This article explores multimediality and diversity in the poetry of Branko Čegec, the film Pulp Fiction by Quentin Tarantino, and the novel Soba za razbijanje by Tomislav Zajec. Their comparison is ...based on intermediality as the main feature of postmodernism, which provides a two-way or multi-way relationship between the analysed works, since each of them is already characterised by intermediality and citability. The main structural components are emphasised according to which the three works or multimedia texts, are intermedially similar, primarily through motifs and topics. The aim is to reveal Čegec’s intense intermedial sensitivity as an open dialogue of intermedial traces on both formal and stylistic, and subjective structures. A similar sensitivity to other media can be found in Tarantino’s film and Zajec’s novel. The article aims to determine the elements common to all three authors, that is, the three aspects of their emphasized intensity of thematic and presentational intermediality. Finally, the conception of their works will be placed in the context of postmodern creativity as a highly communicative intermedial state
U radu se ustvrđuje poetološka usporedivost između raznomedijskih i raznovrsnih predložaka polazeći od poezije Branka Čegeca, a usporedbu vodimo prema filmu Pulp Fiction Quentina Tarantina i romanu ...Soba za razbijanje Tomislava Zajeca. Usporedivost se temelji na intermedijalnosti kao glavnoj značajki postmodernizma, koja se nameće kao dvosmjerna ili višesmjerna u odnosu među analiziranim predlošcima budući da je svaki od njih već sam intermedijalno senzibiliziran i citatno sofisticiran. Ističu se glavne strukturne sastavnice prema kojima su tri predloška ili, tezno raznomedijska teksta, intermedijalno bliska i to prvotno preko motivsko-tematskih aspekata. Cilj je pronaći intenzivnu Čegecovu intermedijalnu osjetljivost kao otvorenu dijalošku situaciju intermedijskih tragova i na formalno-stilskim, kao i na subjektnim strukturama. Takvu sličnu osjetljivost za druge medije pronalazimo i u filmskom predlošku Quentina Tarantina i romanu Tomislava Zajeca. Problemska je teza odrediti gdje su približeni elementi koji povezuju tri autora, točnije tri njihova aspekta naglašenog intenziteta predmetno-prikazivačke intermedijalnosti, a zaključno je koncepcija njihovih radova postavljena u kontekst postmodernog stvaralaštva kao visoko komunikativnog intermedijskog stanja.
This article explores multimediality and diversity in the poetry of Branko Čegec, the film Pulp Fiction by Quentin Tarantino, and the novel Soba za razbijanje by Tomislav Zajec. Their comparison is based on intermediality as the main feature of postmodernism, which provides a two-way or multi-way relationship between the analysed works, since each of them is already characterised by intermediality and citability. The main structural components are emphasised according to which the three works or multimedia texts, are intermedially similar, primarily through motifs and topics. The aim is to reveal Čegec’s intense intermedial sensitivity as an open dialogue of intermedial traces on both formal and stylistic, and subjective structures. A similar sensitivity to other media can be found in Tarantino’s film and Zajec’s novel. The article aims to determine the elements common to all three authors, that is, the three aspects of their emphasized intensity of thematic and presentational intermediality. Finally, the conception of their works will be placed in the context of postmodern creativity as a highly communicative intermedial state.
Slavist Vatroslav Jagić dao je ubrzo nakon smrti supruge Sidonije, rođ. Struppi, podići spomenik nad njezinim posljednjim počivalištem. Naručio ga je 1914. godine. Na sjevernoj strani Pekla, ...najstarijeg dijela varaždinskog gradskog groblja, nad obiteljskom grobnicom stoji jednostavan crni mramorni obelisk. Isklesao ga je i potpisao slovenski kamenoklesar Feliks Toman. Na desnome kutu stoji brončana skulptura žene. Jagić u pismima svojoj obitelji i poznanicima iznosi porijeklo i opisuje tijek narudžbe, izradu i postav spomenika. Temeljem signature i podataka u prepisci razmatraju se dosadašnje dvije atribucije bronce hrvatskom kiparu Ivanu Rendiću i slovenskom kiparu Ivanu Zajcu.
The Art of the People of Yugoslavia in the XIX. XX and XX. Century & Quot
Umjetnost naroda Jugoslavije u XIX. i XX. stoljeću"
Umjetnost naroda Jugoslavije u XIX. i XX. stoljeću"
The aim of the article is to draw our attention to the role and place of music education in the life and development of students in grades 1-3 of the primary school. The author describes the musical ...development of an early school child, she lists various functions of early music education, and she describes five forms of musical activity in which students should regularly participate. Due to the topic of this article, the author emphasizes that singing songs has many values connected with the overall development of pupils.
The next part of the article is a reflection on demographic changes and aging of the Polish society. Referring to the books on the subject, the author emphasizes that education until old age should be promoted in school education. She writes that teachers at school should stimulate correct and comprehensive development of pupils during classes, show the positive aspects of aging and old age, and shape proper attitudes towards seniors. This is possible, e. g. during music classes, with particular emphasis on singing and songs. The authors confirms it through the analysis of selected children's songs the lyrics of which are related to old age and seniors.
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