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  • Photography, memory and nostalgia : a critical look at the documentary tradition in Korea
    Im, Yung-Ho
    Based on the photographs of Ki-chan Kim, this essay examines how the tradition of documentary photography in Korea evolved in terms of subject, style, and ways of seeing. It emerged as a humanistic ... response to the harsh social reality of the 1940s in an oppressive political atmosphere for photographers dealing with socially sensitive subjects. Hence, a compromise between roles of the arts and social muckraking characterised the evolving documentary tradition. In documenting the back streets of Seoul, Kim tends to reduce a subject with broad social implications to an introspective story of personal memory, thus representing the Korean documentary tradition.
    Vir: Javnost = The Public. - ISSN 1318-3222 (Vol. 14, no. 3, oct. 2007, str. 65-78)
    Vrsta gradiva - članek, sestavni del
    Leto - 2007
    Jezik - angleški
    COBISS.SI-ID - 26712157

    Povezava(-e):

    http://www.javnost-thepublic.org/issue/2007/3/
    Repozitorij Univerze v Ljubljani – RUL
    Digitalna knjižnica Slovenije - dLib.si

vir: Javnost = The Public. - ISSN 1318-3222 (Vol. 14, no. 3, oct. 2007, str. 65-78)

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