Czasopismo poświęcone zagadnieniu niemieckich rozrywek „ludowych”. W tym obszarze tematycznym znajdowały się m. in. ludowe tańce, piosenki, teatr kukiełkowy, chór mówiony, gry i zabawy dziecięce i ...młodzieżowe, a także obchody różnych świąt, np. Bożego Narodzenia, któremu jednak usiłowano przydać pogańskich, „germańskich” cech, utożsamiając je z kultem boga Słońca. Periodyk wydawany był przy wsparciu organizacji "Kraft durch Freude”, która miała na celu zapewnienie robotnikom i członkom NSDAP odpoczynku w tzw. formie niesprzecznej z wymogami reżimu. Czasopismo wydane pod red. Hansa Niggemanna zawiera spis treści, artykuły, wiersze, piosenki ludowe, rysunki satyryczne etc. Biblioteka Elbląska posiada roczniki:1934/35 oraz 1936/37.
This collection presents written texts of songs in Shoshoni and English, with both figurative and literal translations, and is packaged with a CD containing performances of the songs by Earl and ...Beverly Crum. The songs fall into several categories based on the contexts of their performances, such as dance songs, medicine songs, and handgame songs. The texts are framed with an introduction and commentary discussing the cultural background, meaning, forms, and performance contexts of the songs; Shoshoni language; and methodology. Glossaries of Shoshoni terms are appended. As the first major linguistic study of Shoshoni songs, Newe Hupia is an important contribution to scholarship. It also marks a significant achievement in the preservation of an important aspect of Shoshoni language and culture. And it has literary value as a presentation of Shoshoni verse and aesthetics. Furthermore, many readers and listeners will find the songs to be lyrical, pleasing to the ear, and evocative of the natural world.
El Disco Ausente Luque, Francisco
Revista musical chilena,
06/2011, Letnik:
65, Številka:
215
Journal Article
Recenzirano
In 1962, José Soler recorded Chilean folk songs performed by Violeta Parra at a studio in Argentina; both Soler and Parra are profiled. Parra was one of Chiles top traditional music performers. Soler ...had gained a reputation with his tango recordings popularizing the genre in Argentina. The recording sessions are detailed, as are research of Soler, Parra, and the recording.
Baker outlines the area into which examinations of rap lyrics have been reluctant to stray. Briefly adducing the example of James Joyce, whose prose first insists on language as the ideal ...battleground for political struggle on a uniquely postcolonial level, a discussion of Senegal-born, Francophone rap artist MC Solaar will finally address the manner in which such form-oriented (rather than content-driven) work may force reappraisals of supposedly politicized rap lyrics as well as of the theoretical means critics have developed for reading such achievements.
This article looks critically at folk songs that a Swazi woman composes as she interacts with the social structures that surround her. Through these songs, she expresses her views, feelings and ...desires. The folk songs that will be used for the purposes of this discussion are communal songs that are composed and performed orally by any member of Swazi society. The songs are on social themes, such as cultural values, death, history and politics, as well as the woman's understanding of the workings of the Swazi economy. These songs provide one amongst several potential oral platforms that the Swazi woman can freely utilise to air her views and reflect on the frustrations that she encounters in her multifaceted world.
PDF
