In the Social Factory? Gill, Rosalind; Pratt, Andy
Theory, culture & society,
12/2008, Letnik:
25, Številka:
7-8
Journal Article
Recenzirano
This article introduces a special section concerned with precariousness and cultural work. Its aim is to bring into dialogue three bodies of ideas — the work of the autonomous Marxist `Italian ...laboratory'; activist writings about precariousness and precarity; and the emerging empirical scholarship concerned with the distinctive features of cultural work, at a moment when artists, designers and (new) media workers have taken centre stage as a supposed `creative class' of model entrepreneurs. The article is divided into three sections. It starts by introducing the ideas of the autonomous Marxist tradition, highlighting arguments about the autonomy of labour, informational capitalism and the `factory without walls', as well as key concepts such as multitude and immaterial labour. The impact of these ideas and of Operaismo politics more generally on the precarity movement is then considered in the second section, discussing some of the issues that have animated debate both within and outside this movement, which has often treated cultural workers as exemplifying the experiences of a new `precariat'. In the third and final section we turn to the empirical literature about cultural work, pointing to its main features before bringing it into debate with the ideas already discussed. Several points of overlap and critique are elaborated — focusing in particular on issues of affect, temporality, subjectivity and solidarity.
Purpose: Cultural industry is such a profound emerging industry that developing cultural industry is the strategic task of building a modern and strong cultural province. As a strong economic and ...cultural province in China, Anhui province is rich in cultural resources and has a high level of economic development, which provides unique conditions for the development of cultural industries. However, the development of cultural industry in Anhui province lags behind other parts of the nation.
Theoretical framework: This study, which takes the cultural industry competitiveness of Anhui province as the research object, examines the current situation of cultural industry competitiveness in Anhui province based on the diamond model and presents a holistic approach to cultural industry competitiveness and then investigates the influencing factors that determine and contribute to the growth of cultural industry competitiveness in Anhui province.
Design/methodology/approach: this study selected 9 indicators as influencing factors to analyze the cultural industry competitiveness in Anhui province, namely, total collections in public libraries (X1), collections of public libraries owned per person (X2), number of performance by art performance troupes (X3), number of students enrollment of regular institutions of higher education (X4), consumer price indices (preceding year=100), education, culture and recreation (X5), foreign exchange earnings from international tourism (X6), total investment of foreign funded enterprises (X7), local governments expenditure, science and technology (X8), number of patent applications for inventions of industrial enterprises above designated size (X9).
Findings: The results showed the overall competitiveness factor and industry operation factor are determined as the driving factors. This study also puts forward suggestions to improve the cultural industry competitiveness of Anhui province.
Research, Practical & Social implications: The study analyzes the current developing situation of cultural industry in Anhui province based on Porter’s diamond model. Secondly, an empirical analysis was performed to determine the influencing factors of cultural industry competitiveness in Anhui province. Thirdly, on the basis of the above analysis, this paper puts forward suggestions for the development of cultural industry competitiveness in Anhui province.
Originality/value: The value of the study formulated differentiated policies to support and develop cultural industries and guide the investment directions of cultural industries in different regions of the province and promote the coordinated development of overall cultural industry competitiveness.
본 논문은 정부의 문화산업 정책이 중국 내 드라마 산업의 성장에 미치는 영향을 밝히기 위해 중국의 드라마 산업정책의 유형을 분석하고 중국 내 TV 드라마가 어떻게 변화됐는지 분석하고자 하였다. 2000년부터 2022년까지 발표된 모든 드라마 관련 정책 내용을 파악한 후 유형에 따라 지원 정책과 규제 정책 등으로 분류하였다. 시기별로 발표된 정책과 중국 ...드라마 산업 시장 내 중국 및 해외 콘텐츠의 변화를 분석해 중국 문화산업 정책이 드라마 산업 변화에 어떠한 영향을 미쳤는지 분석하였다.
그 결과 중국 정부의 드라마 산업정책이 TV 드라마 시장과 드라마 내용에 영향을 미치는 것을 알 수 있었다. 그 수가 많지는 않지만, 드라마 산업 성장을 위한 지원정책이 존재하고 있으며, 중국 정부는 드라마 산업 성장에 있어 걸림돌이 되는 것들을 제한하는 방식의 규제 정책을 통해 드라마 산업의 질서를 유지하고 발전의 속도를 조정하였다. 중국만의 방식으로 드라마 산업발전을 이끌어 왔고 이제는 양적인 성장보다는 질적인 성장을 추구하고 있는 것을 알 수 있었다. 다만 이미 세계 1위의 규모의 내수 시장을 가진 중국 드라마 산업이 국제화를 이루고 이를 통해 소프트파워를 개선하기 위해서는 정부 규제 완화와 시장 지향적 성장이 병행되어야 하는 단계이다.
In order to examine the impact of the government’s cultural industry policy on the growth of the drama industry in China, this paper attempted to analyze the various types of drama industry policies in China and how TV dramas in China have evolved. After identifying all drama-related policies announced from 2000 to 2022, they were classified into support policies and regulatory policies based on their types. The analysis encompassed the policies announced over different periods and the changes in Chinese and overseas content within the Chinese drama industry market, aiming to understand how Chinese cultural industry policies have influenced shifts in the drama industry.
As a result, it was found that the Chinese government's drama industry policy affects the TV drama industry market and drama content. Although there are not many, there are policies to support the growth of the drama industry, and the Chinese government maintains order in the drama industry and adjusts the pace of development through regulatory policies that limit obstacles to the growth of the drama industry. China has led the development of the drama industry in its own way, and now it can be seen that qualitative growth is pursued rather than quantitative growth. However, for the Chinese drama industry, which already has the world’s largest domestic market, to internationalize and improve its soft power, government deregulation and market-oriented growth must go hand in hand.
In recent decades, a growing interest in the micro and meso economic foundations of competitiveness has emerged worldwide. Many authors have seek to explain this phenomenon using approaches that rely ...on endogenous and relational capabilities of firms. Relational capabilities are exercised in contact with other agents and allow knowledge that circulate among networks to be properly exploited. This paper analyzes this type of entrepreneurial skills and the links that exist between software companies in the city of Bahía Blanca. The method used to study this phenomenon is social network analysis or SNA.
As a real-life application of a “virtual human,” virtual anchors refer to the application of virtual reality technology in communication hosting to create virtual images that simulate human anchors. ...The pursuit of a virtual human image originates from philosophy, art, and biotechnology. Virtual anchors are also required to undertake the function of communication and hosting. First, by sorting out the development process of virtual anchors, we find that the development of a virtual anchor is based on the needs of technological development and the purpose of capital profit. Second, the simulation technology of a virtual anchor has five dimensions, such as appearance, individuality, and autonomy, and two levels: internal and external. This simulation technology has reached the intelligent simulation stage. Finally, the technology involved in virtual anchors will lead to a trust crisis. That is, the people's body-mind relation and cognitive trust will be broken under the mediation of data. Virtual technology will recreate a false aura, that is, false space-time and fake original works, which is the intelligent falsehood required by the new cultural industry.
Cultural changes run through the historical development of human society. Only by having an insight into the cultural changes in the global information age can we grasp the development and future of ...contemporary culture. Contemporary culture has two major trends of globalization and informatization. This paper focuses on the background of informatization of contemporary culture. Currently, informatization associated with globalization has strengthened the interdependence of national economies, changed the international environment for their development, and enriched their ways of interaction. Under the unprecedented open international environment, the development of any country can no longer be carried out in a closed state. The influence of international public opinion on national development is becoming increasingly important. As a big developing country, China has to communicate with other countries in an all-round and multi-channel way so that the world can better understand China and China can create a good international public opinion environment for its own development. This paper will spread out expositions for three aspects: the informatization tide promoted the rise of the information culture industry; the informatization tide intensifies the cultural interaction and competition among countries; the informatization tide enriches cultural communication among countries.
The core values are the most profound implicit cultural system in culture. The core values carry the spiritual pursuit of all the Chinese people, which condenses the essence of the advanced socialist ...culture. The core values conform to the development direction of socialism with Chinese characteristics. The integration and efficient dissemination of cultural products and core values is the main way of Western cultural industry, which is the core content of Western cultural soft power. The comprehensive cultural industry chain has become an important foreign strategic thought and communication strategy of western developed countries. China's cultural industry is still in its early stages of development. It has theoretical and practical reference significance in market practice operation and consciousness orientation. Firstly, this paper analyses the lack of core values in China. Then it analyses the construction and dissemination of cultural industry in Western countries. Finally, this paper points out the direction of the Chinese cultural industry development with the help of computer aid.
Social networks in cultural industries Gonzalez, Reyes; Llopis, Juan; Gasco, Jose
Journal of business research,
April 2015, 2015-04-00, 20150401, Letnik:
68, Številka:
4
Journal Article
Recenzirano
Odprti dostop
Although cultural industries can benefit from social networks in many ways, few Spanish studies examine the extent to which firms within this economic sector actually use such networks. This study's ...objective is to investigate the role of online social networks in Spanish cultural firms. The study begins with a literature review on cultural industries and social networks. Then the study proceeds to a Delphi analysis that draws upon experts' opinions. Results reveal a predominance of utilitarian uses over expressive ones, as well as an overriding use of proactive motivations rather than reactive ones within the context of cultural firms' use of social networks. The study confirms the profitability of these networks and the transfer of influence or power from providers to the consumers of cultural goods and services.
INTRODUCTION: In this paper, China Hainan "Li" national woven culture is used as an example, the status quo and problems of cultural creative in-dustry in Hainan are analyzed, and the new trend of ...the development of Hainan cultural creative industry is further clarified. OBJECTIVES: The integration of AR technology and cultural creative industry is the main research object. METHODS: This study integrates technology into culture, introduces AR technology to integrate the development of Hainan cultural and creative industrial development, and propose the transformation strategy of cultural industries to integrate scientific and technological innovation. The application examples of enhanced reality technology are introduced. summarized the four technical characteristics and advantages of AR technology with virtual fusion, real-time interaction, two-way mode and multi-intensity. RESULTS: One preliminary result was Augmented Reality is a promising media to learn, promote and protect Hainan national brocade culture. CONCLUSION: It concludes generally Augmented Reality promoteslearning about, and builds back better Hainan's cultural and creative industry.
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