A New World of Animals Asúa, Miguel de; French, Roger
2005, 20170302, 2019, 2017-03-02
eBook
Many Early Modern Europeans who during the sixteenth and seventeenth centuries travelled to the New World left written or pictorial records of their encounters with a surprising fauna. The story told ...in this book is woven out of the threads of those texts and pictures. A New World of Animals shows how the initial wonder at the new beasts gave way to a more utilitarian approach, assessing their economic and medical potential. It elucidates how shifts in European perceptions brought the animals from the realm of the fantastic into the mainstream of early modern natural history, while at the same time changing the way in which Europeans saw their own world. Indeed, the chronicles and treatises of those who in the wake of the discovery arrived in the new lands tell as much about the particular interests and mental worlds of the writers as about the 'new animals'. This book traces the amazement of the first explorers and colonizers, the chronicles of soldiers and Indians, the 'natural histories of the New World', the place of animals in the network of economic interests driving the early expansion of Europe, the views of the missionaries and those of natural philosophers and physicians. Taking the reader from the Brazilian forests to the erudite cabinets of the Old World, from Patagonia to the centres of empire, the story of the discovery of the unexpected menagerie of the New World is also an exploration of Early Modern European imagination and learning.
Contents: Preface; Introduction; The unexpected menagerie of the New World; Soldiers and Amerindians; The new histories of the New World; Joyful and profitable news from the New World. Animals, medicine and commerce; Learned missionaries and Jesuit scholars; New World animals and shifting conceptions of natural history; Conclusions; Bibliography; Index.
Miguel de Asúa is Professor at the Universidad Nacional de San Martin and member of the Consejo Nacional de Investigaciones CientÃficas y Técnicas, Argentina. Dr Roger French was formerly in the Department of History and Philosophy of Science at Cambridge University, UK.
Paracelsus has been called the father of modern chemistry and is legendary for his treatment of syphilis. This work argues that Paracelsus developed an understanding of the body as composed of two ...distinct sexes, revolutionizing early modern conceptions of the female body as an inversion of or flawed approximation of the male body.
This collection of essays contains a wealth of information on the nature of the family in the early modern period. This is a core topic within economic and social history courses which is taught at ...most universities. This text gives readers an overview of how feminist historians have been interpreting the history of the family, ever since Laurence Stone's seminal work FAMILY, SEX AND MARRIAGE IN ENGLAND 1500-1800 was published in 1977.The text is divided into three coherent parts on the following themes: bodies and reproduction; maternity from a feminist perspective; and family relationships. Each part is prefaced by a short introduction commenting on new work in the area.This book will appeal to a wide variety of students because of its sociological, historical and economic foci.
Sex before Sex Bromley, James M; Stockton, Will
02/2013
eBook
What is sex exactly? Does everyone agree on a definition? And does that definition hold when considering literary production in other times and places?Sex before Sexmakes clear that we cannot simply ...transfer our contemporary notions of what constitutes a sex act into the past and expect them to be true for the people who were then reading literature and watching plays. The contributors confront how our current critical assumptions about definitions of sex restrict our understanding of representations of sexuality in early modern England.
Drawing attention to overlooked forms of sexual activity in early modern culture, from anilingus and interspecies sex to "chin-chucking" and convivial drinking,Sex before Sexoffers a multifaceted view of what sex looked like before the term entered history. Through incisive interpretations of a wide range of literary texts, includingRomeo and Juliet, The Comedy of Errors, Paradise Lost, the figure of Lucretia, and pornographic poetry, this collection queries what might constitute sex in the absence of a widely accepted definition and how a historicized concept of sex affects the kinds of arguments that can be made about early modern sexualities.
Contributors: Holly Dugan, George Washington U; Will Fisher, CUNY-Lehman College; Stephen Guy-Bray, U of British Columbia; Melissa J. Jones, Eastern Michigan U; Thomas H. Luxon, Dartmouth College; Nicholas F. Radel, Furman U; Kathryn Schwarz, Vanderbilt U; Christine Varnado, U of Buffalo-SUNY.
This collection offers readers a timely encounter with the historical experience of people adapting to a pandemic emergency and the corresponding narrative representation of that crisis, as early ...modern writers transformed the plague into literature. The essays examine the impact of the plague on health, politics, and religion as well as on the plays, prose fiction, and plague bills that stand as witnesses to the experience of a society devastated by contagious disease. Readers will find physicians and moralists wrestling with the mysteries of the disease; erotic escapades staged in plague-time plays; the poignant prose works of William Bullein and Thomas Dekker; the bodies of monarchs who sought to protect themselves from plague; the chameleon-like nature of the plague as literal disease and as metaphor; and future strains of plague, literary and otherwise, which we may face in the globally-minded, technology-dependent, and ecologically-awakened twenty-first century. The bubonic plague compelled change in all aspects of lived experience in Early Modern England, but at the same time, it opened space for writers to explore new ideas and new literary forms—not all of them somber or horrifying and some of them downright hilarious. By representing the plague for their audiences, these writers made an epidemic calamity intelligible: for them, the dreaded disease could signify despair but also hope, bewilderment but also a divine plan, quarantine but also liberty, death but also new life.
Acknowledgments Introduction, Rebecca Totaro Section One: Making the Plague Serve Form and Function, 1563-1666 1: Writing the Plague in English Prose Satire, William Kerwin 2: Plague Space and Played Space in Urban Drama, 1604, Kelly J. Stage 3: Physical and Spiritual Illness: Narrative Appropriations of the Bills of Mortality, Erin Sullivan Section Two: Governing Bodies in Plague-Time 4: Contagious Figurations: Plague and the Impenetrable Nation after the Death of Elizabeth, Richelle Munkhoff 5: "Thinking to pass unknown": Measure for Measure, the Plague, and the Accession of James I, James D. Mardock Section Three: Performances, Playhouses, and the Sites of Re-Creation 6: "Sweet recreation barred": The Case for Playgoing in Plague-time, Nichole DeWall 7: Shakespeare’s Dual Lexicons of Plague: Infections in Speech and Space, Paula S. Berggren 8: "A plague on both your houses": Sites of Comfort and Terror in Early Modern Drama, Barbara H. Traister Section Four: Contemporary Turns 9: Plague in A Midsummer Night’s Dream: A Girardian Reading of Bottom and Hippolyta, Matthew Thiele 10: Dekker’s and Middleton’s Plague Pamphlets as Environmental Literature, Charles Whitney Afterword: Plague and Metaphor, Ernest B. Gilman Notes on Contributors Index
Rebecca Totaro is Professor of English at Florida Gulf Coast University. She is the author of Suffering in Paradise: The Bubonic Plague in English Literature from More to Milton .
Ernest Gilman is Professor of English at NYU. He is the author of Plague Writing in Early Modern England .
In early modern English medicine, the balance of fluids in the body was seen as key to health. Menstruation was widely believed to regulate blood levels in the body and so was extensively discussed ...in medical texts. Sara Read examines all forms of literature, from plays and poems, to life-writing, and compares these texts with the medical theories.
This is the first scholarly study in which the production, trade and political effects of opium and its derivatives are shown over many centuries, and in many countries (China, India, Indonesia, ...Japan, all Southeast Asian countries and some in Europe and the Americas). Starting in the 16th century, slavery and opium became the two means with which the bodies and souls of men and women in the tropics were exploited in western imperialism and colonialism. The first waned with the abolition movement in the 19th century, but opium production and trade continued to spread, with the associated serious social and political effects. Around 1670 the Dutch introduced opium as a cash crop for mass production and distribution in India and Indonesia. China became the main target in the 19th century, and only succeeded in getting rid of the opium problem around 1950. Then it had already been transformed from an “Eastern” into a “Western” problem.
Of enduring historical and contemporary interest, the anatomy theater is where students of the human body learn to isolate structures in decaying remains, scrutinize their parts, and assess their ...importance. Taking a new look at the history of anatomy, Cynthia Klestinec places public dissections alongside private ones to show how the anatomical theater was both a space of philosophical learning, which contributed to a deeper scientific analysis of the body, and a place where students learned to behave, not with ghoulish curiosity, but rather in a civil manner toward their teachers, their peers, and the corpse. Klestinec argues that the drama of public dissection in the Renaissance (which on occasion included musical accompaniment) served as a ploy to attract students to anatomical study by way of anatomy’s philosophical dimensions rather than its empirical offerings. While these venues have been the focus of much scholarship, the private traditions of anatomy comprise a neglected and crucial element of anatomical inquiry. Klestinec shows that in public anatomies, amid an increasingly diverse audience—including students and professors, fishmongers and shoemakers—anatomists emphasized the conceptual framework of natural philosophy, whereas private lessons afforded novel visual experiences where students learned about dissection, observed anatomical particulars, considered surgical interventions, and eventually speculated on the mechanical properties of physiological functions. Theaters of Anatomy focuses on the post-Vesalian era, the often-overlooked period in the history of anatomy after the famed Andreas Vesalius left the University of Padua. Drawing on the letters and testimony of Padua's medical students, Klestinec charts a new history of anatomy in the Renaissance, one that characterizes the role of the anatomy theater and reconsiders the pedagogical debates and educational structure behind human dissection.
What did you do when you fell ill in fifteenth-century Florence? How did you get the medicines that you needed at a price you could afford? What would you find when you entered an apothecary's shop? ...This richly detailed study of the Speziale al Giglio in Florence provides surprising answers, demonstrating the continued importance of highly personalised medical practice late into the fifteenth century.
Simon Forman (1552-1611) is one of London's most infamous astrologers. Whilst he was consulted thousands of times a year for medical and other questions he stood apart from the medical elite as he ...boldly asserted medical ideas that were at odds with most learned physicians. In this fascinating book, Lauren Kassell vividly recovers the world of medicine and magic in Elizabethan London.
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