Thèse en co-tutelle dirigée par Marie-Vic Ozouf-Marignier (EHESS) et Gábor Czoch (Eötvös Loránd University), devant un jury composé de Marie-Elizabeth Ducreux (CNRS), Jacques Le Rider (EPHE), Gergely ...Romsics (Académie hongroise des sciences de Budapest) et Gábor Sonkoly (Eötvös Loránd University). Résumé : L’objectif de la thèse est l’analyse comparative des historiographies austro-allemande et hongroise, en effleurant l’historiographie tchèque, entre 1867 et 1914. Les questions fondamentales...
Based on an extensive range of sources, including unpublished ones, the history of relations between V.A. Zhukovskii and Archpriest John Bazarov is studied. The biographical and historical–cultural ...context of these relations has been explored. Bazarov’s participation in Zhukovskii’s religious–philosophical projects of the 1840s has been studied (Russian translation of R. Stier’s book
The Words of the Lord Jesus
, German translation of A.S. Khomyakov’s treatise “The Church is One”), as well as their joint charitable activities. The theme of “living faith” in the creative dialogue between Bazarov and Zhukovskii is explored. The history of their relationship is considered as an example of the influence of the Orthodox clergy on figures of Russian culture and social thought in the second quarter of the 19th century.
The article deals with the representations of the Russian educated society of the second half of the 1870s–1880s of socio-political development of Spain. The deconstruction of Russia`s perception of ...Spain in the 19th century is topical as the part of the research field of interaction and interference between Russia and Europe as one of the main themes for Russian thought. It is notable that Russia and Spain both located far from the geographic center of Europe and having to deal with fringe movements have a lot in common, that causes keen interest of Russian authors to the Spanish realities. The image of the Other, presented in their works, reflects significant features of the Russian society of those times, and the study of the issue can have a positive feedback of drawing on Spainish experience. The article fits within the framework of such a research direction as imagology, but appeals to the wider problems of intellectual history in general. The characteristics of Spanish realities given by Russian authors are represented within the context of the genesis of Russian thought that had always been in a dialogue with Europe. The representations of Spain are analyzed on the base of the materials of five travelogues published in the 1880s when both countries were going through the period of modernization. The article defines the peculiarities of the individual perception of the socio-political and economic spheres of Spain`s life by particular authors as well as general views on this country in Russia, for example an increased interest to the phenomenon of the Spanish Inquizition. The article reveals the changes in the perception of Spain by Russian authors in the 1880s as well as its main factors. Russian educated society`s representations of Spain from the point of view of the development of the state during this time period became less integral and were reinforced and supplemented with the problem of regionalism. Catalonia, the very symbol of regional independence movement, became another center in the country`s image along with the areas such as Castilla and Andalusia that were traditionally familiar to the Russian readers in terms of culture.
Japanische Holzschnitte (ukiyo-e) zählen heute zu den berühmtesten Kunstformen Ostasiens. Doch wie haben die Drucke aus der Edo-Zeit diesen Status erhalten? Als Ursprung für ihren Weltruhm wird ...häufig auf die Japonismus-Epoche Ende des 19. Jahrhunderts verwiesen. Dabei blenden Kunstwissenschaft und Museumswelt aus, dass die Drucke in den letzten siebzig Jahren vielfach präsentiert wurden. Marina Sammeck verfolgt, wie japanische Holzschnitte durch Ausstellungen und Allianzen zu einer der populärsten japanischen Kunstformen im Westen aufsteigen konnten. Im Mittelpunkt ihrer Analyse steht die Beschreibung des Prozesses, in dem spezifische Objekte zu »Kunst« werden - und was dieser für die zukünftige Ausstellungspraxis bedeutet.
As spaces of knowledge, the national museums and galleries of nineteenth-century Europe played an important role both in the shaping of nation-states and the education of their populations. In this ...context, such institutions sought to convey the history of the people, for example by displaying pictorial cycles of important scenes from their history, exhibiting objects associated with certain formative events, or arraying period rooms to promote a specific impression of the past. The contributions to this volume examine the purposes and educational strategies of national museums and national galleries via case studies from Denmark, France, Germany, Great Britain, Italy, the Netherlands, Poland, Sweden, and Switzerland.
Resumen Introducción: dada la carencia de fuentes documentales históricas sobre el inicio del consumo efectivo de patata en Vitoria (Álava, España), su introducción en la dieta urbana se estima a ...partir de los datos de cultivo y producción. Ello solo permite aseverar la introducción del cultivo a finales del siglo XVIII, el reconocimiento de dos saltos cuantitativos durante las guerras de independencia y primera carlista, y que era el segundo cultivo en cantidad en 1857. Objetivo/método: desde la hipótesis de una buena correspondencia entre la dieta hospitalaria y la dieta ordinaria urbana, evidenciada en otros estudios para Vitoria, se propone documentar la cronología de la introducción de la patata en la dieta urbana a partir de su análisis en el hospital de la ciudad, así como contextualizar los acontecimientos históricos concurrentes mediante la revisión y el análisis de fuentes documentales primarias y secundarias. Resultados: el hospital conserva el registro de alimentos adquiridos desde 1743. La primera compra de patatas se abona el 17 de septiembre de 1834. Se continúa con adquisiciones en cantidades y fechas muy variables que se normalizan a partir de 1844. Contextualmente, existe una crisis mayor de subsistencia con el cólera como causa más inmediata y necesaria en sinergia con la primera guerra carlista y la devastación de cultivos en una tormenta veraniega. En 1854 la patata está asentada en la dieta urbana. Conclusiones: la primera adquisición de patatas se realizó en septiembre de 1834 en el contexto inmediato del cólera junto a la guerra carlista y efectos catastróficos meteorológicos.
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