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Ćipranić, Miloš
Filozofska istraživanja, 09/2022, Volume: 42, Issue: 2Journal Article, Paper
Slikarstvo je predmet kojim se José Ortega y Gasset iscrpno bavio u svojem djelu s gledišta koje je označio kao raciovitalizam ili filozofiju životnoga uma. U ovom se radu ispituje je li pojam živopis vjerniji principima raciovitalističke filozofije od pojma pintura koji koristi Ortega y Gasset. Drugim riječima, postavlja se pitanje o tome ne nadmašuje li prijevod, u tom slučaju, sâm original. U skladu s Orteginom tezom o povijesnosti ljudskih tvorevina, potražit će se i podrijetlo riječi »živopis«, što će doprinijeti zaključku o tome je li ona odgovarajuće ime za umjetnost slikarstva iz perspektive jedne filozofije života. José Ortega y Gasset studied painting in depth from the standpoint he called ratio-vitalism or the philosophy of vital reason. This paper explores whether the term živopis corresponds more to ratio-vitalist philosophy than the term pintura used by the Spanish philosopher. In other words, the question is whether the translation, in this case, is better than the original. Following Ortega’s thesis on the historicity of human creations, we will look for the origin of the word živopis, which contributes to the consideration of whether it is an appropriate word for the art of painting from the perspective of the philosophy of life.
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