The paper is part of a ‘work in progress’ on the influence of oriental cultures and religions on Western ancient literature (The Seven Gates). After a short history of use and symbolic role of the ...“planetary ladder” from Sumerians to Islamic literatures and cultures via Greece, Rome and Jewish mysticism, the essai tries to show that the early Christians writers preferred to avoid employing the planetary ladder as a cipher of an itinerary to God. It was only Dante, in his Divina Commedia, who resumed to use with high perfection the planetary ladder: he re-elaboreted the circular Islamic hell in the Inferno, the Islamic heaven in the Paradiso and the Islamic paradise in the Purgatorio (his source was the Latin translation of The book of the ladder of Mahomet).
The paper is part of a ‘work in progress’ on the influence of oriental cultures and religions on Western ancient literature (The Seven Gates). After a short history of use and symbolic role of the ...“planetary ladder” from Sumerians to Islamic literatures and cultures via Greece, Rome and Jewish mysticism, the essai tries to show that the early Christians writers preferred to avoid employing the planetary ladder as a cipher of an itinerary to God. It was only Dante, in his Divina Commedia, who resumed to use with high perfection the planetary ladder: he re-elaboreted the circular Islamic hell in the Inferno, the Islamic heaven in the Paradiso and the Islamic paradise in the Purgatorio (his source was the Latin translation of The book of the ladder of Mahomet).
The paper is part of a ‘work in progress’ on the influence of oriental cultures and religions on Western ancient literature (The Seven Gates). After a short history of use and symbolic role of the ...“planetary ladder” from Sumerians to Islamic literatures and cultures via Greece, Rome and Jewish mysticism, the essai tries to show that the early Christians writers preferred to avoid employing the planetary ladder as a cipher of an itinerary to God. It was only Dante, in his Divina Commedia, who resumed to use with high perfection the planetary ladder: he re-elaboreted the circular Islamic hell in the Inferno, the Islamic heaven in the Paradiso and the Islamic paradise in the Purgatorio (his source was the Latin translation of The book of the ladder of Mahomet).
Dante, cinema, and television Iannucci, Amilcare A
Dante, cinema, and television,
c2004, 20041006, 2004, 2014, 2004-01-01
eBook
TheDivine Comedyof Dante Alighieri (1265-1321) is one of the seminal works of western literature. Its impact on modern culture has been enormous, nourishing a plethora of twentieth century authors ...from Joyce and Borges to Kenzaburo Oe. Although Dante's influence in the literary sphere is well documented, very little has been written on his equally determining role in the evolution of the visual media unique to our times, namely, cinema and television.Dante, Cinema, and Televisioncorrects this oversight.
The essays, from a broad range of disciplines, cover the influence of theDivine Comedyfrom cinema's silent era on through to the era of sound and the advent of television, as well as its impact on specific directors, actors, and episodes, on national/regional cinema and television, and on genres. They also consider the different modes of appropriation by cinema and television.Dante, Cinema, and Televisiondemonstrates the many subtle ways in which Dante'sDivine Comedyhas been given 'new life' by cinema and television, and underscores the tremendous extent of Dante's staying power in the modern world.
In a masterly synthesis of historical and literary analysis, Giuseppe Mazzotta shows how medieval knowledge systems--the cycle of the liberal arts, ethics, politics, and theology--interacted with ...poetry and elevated the Divine Comedy to a central position in shaping all other forms of discursive knowledge. To trace the circle of Dante's intellectual concerns, Mazzotta examines the structure and aims of medieval encyclopedias, especially in the twelfth and thirteenth centuries; the medieval classification of knowledge; the battle of the arts; the role of the imagination; the tension between knowledge and vision; and Dante's theological speculations in his constitution of what Mazzotta calls aesthetic, ludic theology. As a poet, Dante puts himself at the center of intellectual debates of his time and radically redefines their configuration. In this book, Mazzotta offers powerful new readings of a poet who stands amid his culture's crisis and fragmentation, one who responds to and counters them in his work. In a critical gesture that enacts Dante's own insight, Mazzotta's practice is also a fresh contribution to the theoretical literary debates of the present.
Originally published in 1992.
ThePrinceton Legacy Libraryuses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These paperback editions preserve the original texts of these important books while presenting them in durable paperback editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
"In the fall of 1373, the city of Florence commissioned Giovanni Boccaccio to give lectures on Dante for the general population. These lectures, undeniably the most learned of all the early ...commentaries, came to be known as the Expositions on Dante's Divine Comedy. Though interrupted at Inferno XVII, they provide profound, near-contemporary interpretations of Dante's poem and contain, in many ways, some of the most beautiful aspects of Boccaccio's admirable literary production: narrative vignettes worthy of the best pages of the Decameron, insights on the rapidly changing approach to literary commentary, and a heartfelt belief that poetry is the most faithful guardian of history, philosophy, and theology." "Michael Papio's excellent translation finally makes the entirety of Boccaccio's often overlooked masterpiece accessible to a wider public and supplies a wealth of information in the introduction and notes that will prove useful to specialists and general readers alike."--Jacket.
The California Lectura Dantis is the long-awaited companion to the three-volume verse translation by Allen Mandelbaum of Dante's Divine Comedy. Mandelbaum's translation, with facing original text and ...with illustrations by Barry Moser, has been praised by Robert Fagles as "exactly what we have waited for these years, a Dante with clarity, eloquence, terror, and profoundly moving depths," and by the late James Merrill as "lucid and strong . . . with rich orchestration . . . overall sweep and felicity . . . and countless free, brilliant, utterly Dantesque strokes." Charles Simic called the work "a miracle. A lesson in the art of translation and a model (an encyclopedia) for poets. The full range and richness of American English is displayed as perhaps never before." This collection of commentaries on the first part of the Comedy consists of commissioned essays, one for each canto, by a distinguished group of international scholar-critics. Readers of Dante will find this Inferno volume an enlightening and indispensable guide, the kind of lucid commentary that is truly adapted to the general reader as well as the student and scholar.
Christopher Ryan's study of Dante and Aquinas, touching on issues of nature and grace, of explicit and implicit faith, and of desire and destiny, is intended to mark the difference between them in ...key areas of theological sensibility. Re-shaped and revised by John Took on the basis of papers made available to him from Christopher Ryan's estate, it seeks to deepen our understanding of one of the great cultural encounters in European letters.
Boldrini's study examines how the literary and linguistic theories of Dante's Divine Comedy helped shape the radical narrative techniques of Joyce's last novel, Finnegans Wake. This book will appeal ...to scholars and students interested in Joyce, Dante, and questions of literary relations.
The essays in this volume address the interrelationship between Dante and the Franciscan intellectual tradition and demonstrate how all disciplines can come together to shed light on how the ...Franciscan intellectual component informs so much of Dante's writing and how in turn Franciscan writing is informed by Dante's work.
