Gregors des Großen Regula pastoralis gehört zu den am stärksten althochdeutsch glossierten Texten. Eine umfassende Darstellung dieser Glossen fehlt und ist nicht zu leisten, solange einige der ...wichtigsten Quellen noch immer nicht ausreichend aufgearbeitet sind. Zu diesen gehören die Glossen der Handschriften Clm 6277 und Clm 18550a, die in dieser Untersuchung erstmals vollständig ediert und sprachlich sowie paläographisch kommentiert werden.
Nach den seinerzeit im Umkreis des Zweiten Vatikanischen Konzils vor allem theologisch fokussierten Forschungen zu Konziliarismus und Konzilien des 15. Jahrhunderts finden diese seit einigen Jahren ...als polyvalente historische Phänomene Interesse, da sie sich als überra-schend offen und ergiebig für vielfältige Fragestellungen heutiger Geschichtswissenschaft erweisen. Ausgehend von der bislang weniger erforschten, doch gerade in solchem Kontext aufschlussreichen Spätphase des Basler Konzils, nehmen die Beiträge des Sammelbands zugleich vom Ende her die gesamte konziliare Epoche bilanzierend in den Blick. Mit Beiträgen von Philippe Contamine, Jürgen Dendorfer, Robert Gramsch, Johannes Helm-rath, Ursula Lehmann, Claudia Märtl, Jürgen Miethke, Heribert Müller, Werner Paravicini, Thomas Prügl, Émilie Rosenblieh, Joachim W. Stieber, Thomas Wünsch.
Ebenso wie ihre Vorgängerveranstaltungen zielte auch die diesjährige DACH-Tagung darauf ab, den Austausch zwischen den verschiedenen Instituten und Abteilungen innerhalb der deutschsprachigen ...Skandinavistik zu fördern. Aus diesem Grund und um den Teilnehmenden der Tagung eine möglichst breite Bühne für ihre aktuellen Projekte und Interessen zu bieten, wurde bewusst davon abgesehen, ein allgemeines Tagungsthema vorzuschreiben. Dieses Ziel eines freien Austauschs wurde weitgehend erreicht, auch wenn nicht alle Institute des deutschsprachigen Raums durch Teilnehmende repräsentiert waren; beteiligt waren zehn Vertreter_innen der Universitäten München, Wien und Greifswald. Sie präsentierten Ansätze aus so verschiedenen Fachbereichen wie Kulturwissenschaft, Literaturwissenschaft, Digital Philology, Gender Studies und Religionswissenschaft.
Theodor Hartigs aphid and scale insect type specimens have been presumed lost or destroyed for the last 140 years. Here we document their discovery at the Bavarian State Collection of Zoology ...(Zoologische Staatssammlung Mnchen, ZSM), in Munich, Germany. These specimens include primary types for 24 aphid, three adelgid, and two armored scale insect species named by Hartig between 1834 and 1851, as well as other specimens of unknown importance.
In zwei städtebaulichen Entwicklungsprojekten der Stadt München wird eine Verbindung von ökologischem und sozialem Bauen umgesetzt. Dieser Beitrag stellt diese Projekte kritisch vor und fragt nach ...deren Bedeutung für die Münchner Stadtentwicklung sowie nach möglichen Implikationen für die kritische Stadtforschung.
Autorska književno-likovna izdanja Vlade Kristla nastajala su usporedno s njegovim slikarskim i filmskim radom. Obuhvaćaju širok raspon otisnutih publikacija, od knjiga proze i poezije, preko tzv. ...knjiga umjetnika do otisnutih mapa; nizu se može pribrojiti i dio odaslane korespondencije kao forme koju je Kristl također koristio kao umjetnički medij. U svim tim vrstama djela prate se isti poetički postupci, teme i topika kao i u ostalim segmentima njegova opusa. Karakterizira ih i specifično oblikovanje slike i teksta, općenito eksperimentiranje s formom knjige te prožimanje literarnog i likovnog izraza. Prije preseljenja u Njemačku 1963. piše i objavljuje uglavnom na hrvatskome, a nakon toga sva su izdanja napisana i objavljena na njemačkom jeziku.
In the artistic oeuvre of Vlado Kristl (Zagreb, 1923 – Munich, 2004), a respected film author and painter, the literary segment also holds a significant place. Literary and art publications were created simultaneously with his painting and film work, encompassing a wide range of printed materials, from prose and poetry books to artists’ books, portfolios, letters, and faxed messages — a form that Kristl also used as an art medium. Kristl personally designed, illustrated, and most often published these authorial editions by himself. He predominantly designed them with minimal economic resources but exceptionally innovatively, using various typographies, seals, his own handwriting, illustrations, and photographs. The bound works, with a distinctly creative approach to content and design, belong to artistic production closely related to both film and painting. They are propelled by the same poetics marked by processuality and experimentation, with timeless themes and topics, such as the role of the artist, freedom, repression, war and resistance, and the relationship towards authority. Everything he filmed, painted, drew, or wrote was connected by the same fundamental need for shaping and demonstrative expression of a kind of artistic worldview, a value system that encompassed his understanding of art as well as his attitude towards society and the political order. Just as he often copied his paintings and changed scenarios or montages, he also revised and modified his poetic and prose texts in his books, using those already published as a kind of ready-made material. In this way, he transformed his existing works into new ones, questioning their meanings and giving the entire oeuvre a character of an unfinished work to which he constantly returned, seeking to redefine it. Like in all other media, Kristl approached books and their conventions provocatively and destructively: playing with language and its trans - parency, transcending the usual relationship between textual and visual contents, as well as the format and functional parts of editions, using existing works, fragmenting them, and leaving the final sequence of the text to chance. With the exception of the first two poetry collections written in Croatian, all other books were in German, a language that was not Kristl’s native but one he knew well even before coming to Germany. Kristl’s authorial editions, as a special form of artistic expression in the form of a book, are carefully thoughtout projects that directly connect literary achievements with reproductions of drawings and paintings, treating them as material that is secondarily processed, collaged, and otherwise shaped, creating a new type of artefact. As such, they represent a multimedia form of artistic expression that conveys the message both verbally and visually, uniting both languages into a specific narrative and visual form.
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