Museum of Modern Art, Lj. (MGALJ)
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Biennials : the exhibitions we love to hateNiemojewski, RafalBiennials: The Exhibitions we Love to Hate examines one of the most significant recent transitions in the contemporary art world: the proliferation of large-scale international recurrent survey shows ... of contemporary art, commonly referred to as contemporary biennials. Since the mid-1980s biennials have been instrumental in shaping curating as an autonomous practice. These exhibitions are also said to have provided increased visibility for certain types of new art practices, notably those that are socially and politically committed, research-based and site-specific, and to have undermined some of the more traditional art media, such as painting, drawing or sculpture. They have been responsible for substantially reshaping the contemporary art world and disrupting the existing value chain of the art market, which now relies on biennials as much as it does on major museums' acquisitions and exhibitions. Rafal Niemojewski, Director of the Biennial Foundation, deftly unpicks the critical discussion and controversy surrounding contemporary biennials. Branded by some critics as showcases of neo-liberalism run amok, in which culture has become synonymous with the dollar-generating leisure industry, biennials have also been associated with the production of monumental artworks which are both highly consumable and photogenicType of material - book ; adult, seriousPublication and manufacture - London : Lund Humphries, 2021Language - englishISBN - 978-1-84822-388-2COBISS.SI-ID - 99872771
Author
Niemojewski, Rafal
Topics
sodobna umetnost |
razstave |
bienale |
kuratorske prakse |
likovni trg |
prodaja umetnin |
globalizacija
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knjižnica MU T Nie 0000013565 IN: 50220013565 knjižnica MU T Nie 13565 IN: 50220013565 |
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Niemojewski, Rafal |
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