U prigodi 30. obljetnice tiskanja Gotovčeve pjesme Hvaležnost za rože (Zahvalnost za ruže) u ljubljanskoj „Novoj reviji” (1988., br. 69-70, str. 97) ponovno se apostrofira i obrazlaže njezin nastanak ...(ili nadahnuće) u Rogaškoj Slatini. Priključene su i dosad nepoznate činjenice o Gotovčevu prognaničkom boravku u tome slovenskom gradu.
Provider: - Institution: Ministrstvo za kulturo, Direktorat za kulturno dediščino, INDOK center - Data provided by Europeana Collections- freske na oboku prezbiterija: stilirizirane rože, simboli ...evangelistov (Janez Ljubljanski, 1459)- All metadata published by Europeana are available free of restriction under the Creative Commons CC0 1.0 Universal Public Domain Dedication. However, Europeana requests that you actively acknowledge and give attribution to all metadata sources including Europeana
Provider: - Institution: - Data provided by Europeana Collections- Na fotografiji: Jožica Avbelj (Donja Rosita) ter Jana Habjan, Maja Boh in Nina Skrbinšek (Manole)- Režiser Zvone Šedlbauer, premiera ...25. 3. 1978, Mestno gledališče ljubljansko- All metadata published by Europeana are available free of restriction under the Creative Commons CC0 1.0 Universal Public Domain Dedication. However, Europeana requests that you actively acknowledge and give attribution to all metadata sources including Europeana
The Polish version of the article was published in Roczniki Humanistyczne vol. 65, issue 4 (2017). The article focuses on Ernestyna Śniadowiczówna, the main character in a novel by Zofia Nałkowska, ...Węże i róże Snakes and Roses (1913). The main purpose of the work is to show that the character had its real counterpart in Zofia’s younger sister, the sculptor Hanna Nałkowska. The words of Zofia herself were crucial, who in her Diary confessed that all her novels were autobiographical to some extent. Still, researchers have not paid sufficient attention to the significant similarities between Ernestyna and Hanna Nałkowska. Węże i róże is the only piece in the writer’s output in which she analyzed the issues related to art and pointed out some characteristics of the artist. Zofia was writing her novel when Hanna was entering the world of art. A comparison between Ernestyna Śniadowiczówna and Hanna Nałkowska, as well as the information from Zofia’s Dziennik and reminiscences of their friends show that the literary character is likely to be based on a real person.
Provider: - Institution: - Data provided by Europeana Collections- Frequency: quarterly.- Numbering: Nr 1 (stycz. 1928) - stycz. (1929).- Częstotliwość: kwartalnik.- Numeracja: Nr 1 (stycz. 1928) - ...stycz. (1929).- All metadata published by Europeana are available free of restriction under the Creative Commons CC0 1.0 Universal Public Domain Dedication. However, Europeana requests that you actively acknowledge and give attribution to all metadata sources including Europeana
Provider: - Institution: CRISPA Biblioteka Uniwersytecka w Warszawie - Data provided by Europeana Collections- European Union. European Regional Development Fund- Operational Programme Innovative ...Economy, 2007-2013, Priority 2.- University of Warsaw Library- Program Operacyjny Innowacyjna Gospodarka, lata 2007-2013, Priorytet 2. Infrastruktura strefy B + R- Unia Europejska. Europejski Fundusz Rozwoju Regionalnego- Biblioteka Uniwersytecka w Warszawie- All metadata published by Europeana are available free of restriction under the Creative Commons CC0 1.0 Universal Public Domain Dedication. However, Europeana requests that you actively acknowledge and give attribution to all metadata sources including Europeana
Provider: - Institution: CRISPA Biblioteka Uniwersytecka w Warszawie - Data provided by Europeana Collections- European Union. European Regional Development Fund- Operational Programme Innovative ...Economy, 2007-2013, Priority 2.- University of Warsaw Library- Program Operacyjny Innowacyjna Gospodarka, lata 2007-2013, Priorytet 2. Infrastruktura strefy B + R- Unia Europejska. Europejski Fundusz Rozwoju Regionalnego- Biblioteka Uniwersytecka w Warszawie- All metadata published by Europeana are available free of restriction under the Creative Commons CC0 1.0 Universal Public Domain Dedication. However, Europeana requests that you actively acknowledge and give attribution to all metadata sources including Europeana
Provider: - Institution: CRISPA Biblioteka Uniwersytecka w Warszawie - Data provided by Europeana Collections- European Union. European Regional Development Fund- Operational Programme Innovative ...Economy, 2007-2013, Priority 2.- University of Warsaw Library- Program Operacyjny Innowacyjna Gospodarka, lata 2007-2013, Priorytet 2. Infrastruktura strefy B + R- Unia Europejska. Europejski Fundusz Rozwoju Regionalnego- Biblioteka Uniwersytecka w Warszawie- All metadata published by Europeana are available free of restriction under the Creative Commons CC0 1.0 Universal Public Domain Dedication. However, Europeana requests that you actively acknowledge and give attribution to all metadata sources including Europeana
Provider: - Institution: - Data provided by Europeana Collections- Frequency: quarterly.- Numbering: Nr 1 (stycz. 1928) - stycz. (1929).- Częstotliwość: kwartalnik.- Numeracja: Nr 1 (stycz. 1928) - ...stycz. (1929).- All metadata published by Europeana are available free of restriction under the Creative Commons CC0 1.0 Universal Public Domain Dedication. However, Europeana requests that you actively acknowledge and give attribution to all metadata sources including Europeana
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