What do existential elevators, sentient mattresses, paranoid androids, humans and other aliens have in common? For one thing, they want answers. The fact (yes fact) that there are no answers (except, ...perhaps, for 42) causes some humans (and other aliens) to face this empty madness we call life with Sisyphus-like defiance. Others choose to sulk or skulk or annihilate themselves. Another thing these creatures have in common is that they are all born mad, and some remain so. One is.
Hitchhiker's Guide Simpson, M. J
2005, 2005-01-05, 2012-03-23, 2005-04-01
eBook
Pocket Essentials is a dynamic series of books that are concise, lively, and easy to read. Packed with facts as well as expert opinions, each book has all the key information you need to know about ...such popular topics as film, television, cult fiction, history, and more. The Hitchhiker's Guide to the Galaxy is a unique phenomenon which started life as a radio series in 1978 and was subsequently adapted into five best-selling novels, remade as a BAFTA-winning TV series, re-recorded as a chart LP, reinvented as a computer game, dramatized for the West End stage, and translated into more than 30 languages. For the first time, the full story is told in all its bizarre detail. Every variant of the story, every spin-off and cash-in is documented in context, the contradictory storylines are explained, the background to the many adaptations are chronicled, and the success of the different versions is analyzed. Based on 20 years of research, it includes an interviews with Douglas Adams.
This research emerges from an observation that Douglas Adams’s Hitch Hiker Series is not merely characterised by light-hearted comedy, but is underpinned by intricate philosophical ideas, especially ...those of twentieth century Existentialism and the related notion of absurdity. The study also investigates the interlaced functions of Adams’s fantasy and landscapes of alterity. Paradoxically, Adams’s fantastical creatures serve to illuminate the human condition and the follies and monstrosities that lurk at the heart of humanity. Not only does Adams’s fantasy mirror the maladies of twentieth century society, thus serving a satirical function, but it is also a mechanism for constructing meaning in the shape of alternative realities. Concepts related to alterity, such as simulation (Baudrillard), the structure of ‘reality’, dreaming (Descartes) and parallel universes are investigated as building blocks of Adams’s fantastic story space. Furthermore, the ideas of Sartre, Camus and other originators of Existentialism, a philosophy which considers the futility of existence and the compulsion to construct subjective meaning, are elucidated and explored in relation to Adams’s work. Existentialist concepts such as facticity and angst, as well as the Beckettian universe and the Theatre of the Absurd, are also discussed in the light of the Hitch Hikerseries. Adams’s extensive satirical comment is also emphasised in this study. Adams’s satire does not merely castigate the evils of twentieth century society such as capitalism and bureaucracy, it also unmasks universal human vices such as pomposity and grandiosity, vices that are rooted in the rejection of objective morality. Although Adams comments on the folly at the heart of society, he also presents the reader with an alternative: the subjective reconstruction of one’s inner world in an attempt to spin individual webs of meaning from the nothingness at the world’s core. This study also investigates the ambiguous concept of madness as a subjective reality born of the necessity to construct meaning, and analyses Adams’s alternative landscapes based on the suggestion that ‘much madness is divinest sense’ (Emily Dickenson, in Ferguson et al., 1996: 1015).
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