The media and the press in particular played an important role in the dissemination and political and ideological confrontation that occurred in Chile in the sixties and seventies of the twentieth ...century. In this sense, El Mercurio newspaper, as the main representative of the hegemonic groups and liberal thinking, supported the 1973 coup. While the act of this medium is well known, it is relevant and necessary to take a look at the procedure that had other newspapers, but at regional or local scale. This paper gives a comprehensive overview of the actions taken by El Sur newspaper from Concepcion about the September 11, 1973, the level of information provided and the position adopted once the intervention military in the city of Concepción occurred.
Los medios de comunicación y la prensa en particular, cumplieron una importante función en la difusión y confrontación política e ideológica que se dio en Chile en las décadas del sesenta y setenta del siglo XX. Conocido es el papel desempeñado por diario El Mercurio, como principal vocero de los grupos hegemónicos y el pensamiento neoliberal. De ahí entonces, su apoyo al golpe de Estado de 1973. Si bien, el actuar de dicho medio es conocido, resulta pertinente y necesario dar una mirada al proceder que tuvieron otros diarios, pero en espacios regionales o locales. En vista de aquello, en el siguiente artículo nos proponemos dar una mirada de conjunto al accionar que tuvo diario El Sur de Concepción el 11 de septiembre de 1973, el nivel de información que proporcionó y la postura que tuvo el diario una vez ocurrida la intervención militar en la ciudad de Concepción.
La lectura de No es un río, de la escritora argentina Selva Almada, demuestra un significativo desplazamiento en su obra narrativa, pues esta novela dialoga con nuevos lenguajes, espacios y géneros. ...Un recorrido por sus textos anteriores permite recuperar los principales ejes de su proyecto estético, el cual, programáticamente, ha estado ligado a un espacio de provincia. En ese sentido, No es un río puede ser pensada como parte de la búsqueda por construir una “narrativa de provincia”, que está alejada del español estandarizado en Buenos Aires y que se distancia de los tópicos más usuales de la “literatura argentina”. Por lo tanto, este artículo propone un estudio de la novela en el cual se indague en la construcción del lenguaje, los modos de representación de los espacios y sujetos y la cuestión de los géneros literarios que atraviesan la obra.
All human beings irrespective of their color, race, ethnicity, religion, geography, and gender have equal rights without any discrimination. The framers of every constitution in every state tried to ...ensure the protection of their citizens according to their socio-cultural milieu and religious teachings. The constitutional experts in Pakistan also incorporated provisions related with the fundamental rights of citizens in the light of their ideological orientation and International Human Rights laws (wherever possible). Keeping in view international obligations, the political leadership passed a law “Transgender Persons (Protection of Rights) Act, 2018” which has been subjected to scathing criticism. This paper has three main parts: A) Ideological Basis of the Constitution of Pakistan; B) International Legal Documents regarding fundamental rights and Constitutions of Pakistan; & C) Transgender Persons (Protection of Rights) Act, 2018 and its critical analysis.
Tumour grade is a critical prognostic parameter for guiding the management of patients with non‐muscle invasive bladder cancer. In 2004, the World Health Organisation (WHO) adopted a binary ...(low‐grade/high‐grade) grading system to replace the three‐tier (grades 1–3) system used to grade urothelial carcinoma since 1973. However, there is significant global variation in the grading of urothelial carcinoma. Some pathology and clinical guidelines recommend reporting of the WHO 1973 and 2004 grades in parallel, while others require reporting only of the WHO 2004 grade. This variation in pathology practice is clinically significant, because the two grading systems are not readily translatable. Some experts have proposed novel systems for grading urothelial carcinoma that involve splitting of the WHO 1973 and 2004 grade categories. The arguments for and against splitting urothelial carcinomas into two‐, three‐ and four‐grade categories are independently discussed by the three authors.
Urothelial carcinoma grading is subject to significant global variation. Some guidelines recommend reporting WHO 1973 and WHO grades, while others require reporting only WHO 2004. In this issue, Drs Varma, Compérat and van der Kwast discuss the arguments for and against splitting urothelial carcinomas into two‐, three‐ and four‐grade categories.
In 2016, Gordon Peake answers a job advertisement for a role with the government of the Autonomous Region of Bougainville, a collection of islands on the eastern fringe of Papua New Guinea looking to ...strike out as a country of its own. In his day job he sees at first hand the challenges of trying to stand up new government systems. Away from the office he travels with former rebels, follows an anthropologist's ghost and visits landmarks from the region’s conflict. In 2019, he witnesses joy and euphoria as the people of Bougainville vote in a referendum on their future. Out of these encounters emerges an unforgettable portrait of this potential nation-in-waiting. Blending narrative history, travelogue and personal reminiscences, Unsung Land, Aspiring Nation is an engaging memoir as well as an insightful meditation on the realities of nation-making and international development.
Putting Greece back on the cultural and political map of the "Long 1960s," this book traces the dissent and activism of anti-regime students during the dictatorship of the Colonels (1967-74). It ...explores the cultural as well as ideological protest of Greek student activists, illustrating how these "children of the dictatorship" managed to re-appropriate indigenous folk tradition for their "progressive" purposes and how their transnational exchange molded a particular local protest culture. It examines how the students' social and political practices became a major source of pressure on the Colonels' regime, finding its apogee in the three day Polytechnic uprising of November 1973 which laid the foundations for a total reshaping of Greek political culture in the following decades.
A través del Decreto Ley número 5 del 12 de septiembre de 1973 los militares chilenos especificaron que el “Estado de Sitio decretado por conmoción interna” debía entenderse como “Estado o Tiempo de ...Guerra”. De esa forma, y una vez consolidado el golpe de Estado del martes 11 de septiembre, la Junta Militar y las Fuerzas Armadas emprendieron un proceso institucional tendiente a legitimar la acción militar, el combate al marxismo y la eliminación del “enemigo interno”, usando para ello todos los instrumentos y mecanismo a disposición con el fin de combatir su presencia en el país. Se adaptó y adoptó una determinada legalidad y, sobre todo, una nueva institucionalidad para esa lucha total y permanente contra el marxismo y sus partidarios. Fue en este contexto de violencia política e institucional en que operaron los Bandos Militares y los Decretos Ley como dispositivos, es decir, una red de relaciones de poder que fueron estructurando un entramado legal y punitivo tendiente a justificar la represión y eliminación de los opositores al régimen.
Regardant les questions de témoignage, de confession, de traumatisme, de sexualité et de violence dans les œuvres (semi-)autobiographiques, ce livre explore la co-construction d’identités ...personnelles et collectives par des femmes écrivains à l’ère des médias et de l’autoreprésentation. À une époque où la littérature française est souvent accusée d'être égocentrique et trop narcissique, Mercédès Baillargeon avance que l’autofiction des femmes a été reçue avec controverse depuis le tournant du millénaire parce qu’elle perturbe les idées reçues à propos des identités nationale, de genre et de race, et parce qu’elle questionne la distinction entre fiction et autobiographie. En effet, ces écrivaines se distinguent du reste de la production française actuelle, car elles cultivent une relation particulièrement tumultueuse avec leur public, à cause de la nature très personnelle, mais également politique de leurs textes semi-autobiographiques et à cause de leurs « performances » comme personnalité publique dans les médias. On y examine donc simultanément la façon dont les médias stigmatisent ces écrivaines ainsi que la manière dont ces dernières manipulent la culture médiatique comme une extension de leur œuvre littéraire. Ce livre analyse ainsi simultanément les implications textuelles et sociopolitiques qui sous-tendent la (dé)construction du sujet autofictionnel, et en particulier la façon dont ces écrivains se redéfinissent constamment à travers la performance rendue possible par les médias et la technologie. De plus, ce travail soulève des questions importantes par rapport à la relation complexe qu’entretiennent les médias avec les femmes écrivains, en particulier celles qui discutent ouvertement de traumatisme, de sexualité et de violence, et qui remettent également en question la distinction entre réalité et fiction. Cet ouvrage contribue à une meilleure compréhension des rapports de pouvoir mis en jeu dans l’autofiction, tant au niveau de la production que de la réception des œuvres. Privilégiant l’autofiction comme phénomène principalement français, cet ouvrage s’intéresse à la valeur politique de ce genre semi-autobiographique par-delà sa mort annoncée avec la disparition de la littérature engagée de l’après-guerre et des avant-gardes des années 50-60, dans le contexte français et francophone actuel, traversé par une crise des identités, le multiculturalisme et une redéfinition du nationalisme à travers l’écriture. The Personal Is Political: Media, Aesthetics and Politics in the Autofiction of Christine Angot, Chloé Delaume and Nelly Arcan Looking at questions of testimony, confession, trauma, sexuality, and violence in (semi-) autobiographical works, this book explores the co-construction of personal and collective identities by women writers in the age of self-disclosure and mass media. In a time when literature is accused of being self-centered and overly narcissistic, women’s autofiction in France since the turn of the millennium has been received with controversy because it disrupts readily accepted ideas about personal and national identities, gender and race, and fiction versus autobiography. Through the study of polemical writers Christine Angot, Chloé Delaume, and Nelly Arcan, Mercédès Baillargeon contends that, by recounting personal stories of trauma and sexuality, and thus opposing themselves in opposition to social convention, and by refusing to dispel doubts regarding the fictional or factual nature of their texts, autofiction resists and helps redefine categories of literary genre and gender identity. This book analyzes concurrently the textual and sociopolitical implications that underlie the (de)construction of the autofictional subject, and particularly how these writers constantly redefine themselves through performance and self-fashioning made possible by media and technology. Moreover, this work raises important questions relating to the media’s complicated relationship with women writers, especially those who discuss themes of trauma, sexuality, and violence, and who also question the distinction between fact and fiction. Proposing a new understanding of autofiction as a form of littérature engagée, this work contributes to a broader understanding of the French publishing establishment and of the literary field as a cultural institution, as well as new insight on shifting notions of identity, the Self, and nationalism in today’s ever-changing and multicultural French context.
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