À l’instar de l’Odyssée d’Homère, Naufragios d’Álvar Núñez Cabeza de Vaca (1542-1555) retrace, entre de multiples autres angles d’approche, un voyage qui s’apparente à un parcours initiatique, ...c’est-à-dire un cheminement vers une conversion intérieure profonde. Cette transformation ontologique passe par trois étapes ou séquences (phases de séparation, de marge et d’agrégation) que cet article se propose d’analyser à la lumière, notamment, des apports de l’anthropologie. Si l’écriture de l’œuvre relève essentiellement d’une entreprise d’auto-glorification de son auteur à travers, notamment, une “héroïsation” et une “messianisation” discursives d’Álvar Núñez Cabeza de Vaca, une lecture symbolique s’attachant aux structures anthropologiques de l’imaginaire permet de montrer que certains des composants de l’initiation affleurent à la surface du texte comme dans un palimpseste.
This book is one of the great first-person accounts of the Spanish conquest of the Americas in the sixteenth century. Morrow’s new translation makes Cabeza deVaca’s adventures available to a wide ...English-speaking audience for the first time.
The Art of Meditation and the French Renaissance Love Lyricexamines the poetics of meditation in the French love lyric at the height of the Lyonnais Renaissance as illustrated by one of the country's ...most prominent writers.
In 1526 Emperor Charles V arranged the wedding of Ferdinand of Aragon, the dethroned heir of Naples, to Germana de Foix, the widow of Ferdinand the Catholic, and appointed them viceroys of Valencia. ...In the decade that followed, these two royal personas invited some of the best poets and musicians to their Valencian palace with the purpose of recreating the aulic life that they had enjoyed in their youth. InIlusion aulica e imaginacion caballeresca en El Cortesano de Luis Milan, Ignacio Lopez Alemany applies the concept of "soft power" created by George Duby and Norbert Elias to interpret its descriptions of games, banquets, conversations, performances, literary competitions, and chivalric recreations--in other words, to examine every aspect of the Valencian courtly culture. This extraordinarily rich book addresses several understudied fields: Spanish literature outside of Castile, court celebrations and entertainments, drama, and literary works not belonging to the major genres.
A prominent writer, a master painter, and a treasure of art that for centuries had been largely neglected are brought brilliantly to life in this first important study of one of the great legacies of ...Renaissance art. The immense castle at Cataio, about thirty-five miles from Venice, was built between 1570 and 1573. An extraordinary series of frescoes, painted in 1573, covers the walls of six of its palatial halls. Programmed by Giuseppe Betussi, the forty frescoes depict momentous events in the history of the Obizzi family from 1004 to 1422. Executed by Giambattista Zelotti and assistants, the frescoes, plus ceiling decorations, are painted in a Mannerist, highly illusionist style with such skill that the walls seem to be windows through which one views battle scenes, weddings, political negotiations, and other episodes in the dramatic history of the Obizzi family.Now one of the most distinguished scholars of Italian art takes readers room by room, fresco by fresco, on the first guided tour of this Betussi-Zelotti masterpiece. Writing with characteristic clarity, Irma Jaffe combines art history, iconography, formal analysis, Italian history, and the story of the Obizzi family in a richly detailed esthetic, social and historical introduction to the entire series.Describing and explaining with spirit and authority the composition and meaning of each fresco?each illustrated with full color plates?Jaffe also illuminates the fascinating decorations on the ceilings and overdoors of the great rooms. In figures that personify virtues and vices, to comment on the events painted on the walls beneath them, the values of sixteenth century Italy are reflected with uncommon clarity in both the fresco saga and the decorations above.A full understanding of Mannerism and sixteenth century painting must now include the contribution of Battista Zelotti. In the scenes at Cataio he reveals the possibilities available to Mannerist style in his countless poses of the human figure and of horses, in his variety of settings---indoor and outdoor, land and sea---and in the range of preeminent sixteenth century values such as family rank and pride, personal courage, and religion that are expressed in his Saga of the Obizzi family. Zelotti's masterpiece carries the artificiality inherent in Mannerism to a new level of theatrical drama. Viewing the scenes of fierce battles, magnificent weddings, assassinations, and triumph after triumph, suggests to modern viewers something of the splendor of grand opera.For Renaissance scholars and students, for art historians, for travelers and art lovers interested in the heritage of the Renaissance in Italy and in the glorious estates of the Veneto, Zelotti?s Epic Frescoes at Cataio: The Obizzi Saga will be an indispensable introduction and guide to a treasure hidden in plain sight for many years.
An early Spanish explorer’s account of American Indians.   This volume mines the Pardo documents to reveal a wealth of information pertaining to Pardo’s routes, his encounters and ...interactions with native peoples, the social, hierarchical, and political structures of the Indians, and clues to the ethnic identities of Indians known previously only through archaeology. The new afterword reveals recent archaeological evidence of Pardo’s Fort San Juan--the earliest site of sustained interaction between Europeans and Indians--demonstrating the accuracy of Hudson’s route reconstructions.  
The history of Pakistan's nuclear program is the history of Pakistan. Fascinated with the new nuclear science, the young nation's leaders launched a nuclear energy program in 1956 and consciously ...interwove nuclear developments into the broader narrative of Pakistani nationalism. Then, impelled first by the 1965 and 1971 India-Pakistan Wars, and more urgently by India's first nuclear weapon test in 1974, Pakistani senior officials tapped into the country's pool of young nuclear scientists and engineers and molded them into a motivated cadre committed to building the 'ultimate weapon.' The tenacity of this group and the central place of its mission in Pakistan's national identity allowed the program to outlast the perennial political crises of the next 20 years, culminating in the test of a nuclear device in 1998. Written by a 30-year professional in the Pakistani Army who played a senior role formulating and advocating Pakistan's security policy on nuclear and conventional arms control, this book tells the compelling story of how and why Pakistan's government, scientists, and military, persevered in the face of a wide array of obstacles to acquire nuclear weapons. It lays out the conditions that sparked the shift from a peaceful quest to acquire nuclear energy into a full-fledged weapons program, details how the nuclear program was organized, reveals the role played by outside powers in nuclear decisions, and explains how Pakistani scientists overcome the many technical hurdles they encountered. Thanks to General Khan's unique insider perspective, it unveils and unravels the fascinating and turbulent interplay of personalities and organizations that took place and reveals how international opposition to the program only made it an even more significant issue of national resolve. Listen to a podcast of a related presentation by Feroz Khan at the Stanford Center for International Security and Cooperation.
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