas na Europa Central. De Stefan ...Zweig, selecionamos fragmentos de Brasil, um País do Futuro, de 1941, que mostram impressões de sua chegada de navio ao Rio de Janeiro em 1936, a idealização do país como “Paraíso Reencontrado” e a flânerie pela cidade, observada de perspectivas diversas. De Paulo Rónai, extraímos fragmentos do artigo “A Impressão de um Europeu do Rio em 1941”, da revista Travel in Brazil, que revelam associações do Rio a uma imagem de “Terra Prometida” e o transitar do autor entre o trabalho de luto e a homesickness, “saudade de casa”.
In 1910, the young Austrian writer Stefan Zweig dedicated a biographical study to the internationally acclaimed Belgian poet Émile Verhaeren. As part of Zweig's international publishing strategy, the ...study was translated into French and published in Paris a few months before it came out in its original language, German. An English translation was intended for publication at the same time, but was delayed until November 1914, when the First World War was to separate Verhaeren and Zweig forever. Zweig's biography permitted him to define his own European and cosmopolitan ideals through Verhaeren's life narrative. This article shows that one and the same text of life writing can be appropriated through national(ist) and cosmopolitan lenses within the context of ideological and political agendas. Zweig's biography presents Verhaeren as a ‘New European’, but at the same time as ‘part and parcel of German culture’. The publication of the English translation by Jethro Bithell in 1914 provoked criticism in the British press that was directed against Zweig's nationally biased perception and his alleged closeness to the Belgian poet. The example illustrates how claims of cosmopolitan openness are not always incompatible with a national or patriotic agenda. It also qualifies Zweig's reputation as the epitome of Europeanism and pacifism by providing new insight into his ideas before 1914.
Abstract This article examines the biographical and literary connections between Austrian writer Stefan Zweig and psychologist Alfred Adler. While Zweig's reception of Freudian psychoanalysis has ...been widely documented by scholarship, the impact of Adler's Individual Psychology on Zweig's works has so far received little attention. The article will first establish the nature and extent of their personal relationship and Zweig's engagement with and reception of Individual Psychology. It will then draw on Zweig's posthumously published novella War er es? (1942) and provide an Adlerian reading of the text. It will be argued that Zweig's focus on Adler in his exile works owes much to his concept of Finalität , which Zweig adopts as a fundamental future‐oriented outlook in much of his later fiction and nonfiction.
This article sets out to analyse Brazil, land of the future, by Stefan Zweig, highlighting the links that connect the book to the Brazilian, North American and European intellectual contexts, as well ...as to travel writing, exile and cosmopolitanism. Brazil, land of the future contains a tense dialogue, full of failed encounters, between Zweig and the Brazilian milieu: between the author's cosmopolitan and multilingual horizon, the impossibility of belonging and his constant feeling of maladjustment. We examine Brazil, land of the future as another manifesto of the 1930s and 1940s anti-racist agenda, the product of cross-dialogues that were not limited to the social reflection on Brazil, but encompassed an international intellectual and political agenda that was continually discussed and disseminated in the United States and Europe and that approached Brazil as a field for experimenting, certifying and positivizing human relations.
No hace falta destacar la importancia de El Carnero para la historia cultural de América Latina, particularmente para los territorios de la antigua Nueva Granada; tampoco su popularidad: es un libro ...querido y gustoso, crónica histórica y política, pero sobre todo exquisita literatura popular, con la calidez y el humor de la picaresca en sus numerosas aventuras; un caso excepcional de patrimonio narrativo propio. Lo importante es ese desafío contracultural llamado Josephine Baker; desafío a la Viena conservadora de los años veinte y treinta (que no pudo o no quiso retratar Stefan Zweig) y a una parte de la intelectualidad latinoamericana, como Gabriela Mistral, quien ?menciona negativamente? a la Baker ?en otra crónica de máximo racismo?. De nuestra sección de libros destacamos la que acaso sea la mayor novedad bibliográfica literaria española de los últimos años: la edición de Historia del Huérfano, de Andrés León (posible pseudónimo), escrita en el siglo xvii, posiblemente entre 1614 y 1617, y editada por primera vez a fines de 2017, por increíble que parezca, gracias a la investigadora peruana Belinda Palacio y la Fundación José Antonio de Castro, de Madrid.
...that we have nothing but his works, will we not recognize in them a river of fire? —Jacques Lacan1 In “Der Dichter und das Phantasieren” (Creative Writers and Day-Dreaming, 1907), one of the few ...talks Sigmund Freud ever gave to a literary audience, the psychoanalyst explored the nature of literary imagination and aesthetic pleasure.2 It took Freud only about twenty minutes to get his message across to the ninety or so listeners present, in terms the local press the day after reported to have been “subtle and at times clairvoyant”: the poet resembling a selfish fantasist and creative writing analogous to the act of daydreaming, literature’s power lies above all in its ability to allow adult readers an orderly, yet shameless and pleasurable, experience of otherwise repressed wishes and memories of childhood play.3 Freud had begun developing this thesis earlier and would remain interested in it well after his 1907 talk, for his assessment of the function of literature formed part of his more general conviction that modern culture is the product of a renunciation of deep-seated psychological drives.4 This assertion and the heuristic tools psychoanalysis offered to unearth such drives attracted a wide variety of modernist authors and artists to Freud. Along with Adolf Josef Storfer, to whom we will return, Heller is largely forgotten in the histories of both modernism and psychoanalysis.9 In the first decades of the twentieth century, however, Heller was known throughout the German-speaking art and literary world. Running a shop which had opened in 1905 on the Bauernmarkt in Vienna and which distributed books and periodicals on art, literature, and culture intended for children, women, and men, Heller catered mostly to bibliophiles and graphic art buffs through his journal Neue Blätter für Literatur und Kunst (later named Wiener Kunst-und Buchschau), which set out to fight against “kitsch in art and literature, against clichés and mass production.” 11 To distinguish his establishment from the roughly 2,000 bookshops in Austria around the turn of the century, Heller set up many initiatives.12 In the summer of 1906, Heller reached out to the Viennese intellectual and literary crowd with a survey asking to recommend ten good books, the responses to which were published in 1907 in a volume introduced by Hugo von Hofmannsthal.13 The thirty-two respondents included Hermann Bahr, spokesman of the avant-garde Young Vienna group, Schnitzler, Rilke, Stefan Zweig, Hermann Hesse, and physicist Ernst Mach, among others.
This book-series, initiated in 1992, has an interdisciplinary orientation; it comprises research monographs, collections of essays and annotated editions from the 18th century to the present. The ...term German-Jewish literature refers to the literary work of Jewish authors writing in German to the extent that Jewish aspects can be identified in these. However, the image of Jews among non-Jewish authors, often determined by anti-Semitism, is also a factor in the history of German-Jewish relations as reflected in literature. This series provides an appropriate forum for research into the whole problematic area.
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