Araçlarda ve bazı makinelerde motor ve şanzıman arasında tork ve hareketi aktarma organı olarak debriyaj sistemleri kullanılır. Debriyaj sistemleri debriyaj diski, debriyaj baskısı ve debriyaj ...rulmanı olarak 3 ana bileşen ve 2 yardımcı bileşenden oluşmaktadır. Çalışmamızda debriyaj ana bileşenlerinden olan debriyaj diskinin alt parçalarından “dış ana sac” parçası konu alınmıştır. Debriyaj diski hareket aktarımı sırasında dönme momenti ve baskı kuvvetine maruz kalır. Dönmez Debriyaj A.Ş bünyesinde, üretilen dış ana sac üretiminde delme-kesme, doğrultma, tornalama operasyonları uygulanmaktadır. Bu çalışmada dış ana sac tasarımında yüzeye 0,05-0,04 derinlikte batma uygulanmıştır. Çalışmamızda dış ana sac yüzeyindeki batmaların, perçin delikleri çevresinde ve ana sac yüzeyindeki gerilmelere etkisi incelenmiştir. Batmalı ve Batmasız olarak iki farklı ana sac tasarımı ANSYS ticari yazılımı static structural modulünde gerçek çalışma şartları tanımlanıp simule edilmiştir. Her iki tasarım üzerinden eşdeğer gerilmeler, asal gerilmeler, toplam deformasyon ve gerilme vektörleri sonuçları elde edilmiştir. Sonuçlara göre batma operasyonu, dış ana sac yüzeyi ve perçin çevresindeki gerilmeleri parçayüzeyine dağıtıp sönümlediği görülmüştür.
In vehicles and some machines, clutch systems are used between motor and transmission as torque and motion drivetrain. Clutch systems consist of 3 main components and 2 auxiliary components as clutch disc, clutch cover assembly, and clutch bearing. In our study, the “outer main plate” part of the sub-parts of the clutch disc, which is one of the main components of the clutch, is discussed. The clutch disc is exposed to rotation momentum and pressure force during the transmission of motion. In the production of the outer main plate within the Dönmez Clutch Inc. drilling-cutting, straightening, and turning operations are applied. In this study, in the design of the outer main plate, the indentations with the depth of 0,05-0,04 has been applied on the surface. In our study, the effect of the indentation on the surface of the outer main plate to the stress around the rivet holes and on the main plate surface has been examined. Two different main plate designs with and without the indentations have been simulated by defining the real working conditions on the static structural module of the ANSYS commercial software. Through the two designs, equivalent stress, principal stress, total deformation, and stress vectors have been obtained. As a result, the indentation operation has been observed to absorb the stress on the outer mainplate and around the rivets by distributing the stress on the surface of the part.
This essay argues that Jenny Diski's final novel, Apology for the Woman Writing, adds to the understanding of Diski's view on literature and the arts, thus complementing her nonfiction writing. ...Drawing on notions of survival and the Freudian uncanny, the essay shows how the relationships between Michel de Montaigne and Marie de Gournay and between De Gournay and her servant Jamyn are built around notions of affective engagement, where the intellectual labor of writing conjoins physical experiences of excitement. Such a view of literature as affect is then directly connected to the force of a text to survive.
Within bioethics, Kant's conception of autonomy is often portrayed as excessively rationalistic, abstract, and individualistic, and, therefore, far removed from the reality of patients' needs. ...Drawing on recent contributions in Kantian philosophy, we argue that specific features of Kantian autonomy remain relevant for medical ethics and for patient experience. We use contemporary end-of-life illness narratives-a resource that has not been analyzed with respect to autonomy-and show how they illustrate important Kantian themes, namely, the duty to know oneself, the interest in elaborating universalizable principles, and the emphasis on ideals as points of orientation that guide behavior without ever being fully realized. As Kant does, the patient-authors discussed here perceive the end of life as a moment to reflect on the constitutive principles which have governed that life, thereby offering a privileged moment to pursue self-knowledge. We argue that bioethical conceptions of autonomy stand to gain if they revise their conception of Kantian moral philosophy as too formal, abstract, and detached from emotions and personal relationships to be helpfully applied.
Memory and narrative are inextricably linked. We press our memories into narrative form, with a beginning, middle, and an end, and in turn, that form molds memory, transforming it from an amorphous ...echo into a manageable story. But what do we do with those memories that are too incomplete or too terrible to shape into a story? This graphic narrative grapples with and attempts to answer that question. Magical Time: A Mostly Autobiographical Comic tells the story of the author/illustrator’s childhood in six episodes and three vignettes, which reveal an account of benign neglect, physical abuse, gun violence, and sexual assault. Each story is told through the lens of a type of folk magic: alchemy, bone scrying, augury, astral projection, and tarot reading. The magical themes work as a narrative frame, giving shape to the author’s vague and addled memories while nodding to the magical thinking that the author relied upon in her youth for survival. The illustrations in Magical Time, rendered with humor and whimsey, bring into relief the horror of innocence violated and childhood corrupted. Bookended and interspersed with the commentary from the adult author/illustrator/narrator, the story sidesteps hopelessness by never letting the reader forget that it is being told by the one who survived it. Drawing on literary influences such as Lorrie Moore and Kurt Vonnegut, and graphic novelists like Lynda Barry and Phoebe Gloeckner, all of whom handle the heaviest of subject matter with levity and humor, the author highlights small and precious moments of joy that punctuated the overwhelming terror of her childhood. Unlike some memoirs, this book does not try to put the reader inside the unhappy home. Rather, most of the stories take place outside of the moment of actual trauma at their center, using the magical narrative devices to reveal what will or what has already happened. This indirect approach allows the author to weave in humor that would otherwise not work in a story about child abuse.
In this article, I argue that an essential part of our obligation as teachers and scholars of philosophy is to insist that the ultimate point of criticism is to foster the development of increasingly ...better explanations of natural and social phenomena. Doing so, moreover, requires that we cultivate in ourselves and our students a sense of gratitude for the very possibility of human flourishing and scientific advance. I illustrate these claims by showing how Dewey's analysis in Human Nature and Conduct is the sine qua non of a good explanation.
Framed by two quotations from Western literary tradition, this article examines the changeable dialogue of British writer Jenny Diski with two of her self-appointed literary forerunners: Samuel ...Taylor Coleridge and Michel de Montaigne. In On Trying to Keep Still (2006), a book of literary nonfiction, Diski sets out on a two-month journey to live in an isolated cottage in Quantock Hills, Somerset. Her aim is to enact the role of the solitary, self-reflective writer and to explore the spaces, imagery and supposed behaviour attached to it. In relating her experience, Diski responds to a key myth of the Romantic period, the idea of solitary inspiration in nature, prefigured already in the solitude of the Renaissance writer in his famous tower. The purpose of the article is to illustrate how this dialogue serves by way of integration into a cultural tradition, and to show how Diski’s response is portrayed in various ways, from affectionate appropriation over ironic reduction to dismissal and renegotiation.
Genesis plural Bertrand, Ingrid
English text construction,
01/2015, Letnik:
8, Številka:
2
Journal Article
Recenzirano
This article is devoted to Jenny Diski’s polyphonic rewriting of the biblical myth of Abraham and Sarah in
Only Human: A Divine Comedy
(2000). It shows how this subversive novel, through its ...juxtaposition of two competing narrative voices – an unidentified human narrator and God himself –, challenges the omniscience and transcendence usually attributed to God, but also the power of his creative Word, and launches a reflection on storytelling and truth, presenting thereby an “only human” Bible.
Bu çalışmada iki farklı soğutmalı fren diski üretilerek bunların normal fren diski ile frenleme performansları ve ısı oluşumları deneysel olarak incelenmiştir. Ani frenlemeler ile frenleme kuvvetleri ...ve sürekli frenleme şartlarında sıcaklıklar ölçülmüştür. On dört farklı pedal kuvvetinde ani frenleme testleri ve sekiz farklı frenleme şartlarında ise frenleme sıcaklıkları test edilmiştir. Test sonuçlarına göre hava soğutma uygulaması, frenleme kuvvetini % 42,6 artırmakla birlikte şartlara bağlı olarak oluşan ısıyı da % 31,5 azaltmaktadır.
Bu çalışmada iki farklı soğutmalı fren diski üretilerek bunların normal fren diski ile frenleme performansları ve ısı oluşumları deneysel olarak incelenmiştir. Ani frenlemeler ile frenleme kuvvetleri ...ve sürekli frenleme şartlarında sıcaklıklar ölçülmüştür. On dört farklı pedal kuvvetinde ani frenleme testleri ve sekiz farklı frenleme şartlarında ise frenleme sıcaklıkları test edilmiştir. Test sonuçlarına göre hava soğutma uygulaması, frenleme kuvvetini % 42,6 artırmakla birlikte şartlara bağlı olarak oluşan ısıyı da % 31,5 azaltmaktadır.
