Držićev Gulisav Hrvat Muhoberac, Mira
Radovi Zavoda za znanstveni rad, Varaždin,
2008
19
Journal Article
Recenzirano
Odprti dostop
Gulisav Hrvat is in terms of text quantity one of the least represented characters
in the comedy Dundo Maroje by Marin Držić. At fi rst glance it may appear
that this character only has a ...dramaturgical function in unraveling the plot
focused around the “Roman courtesan” Laura and therefore is not given much
a
ention in the interpretations of Držić’s opus. This article problematises the
broader context of the signifi cance of a seemingly minor dramatic character entrusted
with enhancing the comediographic mechanism qui pro quo, indicating
the fact that Gulisav Hrvat (Hrvat meaning Croat) is the only character in Vidra’s
(the O
er’s) dramatic opus given the atribute/name/last name of Croat by the
Dubrovnik playwright, and the only character that has a direct connection with
northern Croatia. Shedding light on Augusta, Augsburg, the German-Croatian
but also Italian ties in a broader even theological context, the authoress fi nds as
well the link to Držić’s biography, raising in addition the question of dramaturgical,
theatrological, historical and culturological ties in each one of the thirty
characters in Dundo Maroje, which makes this play not only the best Croatian
comedy of all time but also a multi-layered drama of an epoch.
Supostavljaju i suprotstavljaju se dvije kazališne družine, odnosno hrvatske kazališne trupe nastale u gimnazijskim krugovima: Družina mladih, utemeljena 1940. kao Le Compagnie des Jeunes u okviru ...Francuskoga instituta u Zagrebu, nastupala je u Hrvatskom glazbenom zavodu do 1946. pod vodstvom tad mladih vizionara Vlade Habuneka i Radovana Ivšića, a grupa Coccolemocco, utemeljena 1971. u V. gimnaziji u Zagrebu, u 2. e razredu tada učenika, također mladoga vizionara Branka Brezovca, pri kojoj je i djelovala do 1974. godine, do 1986. bila je jednom od najeksponiranijih hrvatskih alternativnih kazališnih skupina. Sučeljavaju se estetike i djelovanja tih dviju družina i njihovih članova, a posebno utemeljitelja i voditelja Radovana Ivšića i Branka Brezovca, najviše poetike lutkarskoga, amaterskoga, alternativnoga, institucionalnoga i izvaninstitucionalnoga kazališta kontekstualizirane u turbulentna povijesna i politička događanja te utjecaj (su)djelovanja u tim družinama na kasnije profesionalne živote njihovih voditelja.
