Autorica komparativno analizira pet samostana i samostanskih crkava podignutih u 17. i 18. stoljeću na području Zagreba i Remeta kako bi ih s obzirom na njihove različite arhitektonske karakteristike predstavila kao primjer pluralizma stilova u arhitekturi. Riječ je o samostanima franjevaca, kapucina, isusovaca, pavlina i klarisa, smještenih na Gornjem gradu, Kaptolu i u Remetama, koje u to doba nisu bile integralni dio grada. Pluralizam stilova u ovom slučaju označava prisutnost arhitektonskih oblika i elemenata koji su se tradicionalno pripisivali različitim stilovima, na više istovremenih novogradnji ili na pojedinačnoj građevini, kao rezultat taloženja povijesnih slojeva. S obzirom na dugu povijest intervencija na tim građevinama, fokus je na stanju kakvo je bilo u 17. i 18. stoljeću, koja su u povijesti umjetnosti uobičajeno obilježena kao barokna stoljeća. Prikazana je kratka povijest pojedinog samostana u relevantnom vremenskom okviru te su navedene osnovne prostorne i oblikovne karakteristike samostana i crkava. Usporedba je provedena s obzirom na urbanistički smještaj samostana, njihovu tlocrtno-prostornu dispoziciju te elevaciju i dekoraciju pojedinih dijelova kompleksa. U zaključku se nastoji obrazložiti vrsta i podrijetlo različitosti, a naglasak je stavljen na one primjere koji najbolje ilustriraju srodne ili kontrastne pojave. Rad nastoji ukazati na pluralizam stilova kao rezultat različitih okolnosti i svjesnih odabira naručitelja, odnosno navedenih crkvenih redova, čija je ingerencija nad pojedinim samostanom važan faktor koji se isprepleće s drugima i utječe na konačno arhitektonsko oblikovanje građevine. The author comparatively analyses five monasteries and churches during the 17th and 18th centuries in Zagreb and Remete to present their different architectural features as an example of pluralism of styles in architecture. Those are the monasteries of the Franciscan, Capuchin, Jesuit, Pauline and Clarisse orders, located at Gornji grad, Kaptol and Remete - that were not an integral part of the city during those times. In this case, pluralism of styles implies the presence of architectural forms and elements that would traditionally be considered part of different architectural styles in a number of almost simultaneously erected buildings, or in one building at a time, accumulating results of transformations through history. Considering a long history of such interventions on Zagreb monasteries, the focus is on their 17th and 18th century phase, especially since those centuries are usually referred to as Baroque. In this time-frame, a short history of each monastery has been presented, and the main characteristics of space and architectural forms of the monasteries and churches mentioned. The comparison has been made considering aspects of urbanism, ground plan types and spatial relations, elevation and decoration of certain parts of each monastery complex. The conclusion aims to explain various sorts and origins of divergence, with special stress on those examples that illustrate very similar or quite opposing occurrences. The aim of the paper is to show that pluralism of styles can occur as a result of different circumstances and as conscious decisions of a commissioner. Among other factors, the authority of different church orders in this case may have played a significant role in making decisions that resulted as pluralism in monastery architectural features.