AGRFT, Centre for Theatre and Film Studies, Ljubljana (AGRFT)
13.
Alexander McQueen evolution
Gleason, Katherine
"From Jack the Ripper Stalks His Victims, his 1992 graduate collection, to Plato's Atlantis, the last show before his death in 2010, Lee Alexander McQueen was as celebrated for the exquisite ...tailoring, meticulous craftsmanship, and stunning originality of his designs as he was notorious for his theatrical--and often controversial--runway shows. McQueen found inspiration for his avant-garde collections everywhere: his Scottish ancestry, Alfred Hitchcock movies, Yoruba mythology, the destruction of the environment--even the fashion industry itself. Whatever his inspiration, however, McQueen's concept for his runway show came first and was crucial to the development of the collection. Every show had a narrative and was staged with his characteristic dramatic flair. Highland Rape featured disheveled models smeared with "blood" staggering down the runway in town clothes. In Scanners, two robots sprayed paint on a model trapped on a spinning platform. In Widows of Culloden, a hologram of supermodel Kate Moss held center stage. Other McQueen shows staged models walking through water, drifting snowflakes, rain, and wind tunnels; pole-dancing in garish makeup at a carnival, playing living pieces in a bizarre chess game, and performing with trained dancers in a Depression-era-style marathon. Illustrated throughout with stunning photography and liberally sprinkled with quotations from McQueen and those who knew him best, Alexander McQueen: Evolution is the story of the designer's thirty-five runway shows and the genius behind them"--Publisher's web site
Type of material - book
; adult, serious
Publication and manufacture - New York : Race Point, 2012
Knjižnica KOSTUM II 0000001914 IN: 020130135
Knjižnica KOSTUM II 1914 IN: 020130135
on loan - outside loan, due date: not specified
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