Zoe Beenstock examines the relationship between two major traditions which have not been considered in conjunction: British Romanticism and social contract philosophy. Her reading offers a new ...understanding of canonical accounts of retreat by some of British Romanticism's most dominant voices.
Exploring the relationship between visual art and literature in the Romantic period, this book makes a claim for a sister-arts 'moment' when the relationship between painting, sculpture, pottery and ...poetry held special potential for visual artists, engravers and artisans. Elaborating these cultural tensions and associations through a number of case studies, Thora Brylowe sheds light on often untold narratives of English labouring craftsmen and artists as they translated the literary into the visual. Brylowe investigates examples from across the visual spectrum including artefacts, such as Wedgwood's Portland Vase, antiquarianism through the work of William Blake, the career of engraver John Landseer, and the growing influence of libraries and galleries in the period, particularly Boydell's Shakespeare Gallery. Brylowe artfully traces the shifting cultural connections between the imaginative word and the image in a period that saw new print technologies deluge Britain with its first mass media.
Literature played a crucial role in constructing and contesting the modern culture of empire that was fully in place by the start of the Victorian period. Postcolonial criticism's concern with issues ...of geopolitics, race and gender, subalternity and exoticism shape discussions of works by major authors such as Blake, Coleridge, both Shelleys, Austen and Scott, as well as their less familiar contemporaries.
Key Features
Explains how key theoretical concerns of postcolonial studies - its analyses of imaginary geography, the construction of otherness or difference, and cultural hybridity - have dramatically changed our understanding of Romantic literatureProvides accessible yet sophisticated in-depth analyses of selected texts, in a range of genres, whose interpretation is illuminated by postcolonial criticismIncludes a bibliographical essay along with up-to-date bibliography of criticism, editions of primary works, and selected historical materials
Scott's Shadow Duncan, Ian
2016, 2007., 20160802, 2007, 2008-01-01
eBook
Scott's Shadowis the first comprehensive account of the flowering of Scottish fiction between 1802 and 1832, when post-Enlightenment Edinburgh rivaled London as a center for literary and cultural ...innovation. Ian Duncan shows how Walter Scott became the central figure in these developments, and how he helped redefine the novel as the principal modern genre for the representation of national historical life.
Duncan traces the rise of a cultural nationalist ideology and the ascendancy of Scott's Waverley novels in the years after Waterloo. He argues that the key to Scott's achievement and its unprecedented impact was the actualization of a realist aesthetic of fiction, one that offered a socializing model of the imagination as first theorized by Scottish philosopher and historian David Hume. This aesthetic, Duncan contends, provides a powerful novelistic alternative to the Kantian-Coleridgean account of the imagination that has been taken as normative for British Romanticism since the early twentieth century. Duncan goes on to examine in detail how other Scottish writers inspired by Scott's innovations--James Hogg and John Galt in particular--produced in their own novels and tales rival accounts of regional, national, and imperial history.
Scott's Shadowilluminates a major but neglected episode of British Romanticism as well as a pivotal moment in the history and development of the novel.
Navigating the landscape of Romantic literature and art across Europe and the Americas, An Outline of Romanticism in the West invites readers to embark upon a literary journey. Showcasing a breadth ...of theoretical and contextual approaches to the study of Romanticism, John Isbell provides an insightful contemporary overview of the field, paired with wide-ranging comparative reflections on the art and literature that helped shape it. Discussing seminal Romantic texts such as Mary Shelley’s Frankenstein, or Germaine de Staël’s Corinne ou l’Italie, Isbell provides a foundation through which to investigate core concepts, such as the continuum of Romance, the Romantic hero, and Romantic literature’s characteristic repudiation of its own Romanticism. Unusually for a single-author monograph, the book includes both published and unpublished material covering Romantic creation across Europe and the two Americas. Identifying Romanticism as an international movement, Isbell seeks to emphasise a theme frequently ignored by many academics: the roots of Romanticism, and its variations, as a national art. His arguments are supported by extensive interrogations of the political and historical contexts that moulded the outlooks of the writers and artists central to the period. An Outline of Romanticism in the West underlines the interplay between nationalism, history, and artistic inspiration, and will therefore be of value to students and scholars of literature and history, as well as to general readers with an interest in Romanticism in the West.
In 850 analytical articles, this two-volume set explores the developments that influenced the profound changes in thought and sensibility during the second half of the eighteenth century and the ...first half of the nineteenth century. The Encyclopedia provides readers with a clear, detailed, and accurate reference source on the literature, thought, music, and art of the period, demonstrating the rich interplay of international influences and cross-currents at work; and to explore the many issues raised by the very concepts of Romantic and Romanticism.
