This book explores the interrelation of contemporary French theatre and poetry. Using the pictorial turn in the various branches of art and science, its observable features, and the theoretical ...framework of the conceptual metaphor, this study seeks to gather together the divergent manners in which French poetry and theatre address this turn. Poetry in space and theatricality of poetry are studied alongside theatre, especially to the performative aspect of the originally theological concept of ""kenosis"". In doing so the author attempts to make use of the theological concept of kenosis, of central importance in Novarina’s oeuvre, for theatrical and dramatological purposes. Within poetic rituals, kenotic rituals are also examined in the book in a few theatrical practices – János Pilinszky and Robert Wilson, Jerzy Grotowski and Eugenio Barba – facilitating a better understanding of Novarina’s works. Accompanied by new English translations in the appendices, this is the first English language monograph related to the French essayist, dramaturg and director Valère Novarina’s theatre, and will be of great interest to students and scholars in theatre and literature studies.
Colonial memory and interdisciplinary memorialization across Congo, Rwanda, Burundi and Belgium Belgian colonialism was short-lived but left significant traces that are still felt in the twenty-first ...century. This book explores how the imperial past has lived on in Belgium, but also in the Democratic Republic of the Congo, Rwanda and Burundi. The contributing authors approach colonial legacies from an interdisciplinary perspective and examine how literature, politics, the arts, the press, cinema, museal practices, architecture, and language policies – but also justice and ethics – have been used to critically revisit this period of African and European history. Whilst engaging with significant figures such as Sammy Baloji, Chokri Ben Chikha, Gaël Faye, François Kabasele, Alexis Kagame, Edmond Leplae, VY Mudimbe, Fiston Mwanza Mujila, Joseph Ndwaniye, and Sony Labou Tansi, this book also analyses the role of places such as the AfricaMuseum, Bujumbura, Colwyn Bay, Kongolo, and the Virunga Park to appraise the links between memory and the development of a postcolonial present. Contributors: Sarah Arens (University of Liverpool), Robert Burroughs (Leeds Beckett), Bambi Ceuppens (AfricaMuseum), Matthias De Groof (University of Antwerp), Catherine Gilbert (University of Newcastle), Chantal Gishoma (University of Bayreuth), Hannah Grayson (University of Stirling), Dónal Hassett (University of Cork), Sky Herington (University of Warwick), Nicki Hitchcott (University of St Andrews), Yvette Hutchison (University of Warwick), Albert Kasanda (Charles University, Prague), Maëline Le Lay (CNRS/ THALIM, Sorbonne nouvelle), Reuben Loffman (Queen Mary University of London), Caroline Williamson Sinalo (University of Cork) Ebook available in Open Access. This publication is GPRC-labeled (Guaranteed Peer-Reviewed Content).
2019 marked both the 30th anniversary of the fall of the Berlin Wall and Napoléon’s 250th anniversary. Picking up on this contingency of world history with an ironic wink, the volume analyses in ...retrospect the epoch of European universalism. It focusses on its dialectics, polemically addressing and remembering both 1769 and 1989.
Navigating the landscape of Romantic literature and art across Europe and the Americas, An Outline of Romanticism in the West invites readers to embark upon a literary journey. Showcasing a breadth ...of theoretical and contextual approaches to the study of Romanticism, John Isbell provides an insightful contemporary overview of the field, paired with wide-ranging comparative reflections on the art and literature that helped shape it. Discussing seminal Romantic texts such as Mary Shelley’s Frankenstein, or Germaine de Staël’s Corinne ou l’Italie, Isbell provides a foundation through which to investigate core concepts, such as the continuum of Romance, the Romantic hero, and Romantic literature’s characteristic repudiation of its own Romanticism. Unusually for a single-author monograph, the book includes both published and unpublished material covering Romantic creation across Europe and the two Americas. Identifying Romanticism as an international movement, Isbell seeks to emphasise a theme frequently ignored by many academics: the roots of Romanticism, and its variations, as a national art. His arguments are supported by extensive interrogations of the political and historical contexts that moulded the outlooks of the writers and artists central to the period. An Outline of Romanticism in the West underlines the interplay between nationalism, history, and artistic inspiration, and will therefore be of value to students and scholars of literature and history, as well as to general readers with an interest in Romanticism in the West.
This book deconstructs androcentric approaches to spacetimeinherited from western modernity through its theoretical frame of the chronotropics. It sheds light on the literary acts of archival ...disruption, radical remapping, and epistemic marronnage by twenty-first-century Caribbean women writers to restore a connection to spacetime, expanding it within and beyond the region. Arguing that the chronotropics points to a vocation for social justice and collective healing, this pan-Caribbean volume returns to autochthonous ontologies and epistemologies to propose a poetics and politics of the chronotropics that is anticolonial, gender inclusive, pluralistic, and non-anthropocentric. This is an open access book.
This volume, the fourth in the complete works of Kurt Schwitters, offers the first complete and annotated edition of Merz, the avant-garde journal for multimedia that appeared between 1923 and 1932 ...under Schwitters’ editorial direction. The volume also includes scholarly contributions that extensively examine the journal’s contents, structure and design from an interdisciplinary perspective.
This book is a treasure trove comprising core writings from Hans Walter Gabler‘s seminal work on James Joyce, spanning fifty years from the analysis of composition he undertook towards a critical ...text of A Portrait of the Artist as a Young Man, through the Critical and Synoptic Edition of Ulysses, to Gabler‘s latest essays on (appropriately enough) Joyce’s sustained artistic innovation. Not only does this span of essays trace the evolution of Gabler’s thinking about Joyce’s originality and creative energy. It also reflects the development and maturation of Gabler‘s own genetic criticism and his methodology of genetic editing, which grows in depth and complexity across the collection. The reader will explore Joyce’s life and works through Gabler’s incisive eye, while also examining a progress of his reflections on his edition of Ulysses and the past controversy that beset it. This classic compendium combining well-seasoned scholarship and fresh criticism is an essential read for critics of Modernism, digital humanists, scholars and students of James Joyce, and anyone interested in the art of literary analysis.
This book is available as open access through the Bloomsbury Open programme and is available on www.bloomsburycollections.com. It is funded by the University of Graz and the Department of Health, ...Care, and Science of the Office of the Regional Government of Styria, Austria. Bringing together insights from masculinity studies and age studies, this volume focuses on the gendered and relational perspectives in cultural representations of Alzheimer’s disease. Combining a comparative and interdisciplinary approach, the authors analyse the interrelations between masculinities and representations of dementia from a wide range of cultural contexts to explore it as an intensely gendered and cultural disease. They examine memoir, film, poetry and prose fiction, and look at work from a wide range of authors, including Anne Carson, Jonathan Franzen and Philip Roth, to provide new insights into established narratives of dementia and explore the complex ways that the disease resists representation and narration and questions traditional views of selfhood and human development.
This Potsdam lecture attempts to more closely define the object of “Romance literary studies” within the context of the literatures of the world, to define the exceptional, even essential ...significance of this object of study, and to prospectively inquire into future opportunities for research, study, and life in the field of Romance literary studies.
As an author and painter, Gottfried Keller deliberately experimented with different media and their forms – with genres from both literature and the fine arts. The objective of this volume is to ...trace the various intermedial and transmedial connections in Keller’s oeuvre, focusing on the processes of literary and social institutionalization that accompanied his experiments with form and genre.