Passer au théâtre Bianchi, Aristide; Kharlamov, Leonid
L'Esprit créateur,
12/2017, Volume:
57, Issue:
4
Journal Article
Peer reviewed
Résumé Qu'a signifié, pour Philippe Lacoue-Labarthe qui déjà pensait le théâtre, de véritablement y passer? Un recueil posthume en préparation tente de répondre à cette question en rassemblant des ...textes pour ainsi dire nés au théâtre, ou dans sa proximité immédiate. Cet article décrit les principaux choix et les difficultés éditoriales rencontrées puis présente l'un des principaux fils conducteurs du recueil: la collaboration avec Michel Deutsch. À partir de ce fil, les auteurs montrent l'articulation entre la pensée d'un archi-théâtre, d'une scène épurée et débarrassée de son enveloppe spectaculaire, et la mise à l’épreuve directe au théâtre, sur les planches, répétée au fil des années, d'un programme obstiné: “trouver l'espace de la césure.”
Introduction Aristide Bianchi; Leonid Kharlamov
Ending and Unending Agony: On Maurice Blanchot,
09/2015
Book Chapter
On February 25, 2003, the day following the announcement of Maurice Blanchot’s death, Philippe Lacoue-Labarthe spoke on a radio program over the telephone:
If there ever was a “break coupure” in ...Blanchot’s trajectory—I don’t like the term, but if there was a transformation, perhaps from the publication ofDeath Sentenceonward (I say “perhaps,” as this is a hypothesis), then it is the moment Blanchot became posthumous. With the understanding, that is, that death is the condition of possibility of life, that he was thus already dead, that in a sense he had an experience without experience—an experience
The Contestation of Death Philippe Lacoue-Labarthe
Ending and Unending Agony: On Maurice Blanchot,
09/2015
Book Chapter
The Instant of My Deathmay well be Maurice Blanchot’s testamentary book. This very short narrative récit, if indeed it is a “narrative,” in which, as is known, Maurice Blanchot recounts how on July ...20, 1944, he experienced “the happiness of nearly being shot dead” (those were his words, reported by Jacques Derrida), was considered to be such by a number of us when it was published six years ago.
“Testamentary book” can be understood in various ways; the word, the concept of testament (attestation, testimony, etc.), are among the most difficult to think rigorously, and I’m aware of the
Fidelities Philippe Lacoue-Labarthe
Ending and Unending Agony: On Maurice Blanchot,
09/2015
Book Chapter
My dear Jacques,
I had sworn not to give in to it, to do everything in my power to avoid it, and not to allow myself to be drawn in. A sentence, slightly overemphatic, but obstinately recurring, put ...it plainly to me: I don’t want to succumb; I don’t want this endless return of the samedemons; I don’t want this kind of “eternal repetition ressassement éternel.”¹
Before long, however, I realized that it was impossible. Strictly impossible.
Then, another sentence, just as emphatic, I’m afraid, began to voice itself in me: I’ll yield to autobiography; I’ll make that sacrifice.
At the center, or very nearly so, ofThe Writing of the Disaster(1980), a relatively short text—a fragment, if you will—stands out by two distinctive features.
Printed in italics (according to a law ...of alternation that already for some time had presided over the composition of Blanchot’s “fragmentaries”),² the text bears a title in roman typeface—read aloud, let’s say, and with no particular intonation: “A Primal Scene”—which we come across again, several times, in the second part of the book (but whose first appearance is on page 72 117). In its typographical presentation, however, as
Russia is attractive to foreign citizens not only for its originality which lies in the beauty of people and nature or in the presence of unique attractions. They are also attracted by the ...possibility of doing work and business. However, not all foreign citizens are law-abiding. Some of their representatives are distinguished by illegal behavior. It happens that noncitizens of Russia commit crimes. Purpose of the research: to consider the state, structure and dynamics of crimes of foreign citizens in the Russian Federation; to work out the categories of crimes for which they are convicted; to give information about representatives of foreign countries dominating places of imprisonment; to assess the nature of the repetition of crimes committed in Russia by foreign immigrants; to reveal their age range and give information about the commission of repeated crimes in Russia by foreigners who have served their sentences in domestic correction facilities. Methods: the work based on a systematic approach widely uses general scientific and specific scientific methods. General scientific methods, such as logical, structural-functional, analysis and synthesis methods, made it possible to identify the features of the foreigners’ recidivism risk in Russia. Modern criminological concepts based on such specific scientific methods as the method of interpretation and the methods of interpreting documents have successfully fostered the development of the research problem. Main results: the research made it possible to assess the nature of “foreign crime” in the Russian Federation and the recidivism rate of foreign immigrants. Novelty: the research shows the contingent of foreign citizens serving sentences in Russian correction facilities and differentiated by categories of crimes; it also presents their criminological features, reveals the post-penitentiary recidivism of foreign immigrants, it gives a comparative assessment of foreigners’ repeated crimes in Russia and at home.
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