This essay explores whether ontology is internal to traditional Chinese culture from the perspective of the view from above. Ancient Chinese philosophy, poetry, and art abound with all kinds of descriptions of viewing from above. Such views from on high, as illustrated by famous works discussed in this essay, usually admit of no fixed focus; that is, there is no ontic being, concealed or disclosed, controlling the perceiving eyes. The gaze from above, which is either fluid or decentered, in some cases does not even focus on any real object. It merely reveals an abstract historical review or an attitudinal stance. As such, the fushi gaze, devoid of any concrete object of perception or any central point of reference, always points to the absence of ontology.