The paper deals with travelogues written by women from the Slovene lands in the late 19th and the early 20th centuries. The primary focus is on the travelogues of Luiza Pesjak, Marica Strnad, Marica ...Gregorič Stepančič, Marija Kmet, and Alma Karlin. Women's travel has a special cultural status. Three aspects are considered in the article: genre peculiarities of the texts (purposes of travel, categories "one's own/other/foreign"), gender and national issues and the interconnection of them, as this this period when the struggle for the emancipation of women begins as well as the national identity actively takes shape.
V nasprotju s prevladujočimi pripovednimi žanri potopisne književnosti predstavljajo njeno lirsko vrsto pesmi s popotniško motiviko, ki sta jih tako Josip Stritar kot Anton Aškerc po trikrat povezala ...v lirske cikle. Ker sta prizaporedju upoštevala kronotop potovanja, sta tako oblikovala nedominantno narativno strukturo sintagmatskega cikla, s tem pa tudi implicitno zgodbo o potovanju oziroma lirski ciklični potopis, varianto v 19. stoletju na Slovenskem zelo popularnega potopisja. Vendar sta uresničevala različni težnji: Stritar je s temi cikli liriziral v izhodišču pripovedno zvrsti! potopisa, Aškerc pa je z njimi liriko približal dominantnim pripovednim zvrstem v realizmu.