Fran Maselj - Podlimbarski je v Gospodinu Franju (1913) kritično naslikal razmere v okupirani Bosni. Roman je po začetku vojne ljubljansko sodstvo zapieniło in odredilo uničenje naklade, češ da avtor ...hujska zoper avstrijsko oblast. Slovenska matica je bila razpuščena, njeno premoženje pa zaplenjeno. Hude sankcije so zadele tudi Maslja, kije marca 1915 izgubil čin stolnika inje bil jūnija 1916 kot »veleizdajnik« izgnan v Pulkau, kjer je umri septembra 1917. Razprava analizira Masljevo tragično zgodbo in razloge za njegovo preganjanje.
Čitatelji po zadatku Treska, Borna
FLUMINENSIA,
12/2022, Letnik:
34, Številka:
2
Journal Article, Paper
Recenzirano
Odprti dostop
U prvom dijelu rada u osnovnim se crtama opisuje postupak cenzuriranja knjiga u Veneciji 16. stoljeća. Pokazuje se da je riječ o artikuliranu procesu kontrole tiska te da se administrativni koraci u ...prelasku knjige iz rukopisa u tisak mogu rekonstruirati na temelju građe koja se čuva u Državnom arhivu u Veneciji u fondu Capi del Consiglio di Dieci. Relevantne serije iz toga fonda koje sadrže dokumente o administrativnim predradnjama za tisak knjiga jesu Notatorio. Registri, u kojima su pohranjeni zapisi dozvola za tisak Glavara Vijeća desetorice, i Notatorio. Filze, gdje se čuvaju izvorne reformatorske potvrde i izvorna čitateljska uvjerenja. Fond Capi del Consiglio di Dieci bio je poznat istraživačima hrvatske knjige još od 19. stoljeća, ali on, kada je riječ o hrvatskim knjigama, nikada nije bio sustavno obrađen. Pokazuje se da su dosadašnji istraživači poznavali samo seriju Notatorio. Registri, ali ne i seriju Notatorio. Filze, vjerojatno zbog otežana pristupa građi koja je djelomično oštećena. Kako se pokazuje na primjerima dokumenata o knjiga hrvatskih pisaca (Zoranić, Hektorović, Lucić, Čubranović, Bobaljević), reformatorske potvrde i čitateljska uvjerenja iz serije Notatorio. Filze ne samo da dopunjuju dozvole za tisak iz serije Notatorio. Registri nego i donose nova saznanja o prvim zabilježenim čitateljima starije hrvatske književnosti. Iako je uglavnom riječ o ljudima o kojima se ne zna ništa ili vrlo malo, pretpostavlja se da su hrvatske knjige čitali u Veneciji i da su bili aktivni u krugu ljudi povezanih s tiskom. Čitatelji po zadatku važni su ne samo kao čitatelji nego i kao svjedoci kulturne povezanosti dalmatinskih gradova te možda kao najbolji posrednici između starih hrvatskih knjiga i potencijalne buduće publike.
In the first part of the essay, the process of book censorship in Venice in the 16th century is described in basic terms. It is shown that this was an articulated process of print control, and that the administrative steps in the transition of a book from manuscript to print can be reconstructed based on the materials preserved in the State Archives of Venice in the Capi del Consiglio di Dieci holdings. The relevant series of these holdings, which contain documents on administrative preparation for the printing of books, are the Notatorio Registri, in which the records of the printing licences of the Heads of the Council of Ten are kept, and Notatorio Filze, where the original certificates of the Reformers and those of the readers are kept. The Capi del Consiglio di Dieci holdings have been familiar to the scholars who study Croatian books since the 19th century. It seems that earlier researchers were familiar only with the Notatorio Registri series, but not with the Notatorio Filze one, probably due to the difficulties in accessing partially damaged material. As shown by the examples of documents on the printing of books by Croatian writers (Zoranić, Hektorović, Lucić, Čubranović, Bobaljević), Reformers’ certificates and readers’ certificates from the Notatorio Filze series do not only complement the printing licenses of the Notatorio Registri series, but also reveal new information about the earliest recorded readers of premodern Croatian literature. Although these are mostly persons about whom nothing, or very little, is known, it is likely that they read Croatian books while staying in Venice and that they were active in the circle of people connected with the press. Readers by assignment are important not only as readers but also as witnesses of the cultural connections between different Dalmatian cities, and perhaps as the best mediators between old Croatian books and the potential future audience.
Nacizam i umjetnost Sadžakov, Slobodan; Mlađenović, Milivoje
Filozofska istraživanja,
02/2020, Letnik:
39, Številka:
4
Journal Article
Recenzirano
Odprti dostop
U radu se analizira odnos totalitarizma (posebno u njegovoj nacističkoj verziji) i umjetnosti. Tematiziraju se sljedeća pitanja: mogu li totalitarizam i umjetnost uopće koegzistirati, je li njihov ...sukob neminovan, može li postojati umjetnost u okviru totalitarističkog poretka i kakva bi ona bila, te je li bilo značajnih umjetničkih djela u nacizmu. U radu je razmatran i odnos nacističke ideologije prema određenim oblastima umjetnosti kao što su kiparstvo, film, književnost i slikarstvo, kao i segmenti nacističke represije u pogledu umjetničkog stvaranja.
This paper is analysing the relationship between totalitarianism (particularly in its Nazi form) and art. The following questions are being thematised: whether totalitarianism and art can actually coexist and whether their conflict is truly inevitable, whether and what kind of art can exist within the totalitarian framework, and, in line with the basic concept of this paper, whether any significant artwork was produced during the Nazism era. This paper also considers the attitude of Nazi ideology towards certain forms of art, such as sculpture, film, literature and painting, as well as the segments of Nazi repression in terms of artistic expression.
Lifelong education at JMU RTS is necessery becouse of the constant education of jurnalists and all other personnel of JMU RTS in order to create professionals of intergrity whose work is based on the ...public interest in accordance with the Media Laws and Code of Ethics, the establishment verification against false news and self-censorship and editorial censorship.
The author’s focus in this article is an analysis of institutional censorship arising from legally binding decrees such as 1944 and 1946 with their amendments. The article consists of two main ...sections: The first section outlines the bases of the topic and its genesis, The second section describes the development of censorship during the Communist period. The analysis comes to the following conclusions: Institutional‑wide censorship consists in the perception of the system where both people and institutions formally and informally cooperate thus in effect removing the authorities from the legal system. In essence the authorities restrict freedom of speech thus making the manner and scope of the act contrary to the Rule of Law. Since the establishment of Communism, the government announced various acts of censorship in the mass media. However these acts were at best, vague. The Legislature has delegated authority in the form of collective or single institutions and is governed by acts of non‑enforceable rules of law such as statutes.
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