Sadie Jones's The Snakes (2019) examines the overlap between secular capitalism and religious thought. Jones contemplates how Christianity and capitalism have shaped the moral economy, blending wealth and virtue to create a modern system of values. The essay first examines the responses of Jones's characters to this system: the protagonist, Bea, renounces her family's fortune to live the life of a saint, whereas her brother Alex sees himself as a sinner, attracted to the annihilation of self in Keats, Rumi, and Weil. The essay's second half focuses on how Jones disrupts this economy by strategically incorporating elements from ancient Greek culture. The Greek gods reject the transactional logic that underpins capitalism, so that not even Bea's virtue can prevent her brutal murder. No amount of credit, moral or financial, can move the amoral sovereignty of the world, as implacable as the rocks and trees Bea contemplates in her final moments.