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Krasner, David
Theatre Journal, 09/2022, Letnik: 74, Številka: 3Journal Article, Book Review
According to Butler, the Method challenged previously accepted norms and techniques of performing, defining the Method “as a transformative, revolutionary, modernist art movement” that “brought forth a new way of conceiving of the human experience, one that changed how we look at the world, and at ourselves” (xx). Tracing the development of the Method from its birth at the Moscow Art Theatre, Butler spends the first quarter of the book on Stanislavsky and his epigones (Vakhtangov, Michael Chekhov, Boleslavsky, Vera Soloviova, Maria Ouspenskaya, Sulerzhitsky)—the founders of the System that became the fixture of this new acting style. ...the book tells us little that is new.
