Glasilo slovenskega ženstva je izhajalo mesečno kot priloga Edinosti. To je bil doprinos k izobraževanju žensk tistega časa. Vseboval je leposlovje, razmišljujoče eseje in intelektualne razprave
In this book are published folktales and legends from Porabje / Rába-vidék which were recorded in 1970 by Milko Matičetov on magnetic tapes. The material has been for many decades stored in the ...archive of the Institute of Slovenian Ethnology ZRC SAZU in Ljubljana. It was only with the help of the experts from Porabje, well-versed in these dialects, that it was possible to publish the recordings.Presented are 238 narrative units, transcribed from tapes in a simplified dialectal transcript. All of the texts are also published in the standard Slovenian language. Two narratives are transcribed in the phonetic dialectological transcription. Added is CD with the recordings of 13 folktales in both varieties of Rába dialect (from Apátistvánfalva and Felsoszölnök district). The introductory section includes studies addressing the development of the narrative culture of Slovenes in Porabje, their language and brief history, as well as a presentation of the storytellers who had narrated these folktales and legends to Milko Matičetov. The folktales have been included in the international database, in accordance with the existing scientific international typology, and are therefore available for further comparative research. This book preserves narrative tradition of Slovenes in Rába-vidék, and is of particular importance to young people, who often no longer speak in the vernacular language.
Stories of Art Elkins, James
2002, 20131018, 2013-10-18
eBook
Stories of Art is James Elkins's intimate history of art. Concise and original, this engaging book is an antidote to the behemoth art history textbooks from which we were all taught. As he ...demonstrates so persuasively, there can never be one story of art. Cultures have their own stories - about themselves, about other cultures - and to hear them all is one way to hear the multiple stories that art tells. But each of us also has our own story of art, a kind of private art history made up of the pieces we have seen, and loved or hated, the effects they had on us, and the connections that might be drawn among them.
Elkins opens up the questions that traditional art history usually avoids. What about all the art not produced in Western Europe or in the Europeanized Americas? Is it possible to include Asian art and Indian art in 'the story?' What happens when one does? To help us find answers, he uses both Western and non-Western artworks, tables of contents from art histories written in cultures outside the centre of Western European tradition, and strangely wonderful diagrams of how artworks might connect through a single individual. True multiculturalism may be an impossibility, but art lovers can each create a 'story of art' that is right for themselves.
The book 'In the moonlight glow. Outlines of mythic characters in the villages of Lokev and Prelože in the context of Slavic mythology' is a rarity on the European scale in the field of pre-Christian ...beliefs. What makes it so valuable is that it is a first-hand record of these beliefs, as they were told to the author by people close to him, grandmothers, grandfathers and villagers, who preserved their old-faith beliefs and rituals until the last century. The book is therefore an inexhaustible source of old- faith practices, beliefs, sacred places and other folklore traditions in the villages Lokev, Prelože and their immediate neighborhood. As such, it is one of the main sources of study in Slavic mythology, as well as in general and monument to the integration of karst-nature and its people.
The scientific monograph ('A Written Record of Live Storytelling') brings the basic theory and methodological procedures for field documentation, transcription and research of narrative folklore. It ...addresses threeContext, Texture and Transcoding of Stories Told Live by Tina Kravanja from Bavšica” brings the basic theory and methodological procedures for field documentation, transcription and research of narrative folklore. It addresses three levels of a folklore event – context, texture, and text – in the narration of folklore stories. Each level, especially context, is further enhanced with the theoretical findings derived from the author's own field work, e.g. defining storytelling meeting as alternation of stories, told in more artistic expression, and of linking texts told in an everyday. Linking texts are important cohesive ties of storytelling event as whole. The book also deals with defining of six roles of the participants who influence the course of storytelling event, etc. The monograph also attempts to solve the problem of putting down oral stories onto paper. To preserve as much information as possible, it proposes transcription as well as transcoding with the help of accurate phonetic transcription, concurrent notes on the texture, and a description of the context. The methods are explained with the phonetic transcription of 22 stories told by Tina Kravanja from Bavšica during a single field visit.