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This book examines a major modern turn in Francophone Caribbean literature towards the récit d'enfance, or childhood memoir, and asks why this occurred post-1990, connecting texts to recent changes ...in public policy and education policy concerning the commemoration of slavery and colonialism both in France and at a global level (for example, the UNESCO project 'La Route de l'esclave', the 'loi Taubira' and the 'Comité pour la mémoire de l'esclavage'). Combining approaches from Postcolonial Theory, Psychoanalysis, Trauma Theory and Gender Studies, and positing recognition as a central concept of postcolonial literature, it draws attention to a neglected body of récits d'enfance by contemporary bestselling, prize-winning Francophone Caribbean authors Patrick Chamoiseau, Maryse Condé, Gisèle Pineau, Daniel Maximin, Raphaël Confiant and Dany Laferrière, while also offering new readings of texts by Aimé Césaire, Frantz Fanon, Edouard Glissant, Joseph Zobel, Françoise Ega, Michèle Lacrosil, Maurice Virassamy and Mayotte Capécia. The study proposes an innovative methodological paradigm with which to read postcolonial childhoods in a comparative framework from areas as diverse as the Caribbean, North Africa, Sub-Saharan Africa and particularly the Haitian diaspora in North America.
The shishosetsu is a Japanese form of autobiographical
fiction that flourished during the first two decades of this
century. Focusing on the works of Chikamatsu Shuko, Shiga Naoya,
and Kasai Zenzo, ...Edward Fowler explores the complex and paradoxical
nature of shishosetsu , and discusses its linguistic,
literary and cultural contexts.
Autofiction, or works in which the eponymous author appears as a fictionalized character, represents a significant trend in postwar American literature, when it proliferated to become a kind of ...postmodern cliché.The Story of "Me"charts the history and development of this genre, analyzing its narratological effects and discussing its cultural implications. By tracing autofiction's conceptual issues through case studies and an array of texts, Marjorie Worthington sheds light on a number of issues for postwar American writing: the maleness of the postmodern canon-and anxieties created by the supposed waning of male privilege-the relationship between celebrity and authorship, the influence of theory, the angst stemming from claims of the "death of the author," and the rise of memoir culture.Worthington constructs and contextualizes a bridge between the French literary context, from which the term originated, and the rise of autofiction among various American literary movements, from modernism to New Criticism to New Journalism.The Story of "Me"demonstrates that the burgeoning of autofiction serves as a barometer of American literature, from modernist authorial effacement to postmodern literary self-consciousness.
Writing the roaming subject Saul, Joanne
Writing the roaming subject,
2006, 20060921, 2014, 2006-01-01
eBook
Engaging current debates within the studies of life writing and of the nation-state,Writing the Roaming Subjectfocuses on a group of Canadian writers who pose questions about cultural difference and ...national identity while writing about their own lives and their own experiences of displacement. Joanne Saul uses the term 'biotext' to describe the unique form of writing that challenges critical practices regarding both life writing and immigrant and ethnic minority writing by blurring the borders of biography, autobiography, history, fiction and theory, as well as poetry, prose, and visual representation.
In her readings of selected contemporary Canadian biotexts - including Michael Ondaatje'sRunning in the Family, Daphne Marlatt'sGhost Works, Roy Kiyooka'sMothertalk, and Fred Wah'sDiamond Grill- Saul suggests that by crossing generic boundaries, these works illuminate the complex relationships between language, place, and self as they are manifested in textual form.Writing the Roaming Subjectexplores issues of identity formation, representation, and resistance in Canada and suggests that these are particularly crucial questions during a period of Canadian literary history when so many writers are insisting on new, more diverse cultural performances that resist the pull of the national imaginary.
Looking at questions of testimony, confession, trauma, sexuality, and violence in (semi-) autobiographical works, this book explores the co-construction of personal and collective identities by women ...writers in the age of self-disclosure and mass media.
Writing autobiographically includes complicated responsibilities to the subjects involved: to family members, friends, colleagues, and even cultural communities. This article explores creative ...developments occurring during the process of writing an autobiographical novel called 'The longing', which is drawn from a recollection of intergenerational lived experiences of a middle-class Chinese Indonesian family from 1956 to 2018. I reflect on my strategies and approaches on tackling challenges that arose while using autobiographical material and autofictional techniques to write fiction and communicating cultural complexities for it allows agreeable distance between the author and her writing subject. In the article, I also argue that the use of terms such as life writing, autobiographical fiction and generational novel is most fitting for my project, since they form the postmodern life narratives produced by culturally and historically marginalised women.
Daughter of earth Smedley, Agnes; Mendoza, Paola; Walker, Alice ...
10/2019
eBook
As resonant and unique today as it was when first published, Daughter of Earth is a gritty and sweeping semiautobiographical novel about growing up in rural, early twentieth century America. ...Ground-breaking in its portrayal of sexism within the leftist movement, the novel painstakingly recounts a life of double standards of race and sex amongst East Coast intellectuals; facing false espionage charges; and maintaining independence through two tormented marriages.