This volume explores how the choruses of Greek tragedy creatively combined media and discourses to generate their own specific forms of meaning. The contributors analyse choruses as fictional, ...religious and civic performers; as combinations of text, song and dance; and as objects of reflection in themselves, in relation and contrast to the choruses of comedy and melic poetry. Drawing on earlier analyses of the social context of Greek drama, the non-textual dimensions of tragedy, and the relations between dramatic and melic choruses, the chapters explore the uses of various analytic tools in allowing us better to capture the specificity of the tragic chorus. Special attention is given to the physicality of choral dancing, musical interactions between choruses and actors, the trajectories of reception, and the treatment of time and space in the odes.
A play about self-worth, mental health and self harm. This play, for year 8+ has been developed in consultation with clinicians, those who have recovered from self-harm and leading charities in the ...field.
The extraordinary global success of Turkish drama serials is a significant development in contemporary popular culture. This book presents comparative audience data from three different regions to ...explore its ramifications across the Global South. We learn how this phenomenon has transformed Turkey—a Muslim-majority country—into the world’s second-largest producer of scripted television serials, enticing audiences from all over the world. The book takes an audience-centred approach, investigating the reasons for the allure of Turkish dramas to Arab, Latin American, and Israeli audiences. In tandem, it explores Turkey's changing foreign policy, economic, and trade relationships since the turn of the millennium, which have coincided with the enormous success of the country's television output. It also analyses the role and importance of Turkish dramas as a soft-power tool by scrutinizing how they have influenced viewers' perceptions of Turkey, its people, and its culture. This volume will appeal to those working in various disciplines—from media and communication, international relations, public diplomacy, sociology, and Middle Eastern studies. The material will also be of great relevance to upper-level undergraduates, postgraduate students, academics, scholars and researchers.
The topical nature of the subject justifies its relevance. The analysis, based on field observations, is inspired by the approaches that underlie social criticism. It reveals, in the beginning, a ...disinterest in the pandemic, concern left to anonymous and improvised actors producing a “drama of misunderstanding” trivializing the plague. Then came an awakening of professionals in drama, which the sociocritical analysis of the Ivorian case explains by the difficulties encountered by the politicians. Indeed, the speed and firmness of the decisions, contrasting with their application, selective, soft or absent, give matter to a dramatic production. Drama is involved in raising public awareness through filmed productions. This analysis proposes solutions for efficient handling of the pandemic through Drama. They advocate the massive realization of works couraging anti-covid vaccination and barrier measures, through the theme, the attitude of actors and spectators.
Drawing upon recent scholarship in Renaissance studies regarding notions of the body, political, physical and social, this study examines how the satiric tragedians of the English Renaissance employ ...the languages of sex - including sexual slander, titillation, insinuation and obscenity - in the service of satiric aggression. There is a close association between the genre of satire and sexually descriptive language in the period, author Gabriel Rieger argues, particularly in the ways in which both the genre and the languages embody systems of oppositions. In exploring the various purposes which sexually descriptive language serves for the satiric tragedian, Rieger reviews a broad range of texts, ancient, Renaissance, and contemporary, by satiric tragedians, moralists, medical writers and critics, paying particular attention to the works of William Shakespeare, Thomas Middleton and John Webster
Contents: Introduction: sex, stoicism and satyre: the roots of satiric tragedy; 'You go not till I set you up a glass': the death of Elizabeth and the languages of gender; 'Deep ruts and fouls sloughs': sexually descriptive language and the narrative of disease; 'I'll have my will': frustrated desire and commercial culture; 'I am worth no worse a place': service, subjugation and satire; Conclusion: erotic aggression and satiric tragedy; Appendix; Works cited, Index.
Gabriel A. Rieger is an assistant professor of medieval and Renaissance literature at Concord University in Athens, West Virginia, where he lives with his wife and daughter
Responding to an increasing need for critical perspectives and methodologies, this collection traces the historical dimensions of Native North American drama through overviews of major developments, ...individual playwrights' perspectives, and in-depth critical analyses. Bringing together writers and scholars from the United States, Canada, and Europe, Indigenous North American Drama provides the first comprehensive outline of this vibrant genre. It also acknowledges the wide diversity of styles and perspectives that have helped shape contemporary Native North American theater itself. This interdisciplinary introduction offers a basis for new readings of Native American and First Nations literature at large.
The Routledge Anthology of Early Modern Drama is the first new collection of the drama of Shakespeare's contemporaries in over a century.
This volume comprises seventeen accessible, thoroughly ...glossed, modernized play-texts, intermingling a wide range of unfamiliar works-including the anonymous Look About You, Massinger's The Picture, Heminge's The Fatal Contract, Heywood's The Four Prentices of London, and Greene's James IV-with more familiar works such as Marlowe's Doctor Faustus, Webster's The Duchess of Malfi, and Middleton's Women Beware Women. Each play is edited by a different leading scholar in the field of early modern studies, bringing specific expertise and context to the chosen play-text.
With an unprecedented variety of plays, and critical introductions that focus on the diversity and strangeness of different early modern approaches to the artistic and commercial enterprise of play-making, The Routledge Anthology of Early Modern Drama will offer vital new perspectives on early modern drama for scholars, students, and performers alike.
Joel B. Lande’s Persistence of Folly challenges the accepted account of the origins of German theater by focusing on the misunderstood figure of the fool, whose spontaneous and impish jest captivated ...audiences, critics, and playwrights from the late sixteenth through the early nineteenth century. Lande radically expands the scope of literary historical inquiry, showing that the fool was not a distraction from attempts to establish a serious dramatic tradition in the German language. Instead, the fool was both a fixture on the stage and a nearly ubiquitous theme in an array of literary critical, governmental, moral-philosophical, and medical discourses, figuring centrally in broad-based efforts to assign laughter a proper time, place, and proportion in society. Persistence of Folly reveals the fool as a cornerstone of the dynamic process that culminated in the works of Lessing, Goethe, and Kleist. By reorienting the history of German theater, Lande’s work conclusively shows that the highpoint of German literature around 1800 did not eliminate irreverent jest in the name of serious drama, but instead developed highly refined techniques for integrating the comic tradition of the stage fool.
Shannon het alles uit my uit behalwe die visitation rights, so elke tweede naweek is dit ek en Lourens, en dan probeer ek maar fix wat hulle besig is om op te fok" (18). The Lion King se "The Circle ...of Life" begin speel sodra die akteurs hul plekke inneem. Die lirieke van hierdie lied word byna in geheel tydens die partytjie aangehaal deur 'n besope Ronnie en dit word 'n deurlopende motief wat die probleme rondom die moderne samelewing en die uitdagings van die jonger Afrikaanse generasie oproep.
