Öz: CHP, yaklaşık çeyrek asırdır sahip olduğu iktidarı, 1950 seçimlerinde DP’ye devretmek zorunda kalmıştır. Muhalefette geçirdiği dört yılın ardından iktidarı geri almak için büyük umutla girdiği ...1954 seçimlerinde büyük bir yenilgi ve hayal kırıklığı yaşamıştır. Seçim yenilgisinin ardından yenilginin sebebini partide hakim olan statükocu yapı olarak gören bir grup, reform talebiyle ortaya çıkmıştır. Bu talebin neticesinde özellikle Faik Ahmet Barutçu, Cemil Sait Barlas gibi isimlerin etrafında toplanan yenilikçi kanat ile Kasım Gülek ve Nihat Erim gibi isimlerin başını çektiği statükocu geleneksel yapı arasında bir mücadele yaşanmıştır. Yenilikçi kanadın talepleri, önce partinin ilgili organlarında görüşülmüştür. Bu görüşmeler neticesinde yapılması istenen yeniliklerin tartışılması ve belirlenmesi için bir “Islahat Komisyonu”nun kurulmasına karar verilmiştir. Komisyon laiklik, devletçilik, halkçılık gibi temel ilkelerin yeniden yorumlanması; hatta CHP’ye yeni bir hüviyet kazandırılması gibi pek çok konuda radikal öneriler getirmiştir. Islahat Komisyonunun önerileri, partinin resmi organlarını ve statükocu yapıyı aşamamış ve sadece cüzi bir kısmı hayata geçmiştir. Buna karşın Islahat Komisyonu, CHP tarihinde, çok partili hayata geçişten, ortanın solu söylemine kadar geçen süreçte önemli bir durak ve süreç olarak yerini almıştır. Söz konusu bu süreç ele alınırken, kaynak olarak, dönemin basını, sürecin içinde bulunan isimlerin anıları ve CHP üzerine kaleme alınmış monografik çalışmalar kullanılmıştır. Abstract: The CHP had to hand over the power for nearly forty years to the DP in the 1950 elections. After four years in opposition, CHP suffered a major defeat and disappointment in the 1954 elections, which it entered with hope to reclaim power. After the election defeat a group that saw the cause of the defeat as the status-quoist structurein the party emerged with the demand for reform. As a result of this demand, there was a struggle between the reformist group gathered around the names such as Faik Ahmet Barutçu, Cemil Sait Barlas, and the status-quo group led by names such as Kasım Gülek and Nihat Erim. The demands of the reformist group were first discussed in the relevant authorities of the party. As a result of these negotiations, it was decided to establish a “Reform Commission” to discuss and identify the reforms demanded. The Commission made radical suggestions on many issues, such as reinterpretation of basic principles such as secularism, statism and populism, and even giving CHPa new identity. The commission's proposals were unable to overcome the party's official authorities and the status quo, and only a small part of them were implemented. However, the Reform Commission has taken an important placeand processin the history of CHP, from the transition to the multi-party period to the emergence of the discourse of the left of the middle. While analyzing this process, newspapers, memoriesof the persons involved in the processand monographsabout the CHP, were used as sources.
This article studies the electoral campaign of the Uruguayan National Party in the national elections of 1954, by which it entered as a minority of the collegiate executive with Colorado majority. ...The nationalists, who had been divided since the early thirties, took steps towards unification. Three tendencies voted within the National Party: Herrerism, the Nationalist Popular Movement and White Reconstruction. Despite the return of the latter to the party, the leadership of long-standing and controversial leader Luis Alberto de Herrera still aroused visceral rejections and was the main stumbling block to real programmatic unity. This article examines the proposals and propaganda of each of the party sectors from the party press, with which they sought to solve the country's problems. In addition, the Independent Nationalist Party is included, which differs from the National Party, but that shares some ideas, history, and tradition with its former companions.
La Terminal Celina Manso
Revista electrónica de derecho internacional contemporáneo (En línea),
03/2020, Letnik:
1, Številka:
1
Journal Article
Recenzirano
Odprti dostop
Proponemos el estudio la película “La Terminal” (2004) por relatar en su trama el caso de una persona apátrida, tema que podemos analizar bajo la óptica del Derecho internacional. Nos proponemos ...realizar un breve análisis de las normas internacionales que se aplican a la apatridia y ver cómo es abordada la cuestión en la película.
Resumo: Em sua entrevista, Francisco Carlos Teixeira da Silva, professor titular de História Contemporânea da Universidade Federal do Rio de Janeiro, analisa a chegada da história do tempo presente ...ao Brasil e os caminhos que o novo campo seguiu em um país recém-saído da ditadura civil-militar (1964-1985) e em fase de construção de uma nova democracia. Fundador do Laboratório de Estudos do Tempo Presente (Tempo), Francisco Carlos aponta ainda problemas e desafios que a história recente enfrenta no Brasil.
This article examines the transformative effects of adding gaze theory to the critical approaches that have focused on Kazuo Ishiguro's Klara and the Sun (2021). Drawing on the issues of looking ...dynamics and surveillance in Michel Foucault's epistemology of the gaze, the argument is that a Foucauldian reading of Ishiguro's story uncovers the dependence of its power relations on gazing practices. By exploring the humanoid robot Klara's storyline, I highlight the dual role of the gaze and related visual dynamics in Klara and the Sun as both facilitators of humans' mastery of nonhumans and sites of nonhuman possibility. My analysis suggests that the novel articulates a complex disciplinary system in which the technological Other is constantly reified by both the human gaze and internalized practices of self-discipline. At the same time, against the reductive reading of Klara as a technological Other at the service of human selves, this article also proposes her figure as one of transgressive boundaries and gaze-engendered opposition, arguing that the novel's social system is ultimately undermined by the visual acts of overconformity that Klara adopts.
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