Glazbeni život Zadra u 19. stoljeću obilježava zadarsko Filharmonijsko društvo, kojem pristupaju mnogi glazbeno nadareni građani. Kao istaknuti članovi toga društva spominju se članovi obitelji ...Strmić, otac Antun te sinovi Šimun i Nikola. Njima se pridružuje snaha Adelaide, rođena Putti, član još jedne obitelji koja je odigrala značajnu ulogu u umjetničkom i dobrotvornom životu Zadra. Adelaide, koja je bila obdarena krasnim sopranom, nastupala je često na koncertima Filharmonijskog društva. Svojim glasom i pojavom osvojila je ne samo zadarsku publiku nego i kritičare tadašnjih zadarskih novina, koji pišu hvalospjeve o njezinim nastupima.
Peace and Joy to the World – Highlights of the traditional Croatian Christmas concert organized on 17 December 2014 in the Kodály Centre Pécs. The event aims at strengthening mother tongue, the ...national identity through national music, songs and dance in the spirit of Christmas.
Original language summary:
Békességet, boldogságot a világnak címmel 2014. december 17-én a pécsi Kodály Központban rendezték meg a hagyományos horvát karácsonyi koncertet. A műsorban a Dráva menti horvátok karácsonyi szokásaiból, ünnepi ételeiből, dalaiból kapunk ízelítőt.
sub.hu est. One-Up Collectif
A sub.hu underground webportál estje francia vendégművészekkel. A One-Up Collectif (Franciaország) hangulata a game-boyokat idézi meg, a 8bit Nyolctól est után tehát ...ezúttal külföldről hallhatunk autentikus videójáték-kísérőzenét. Az est többi részében helyi lemezlovasok: Mr. Die, Rag, Tacsi és Duijah vezetnek be aktuális elektronikus műfajokba (garage, glitch).
Dvorák's Cello Concerto, composed during his second stay in America, is one of the most popular works in the orchestral repertoire. This guide explores Dvorák's reasons for composing a concerto for ...an instrument which he at one time considered unsuitable for solo work, its relationship to his American period compositions and how it forms something of a bridge with his operatic interests. A particular focus is the concerto's unique qualities: why it stands apart in terms of form, melodic character and texture from the rest of Dvorák's orchestral music. The role of the dedicatee of the work, Hanus Wihan, in its creation is also considered, as are performing traditions as they have developed in the twentieth century. In addition the guide explores the extraordinary emotional background to the work which links it intimately to the woman who was probably Dvorák's first love.
