In Poetry, Pictures, and Popular Publishing eminent Rossetti scholar Lorraine Janzen Kooistra demonstrates the cultural centrality of a neglected artifact: the Victorian illustrated gift book. ...Turning a critical lens on "drawing-room books" as both material objects and historical events, Kooistra reveals how the gift book's visual/verbal form mediated "high" and popular art as well as book and periodical publication. A composite text produced by many makers, the poetic gift book was designed for domestic space and a female audience; its mode of publication marks a significant moment in the history of authorship, reading, and publishing. With rigorous attention to the gift book's aesthetic and ideological features, Kooistra analyzes the contributions of poets, artists, engravers, publishers, and readers and shows how its material form moved poetry into popular culture. Drawing on archival and periodical research, she offers new readings of Eliza Cook, Adelaide Procter, and Jean Ingelow and shows the transatlantic reach of their verses. Boldly resituating Tennyson's works within the gift-book economy he dominated, Kooistra demonstrates how the conditions of corporate authorship shaped the production and receptionof the laureate's verses at the peak of his popularity. Poetry, Pictures, and Popular Publishing changes the map of poetry's place—in all its senses—in Victorian everyday life and consumer culture.
In Miyazawa Kenji and His Illustrators, Helen Kilpatrick examines re-visionings of the literature of one of Japan's most celebrated authors, Miyazawa Kenji (1896-1933). The deeply Buddhist Kenji's ...imaginative dōwa (children's tales) are among the most frequently illustrated in Japan today. Numerous internationally renowned artists such as Munakata Shikō, Kim Tschang-Yeul and Lee Ufan have represented his stories in an array of intriguing visual styles, reinvigorating them as picture books for modern audiences.
The "Vows of the Peacock" was composed in 1312 in France. One of the extant manuscripts stands out for its beautiful miniatures and scurrilous marginalia (PML, MS G24). It includes a catalogue and ...concordance of all Peacock manuscripts.
In 2023, two decades after the restoration of the Victorian Geological Illustrations by the London Borough of Bromley—and the visit of the late HRH Prince Phillip to mark the completion of the ...restorations—it is clear that these internationally significant sculptures are in a worse state than ever before. Although interest in them remains high, and in spite of the best efforts of the Friends of the Crystal Palace Dinosaurs to protect and interpret them, it is plain that they are greatly at risk. In the year that marks the two‐hundredth anniversary of the description of Megalosaurus, depicted in all its magnificence in the park, it is a matter of urgency that we promote the significance of a site that really should be recognized for what it is—world heritage—and its current state of neglect.
