Cilj ovog rada je da ukaže na jedan značajan deo prevodilačkog rada prof. dr Milorada Živančevića, koji se odnosi na slovenačku književnost. Na primeru knjige izabrane poezije i proze Simona Jenka ...Poezija i proza (1975) pokazaćemo koja prevodilačka rešenja je autor primenio prilikom prevođenja Jenkovog stiha, a takođe ćemo se osvrnuti i na proces dezintegracije autorovog romantičarskog subjektivizma u pravcu bidermajera i protorealizma, što je karakteristično i za Branka Radičevića i drugu generaciju srpskih romantičara.
U ovom radu pokušali smo da predstavimo značaj kratkih ekspresionističkih proznih vrsta za modernizaciju slovenačke književnosti u periodizacijskom okviru od 1914. do 1935. godine kroz osnovne ...strukturne i morfološke odlike novele, kratke priče, crtice i pesme u prozi. Temeljna ishodišta i kontroverze nemačkog ekspresionističkog pokreta prema modernizmu i avangardi potvrđuju medijalnu poziciju ovog pokreta i u slovenačkoj književnosti. Ova tvrđenja zahtevaju naučnu verifikaciju unutar što obuhvatnije tekstualne baze različitih poetičko-stilskih predstavnika slovenačke ekspresionističke proze.
This paper raises the question of the existence of Expressionist prose as a significant segment of the Slovenian literary movement between the two world wars. It points out at a fundamental ...ambivalence about its relationship to the typological-aesthetic concepts of modernism and avant-garde. The problem lies in the fact that Slovenian literary historians and critics between 1920-1930, as well as the contemporary ones (with some exceptions), were detained and refused to accept innovative position of this phenomenon. Therefore, expressionism was often understood simply as a radicalization of the poetic elements of Slovenian impressionism (1895-1916), and this view is particularly evident in the assessment of Lado Kralj (Expressionism, 1986). Due to the uncertain and indeterminate previous definitions of the expressionist prose, whose research in German literary criticism, especially from the nineties to the present, yielded significant results (W. Sokel, S. Vietta, G. Kemper, B. Scheffer, W. Krull, A. P Dierick, I. Jens, T. Anz, M. Stark, W. Fähnders), there is a need for a new, more flexible pattern of the expressionist prose text. For the identification of this model the following aspects were taken into account: Poetical and conceptual aspects, Expressionist topoi, Morphologic and narrative aspects, Stylistic and linguistic aspects, following by Semantic Implications. Textual base of Slovenian short expressionist fiction includes 11 collections, published between the two world wars, and more than 200 prose pieces in the leading Slovenian magazines and newspapers. Works of the individual authors were recently acclaimed in publishing monographs, mainly posthumously (S. Majcen, M. Jarc, J. Kozak, S. Kosovel, S. Grum, E. Kocbek). In the interpretation of a characteristic prose samples (Podbevšek, Kosovel, Grum, Pregelj, Kocbek) one can notice the type of discourse and style-rhetorical moves that shape the Slovenian short fiction (prose poem, sketch, short story and novella). Similar to German expressionism, in the Slovenian literary movement the short prose genres play fundamental role in the process of a structural modernisation.
Smugglers (review) Pantovic, Bojana Stojanovic
World Literature Today,
2016, 2016-01-00, 20160101, Letnik:
90, Številka:
1
Journal Article, Book Review
Recenzirano
Each of the individual poems pulses with emotional intensity inspired by various streets and squares of the poet's hometown of Ljubljana-its bars, cinemas, or cemeteries-with dedications to close ...friends and writers from the former Yugoslavia.
THE GENRE OF PROSE PoEms has always been present in Serbian literature, but for some reason it has not been treated with the attention it deserves. Bojana Stojanovic-Pantovic has done a great service ...both to Serbian literature and to prose poetry by putting together an anthology of such poems, Srpska prozaide: Antologija pesama u prozi (The Serbian prose poem writers: An anthology of poems in prose). The anthology covers the Serbian prose poems from the middle of the nineteenth century to the present.
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