Il presente volume consiste in una miscellanea di studi su vari temi del mondo classico offerta da amici, colleghi, ed ex-allievi, a Ettore Cingano, Professore Ordinario di Letteratura Greca presso ...l’Università Ca’ Foscari Venezia, in occasione del suo settantesimo compleanno. I contributi qui presentati coprono, con approcci metodologici variegati, una vasta area della cultura classica: dall’epica arcaica e la lirica arcaica e tardo-arcaica alla storia degli studi e alla ricezione antica e moderna della classicità, dalla poesia latina alla storia politica e del pensiero, dalla poesia ellenistica alla prosa imperiale, dalla linguistica alla metrica.
How medieval songbooks were composed in collaboration with the community—and across languages and societies: "Eloquent…clearly argued."— Times Literary Supplement Today we usually think of a book of ...poems as composed by a poet, rather than assembled or adapted by a network of poets and readers. But the earliest European vernacular poetries challenge these assumptions. Medieval songbooks remind us how lyric poetry was once communally produced and received—a collaboration of artists, performers, live audiences, and readers stretching across languages and societies. The only comparative study of its kind, Songbook treats what poetry was before the emergence of the modern category poetry: that is, how vernacular songbooks of the thirteenth to fifteenth centuries shaped our modern understanding of poetry by establishing expectations of what is a poem, what is a poet, and what is lyric poetry itself. Marisa Galvez analyzes the seminal songbooks representing the vernacular traditions of Occitan, Middle High German, and Castilian, and tracks the process by which the songbook emerged from the original performance contexts of oral publication, into a medium for preservation, and, finally, into an established literary object. Galvez reveals that songbooks—in ways that resonate with our modern practice of curated archives and playlists—contain lyric, music, images, and other nonlyric texts selected and ordered to reflect the local values and preferences of their readers. At a time when medievalists are reassessing the historical foundations of their field and especially the national literary canons established in the nineteenth century, a new examination of the songbook's role in several vernacular traditions is more relevant than ever.
Teaching reading comprehension is considered a key step in education in general and teaching Literature in particular. How to teach reading comprehension to be really effective is also an issue that ...has been constantly discussed by educators for many years. Especially in recent years, teaching Literature in the direction of developing learners' capacity has become the main teaching concept in high schools in Vietnam.
This article poses the problem of researching the current situation of teaching reading comprehension of lyric poetry texts in middle and high schools, to help teachers of literature in general and poetry in particular establish processes and strategies for teaching reading comprehension of lyrical texts effectively.
Prehľadová štúdia k problematike využitia naratológie pri čítaní a interpretovaní lyrickej poézie predstavuje hlavné princípy takzvanej lyrikológie, ktorej východiskom je téza, že aj v lyrike sú ...rozpoznateľné naratívne štruktúry, ako napríklad prítomnosť deja, sprostredkovanosť a postupnosť (radenie dejových sekvencií). Táto výskumná línia sa rozvíja najmä v nemeckom univerzitnom prostredí, no takisto vo výskumných centrách anglofónnej jazykovej oblasti. Príspevok definuje pojmy naratológie aplikovateľné priamo na lyrickú poéziu, ako sú fokalizácia, udalosť, spoľahlivosť rozprávania a hierarchické rozvrstvenie rozprávača (biografický autor – abstraktný/implicitný autor – rozprávač/hovoriaci – protagonista/postava v deji). Naratologickú analýzu lyriky predstavuje ako inovatívny prístup k čítaniu lyrickej poézie, no zároveň upozorňuje aj na možné úskalia tohto prístupu a vymedzuje vhodnosť jeho použitia.
L’articolo rende omaggio al più prolifico poeta napoletano neolatino attivo tra il 1490 e il 1540, Giano Anisio, nato a Domicella nei pressi di Nola. Un riassunto degli studi dedicati all’autore ...precede l’analisi di un aspetto finora trascurato: la straordinaria ricchezza formale dei carmi lirici che distingue i suoi Varia poemata da tutte le altre raccolte poetiche contemporanee, comprese quelle di Pontano, Marullo e Sannazaro. Anisio non si limitò infatti a riprendere quasi tutti i sistemi strofici usati da Catullo e Orazio, ma ne accrebbe il repertorio con un numero consistente di tipi nuovi. All’illustrazione della varietas offerta dall’autore in questo campo, segue un campione di sei suoi carmi con relativa traduzione italiana.
The article pays homage to the most prolific Neapolitan Latin poet active between 1490 and 1540, Giano Anisio, born in Domicella near Nola. After a review of studies on Anisio, this article will ...analyze a hitherto neglected aspect of his work, which distinguishes his Varia poemata from all the other poetic collections of his time, including those of Pontano, Marullo, and Sannazaro. We are referring to the extraordinary formal richness of Anisio’s lyric poetry. Anisio not only made use of almost all the strophic systems employed by Catullus and Horace, but increased their repertoire by several new types. An illustration of the varietas offered by the author in this field is followed by a selection of six of his poems with Italian translation.
L’articolo rende omaggio al più prolifico poeta napoletano neolatino attivo tra il 1490 e il 1540, Giano Anisio, nato a Domicella presso Nola. Un riassunto degli studi dedicati all’autore precede l’analisi di un aspetto finora trascurato: la straordinaria ricchezza formale dei carmi lirici che distingue i suoi Varia poemata da tutte le altre raccolte poetiche coeve, comprese quelle di Pontano, Marullo e Sannazaro. Anisio non si limitò infatti a riprendere quasi tutti i sistemi strofici usati da Catullo e Orazio, ma ne accrebbe il repertorio con un numero consistente di tipi nuovi. All’illustrazione della varietas offerta dall’autore in questo campo, segue una selezione di sei suoi carmi con relativa traduzione italiana
Il volume che qui vede la luce costituisce il secondo capitolo del progetto METra (Mapping Epic in Tragedy – Epica e tragedia greca: una mappatura) e contiene i contributi presentati durante il ...Seminario Internazionale METra 2, tenutosi a Verona nel giugno 2022. Proseguendo sulle direttrici di ricerca i cui esiti sono ora disponibili in METra 1 (Lexis Supplementi 11, 2022), questa seconda raccolta indaga ulteriori aspetti dell’eredità omerica ed epica in tragedia. Come nel volume precedente, i saggi propongono approcci disciplinari diversificati: dallo studio metrico, linguistico e stilistico all’intertestualità, dalla ricerca dell’allusione alla riflessione sull’eventuale persistenza, tra Grecia arcaica e classica, di sistemi culturali ed etico-religiosi, senza trascurare il dialogo con la modernità.
Abstract
Many manuscripts copied in various prisons have been identified. In the late Middle Ages, prisoners were allowed not only to compose new texts, but also to be employed as scribes. The ...present article focuses on three manuscripts produced in prison in the fifteenth century which pair Dante and Petrarch's lyric poems with the poetry of others and of the scribes themselves. These manuscripts combine lyric collections with personal works – lyric poems, letters, drawings – penned by those who made them, resulting in individual literary organisms. By exploring three case studies of Italian lyric manuscripts produced by incarcerated scribes, the article defines a ‘genre of book’ which combined personal interventions with lyric poetry of major authors, in a complex editorial process that made of the codex a new text in itself. They illuminate the ways in which the practice of assembling lyric poetry by major authors (chiefly Dante and Petrarch) combined with personal touches, was used by readers and compilers to craft a variety of identities; but most importantly, the ways in which the codex may become a performative event, as well as a site of memory and, when sent outside of prison, a message taking the form of the book.
Artiklen argumenterer for, at begrebet om successful aging (Rowe & Kahn, 1987), som har domineret aldringsforskningen og aldringspolitikerne i vesten i årtier, er problematisk i forhold til vores ...sidste leveår, fordi mange mennesker hverken kan eller vil leve op til dets idealer om at undgå sygdom og svækkelse samt forblive sunde og aktive; de er dermed i risiko for at blive opfattet og opfatte sig selv som mislykkede liv. Dette synes i særlig grad at gælde mænd, hvis maskulinitet, traditionelt forstået som tæt knyttet til idealer om styrke, handlekraft og autonomi, kan være under pres i forhold til livets afslutning og det behov for hjælp og assistance, der typisk melder sig dér. Det synes umuligt at blive godt gammel og bevare sin maskulinitet. I stedet ønsker vi at foreslå et begreb om moden maskulinitet som noget, der er åbent overfor erfaringer med aldersrelateret kropslig og mental svækkelse, sårbarhed og afhængighed. Vi udforsker dette begreb samt ideen om god aldring og de dertil knyttede erfaringer gennem analyser af en række lyriske digte skrevet af aldrende mandlige digtere, der forhandler andre former for maskulinitet i relation til høj alder end de traditionelle: Jørgen Leth, Jess Ørnsbo og Peter Poulsen.
The article argues that the concept of ‘successful aging’ (Rowe & Kahn, 1987) is problematic from the perspective of the last years of life because many people cannot or will not try to live up to its ideals of avoiding disease and staying healthy and active, and consequently might feel unsuccessful. This may especially be the case for men whose masculinity, traditionally understood as related to being powerful and autonomous, might be under pressure in the face of advanced age and the potential need for assisted living. Instead, we propose the concept of ‘mature masculinity’ as something open to certain age-related bodily and mental experiences of frailty and loss and dependence. We explore this concept and these experiences through a series of readings of poetry written by aging male poets: Jørgen Leth, Jess Ørnsbo and Peter Poulsen.
Beyond Theory of the Lyric Scott, Chris
The Critical quarterly,
October 2022, 2022-10-00, 20221001, Letnik:
64, Številka:
3
Journal Article
Recenzirano
Odprti dostop
Stephanie Burt ends her review of The Lyric Theory Reader, which doubles as a helpful overview of the fractured field of lyric studies, with an appeal for a ‘synthesis’ between two opposing ...camps:Without contraries is no progression; let Culler’s, or Warton’s, or Albright’s, claim – that ‘lyric’ has almost always been with us in some form, even if it is not called by that name; even if it does not dominate every literary period where it occurs – stand as the contrary, or the antithesis, to the New Lyric Studies’ claim that ‘lyricization’ occludes the categories and the ways of reading of even the recent past. Can we have, now, a synthesis? What could it accomplish? Is this ambitious, admirable, yet partial anthology the best that we can do?1I want to make the case in this article that a synthesis of these two well-known positions would still be unhelpfully partial, and to do that I will be arguing that the first of them, in particular, is overly narrow.
