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Ferro, Luisa
Festival dell'architettura magazine, 03/2023 62-63Journal Article
Un piccolo teatro all’aperto, progettato da Dimitris Pikionis, appare nella scena urbana ateniese in un momento critico per la capitale: l’arrivo dei profughi dall’Asia Minore, il conseguente problema della casa, le politiche inefficaci di espansione della città. In questo contesto il dibattito architettonico fra le due guerre (del 900) nella capitale si fa complesso, contraddittorio e ricco di conflitti ideologici e trova episodicamente modo di svilupparsi, in particolare nella costruzione di luoghi architettonici chiave per i nuovi quartieri: spazi aperti e spazi collettivi, scuole. A rendere ancora più complesso il dibattito è Pikionis con risposte concrete all’incolta ricostruzione in atto, alla distruzione selvaggia dell’architettura della tradizione, ai discorsi sullo standard. Nello stesso anno il IV CIAM giunge ad Atene con conseguenti svolte impreviste. A small open-air theatre, designed by Dimitris Pikionis, appears on the Athenian urban scene at a critical moment for the capital: the arrival of refugees from Asia Minor, the resulting housing problem, the ineffective policies of city expansion. In this context, the architectural debate between the wars (of the 20th century) in the capital became complex, contradictory and full of ideological conflicts, and episodically found a way to develop, in particular in the construction of key architectural sites for the new neighborhoods: open spaces and collective spaces, schools. Adding to the complexity of the debate is Pikionis with concrete responses to the unrestrained reconstruction taking place, the savage destruction of traditional architecture, and discourses on the standard. In the same year, the 4th Ciam arrives in Athens with unexpected turns.
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