Monstrous bodies are culturally coded, reflecting the anxieties, expectations, fears, and desires of the culture within which they are produced. This article seeks to study monstrous corporeality in an attempt to understand the interface between culture and monsters by looking at the Greek mythical monsters as represented in Natalie Haynes’s novel Stone Blind (2022). By examining the embodied difference as well as the grotesque and the abject that inhabit the liminal space, we explore the corporeal otherness of monsters, the cultural cues entrenched in their non-normative bodies and their discursivity. The study, probing into the liminal nature of monstrous bodies that resist categorisation, seeks to highlight the subversive potential that deviant bodies offer and how Haynes seizes this opportunity to challenge the human penchant to monsterise difference for a re-evaluation of the cultural construction of monstrous bodies.