In Gramsci and Languages Alessandro Carlucci explores the origins and significance of Antonio Gramsci's interest in language, showing in particular how his experience of linguistic and cultural ...diversity contributed to the shaping of his intellectual and political profile.
In Gramsci's Political Thought, Carlos Nelson Coutinho offers an analysis of the evolution of the political thought of Antonio Gramsci. Focusing on central concepts of the Prison Notebooks and ...relating them to the history of modern political ideas, the book also demonstrates that Gramsci's ideas continue to be relevant resources for understanding the controversies of our present time.
Madunun Kentteki Gölgesi: Zerre TAŞ ÖZ, Perihan; YİĞİT, Zehra
Türkiye iletişim araştırmaları dergisi,
12/2021
38
Journal Article
Peer reviewed
Open access
2000 sonrası Yeni Türkiye Sineması’nda, dönemin toplumsal heterojenliğine paralel olarak toplumsal
cinsiyet, sınıf, kimlik ve mekan gibi öğeler üzerinden farklı sinemasal temsiller üretildiği ...görülmektedir. Bu
dönem anlatılarında sıklıkla yer alan temsillerden biri de madun imgesidir. Çalışmanın amacı Yeni Türkiye
Sineması’nda madunların gündelik yaşam pratiklerine, sıkıntılarına, çelişkilerine, toplumsal tahakküm ve
tabiiyet ilişkilerine ve eğer varsa ürettikleri direniş yöntemlerine nasıl yer verildiğini saptamaktır. Örneklem
olarak Zerre (Erdem Tepegöz, 2012) filmi, ana karakteri Zeynep’in madun konumunu bütünlüklü
bir şekilde; mekansal, sınıfsal ve bedensel sınırlılıklar çerçevesinde ele alan bir film olması nedeniyle
seçilmiştir. Çalışmanın kuramsal altyapısını, Antonio Gramsci, Ranajit Guha, Gayatri Chakravorty
Spivak, Gyanendra Randey ve Dipesh Chakrabarty gibi sosyolog ve kuramcıların çalışmalarıyla şekillenen
Maduniyet Çalışmaları teorisi oluşturmaktadır. Bu bağlamda film analiz edilirken maduniyeti çerçeveleyen
toplumsal koşullar referans alınarak sosyolojik eleştiri yöntemi ile madun kavramının filmde nasıl temsil
edildiği saptanmıştır. Madun imgesini öyküsünün merkezinde tutan Zerre, kentsel yoksulluk ve işsizlik
çıkmazı içerisindeki bireylerden biri olan Zeynep’in var olma mücadelesini aktarırken, aynı zamanda
maduniyetin sosyo-ekonomik şekillenişini de anlatısallaştırmıştır. Bununla birlikte, Maduniyet Çalışmaları
kuramcılarının sıklıkla işaret ettiği, madun ile egemen olanın ilişkisinde cinsiyet vurgusunun önemi,
çalışmanın yaptığı analizle de belirginleşmiş; madunun cinsiyetinin kadın olduğu durumlarda egemen
olanın dayattığı tahakkümlerin çok daha ağır olduğu ve daha çok bedensel politikalar üzerinden kurulduğu
sonucuna varılmıştır.
Starting in 2000, New Turkish Cinema has given room to different representations in relation to gender,
class, identity and spaces, parallel to the era’s social heterogeneity. The image of the subaltern is one of
the most recurring representations in these narratives. In this context, this study aims to analyze the ways
in which New Turkish Cinema represents the subaltern’s daily life practices, problems, contradictions,
relations of oppression and subordination, and if there is any, modes of resistances. The analysis will focus
on the film, Zerre (Erdem Tepegöz, 2012), and its protagonist Zeynep, who is positioned as the subaltern
in terms of spatial, class-based, and embodied boundaries. The theoretical framework of the study will
draw on the works of Antonio Gramsci, Ranajit Guha, Gayatri Chakravorty Spivak, Gyanendra Randey,
Dipesh Chakrabarty, all pertinent to subaltern studies. In this context, the analysis is based on the social
conditions defining subalternity. The representation of subaltern was studied by using the social criticism
method. Zerre focuses on the image of the subaltern by narrating the story of Zeynep’s struggle for survival,
as an individual who is pressured by urban poverty and unemployment, while also narrativizing the socioeconomic
formation of subalternity. At the same time, the importance of gender in the relationship between
the subaltern and those in power, as often pointed out by subaltern studies scholars, is an important aspect
that is underlined in this film’s analysis. Finally, it has been concluded that when the gender of the subaltern
is female, the relationship of domination established by the ruling class is much more severely practiced, and particularly based on body politics.
A milestone in the contemporary Brazilian reception of Gramsci, focusing on the unity of politics, philosophy and history in Gramsci's Quaderni del carcere.
At the beginning of the twentieth century the attitude of the Socialist Party towards football wash hostile but after the publication of the famous article by Antonio Gramsci "Il football e lo ...scopone" (1918), the Left directed its criticism at the political exploitation the fascist Regime made of football. This led to many valuable players participating in the Resistance movement. Among them: Antonio Bacchetti, Bruno Ballacci, Dino Ballacci, Severino Feruglio etc.
17 November 2022, Hessen, Eltville: Suella Braverman, Home Secretary of the United Kingdom, arrives at the meeting of G7 Home Affairs Ministers at the historic Eberbach Monastery. At the G7 meeting ...in Eltville, the interior ministers exchange views on the shared values of democracy, the rule of law and human rights, as well as social justice, equality and inclusive digitization. Writing in The Boston Globe last month, Steven Pinker and Bertha Madras announced the launch of the Council on Academic Freedom at Harvard University to protect free inquiry, intellectual diversity, and civil discourse.
In Caesarism and Bonapartism in Gramsci, Francesca Antonini offers a fresh insight into Gramsci's account of the Caesarist-Bonapartist model, both in the pre-prison writings and the Prison Notebooks. ...She investigates its historical and theoretical relevance for Gramsci's conception of hegemony.
Revisiting Gramsci's Notebooks offers a rich collection of studies addressing the thought of Antonio Gramsci, one of the most significant intellects of the twentieth century, from a global network of ...scholars confronting the actuality of our 'great and terrible' world.
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