Dass Kritik nach dem Ende der großen Geschichte(n) weder als Lehre, noch als Aufklärung, sondern als Reflexiv- und Problematisch-Werden von Entscheidungsprozeduren und Urteilsformen selbst gedacht ...werden kann, souffliert Alexander Kluges Kunst- und Medienarbeit seit den frühen 60er Jahren. Kluges Arbeit an exemplarischen Fällen, an Beispielen und Modellen hilft uns, die epistemologischen, die methodologischen und medientheoretischen Implikationen kritischer Schreib- und Darstellungsweisen der Gegenwartskunst zu erörtern. Quer zu den medienspezifischen Grenzen von Film, Literatur und Fernsehen prägt sich Kritik nach ihrem Ende, wie Dorothea Walzers Lektüre erweist, im wesentlichen im Rahmen der metapoetischen Verfahren von Essay, von Kommentar und Dialog aus, deren gattungstheoretische Setzungen sie auf die Probe zu stellen und letztlich zu reformulieren erlaubt.
In Treasury of Laughs Hsu Pi-ching reconstructs the Chinese original and provides the only complete annotated English translation of Feng Menglong's Xiaofu, a 17th-century anthology of traditional ...Chinese humour with rich historical, linguistic, psychological, and anthropological connotations.
Toward the end of the eighteenth century Ji Xiaolan, widely regarded as the most eminent scholar and foremost wit of his age, published five collections of anecdotes and discourses centring on the ...interaction between the mundane and spirit worlds, but also including purely earthly life stories and happenings. Some items represent Ji’s own thought and experiences, but the majority were supplied by others, Ji acting only as recorder. Settings range socially from the milieux of peasants, servants and merchants to those of governors and ministers, and geographically extend to the far reaches of the Qing empire. Contents may dwell on comedy or tragedy, cruelty or kindness, corruption or integrity, erudition or ignorance, credulity or scepticism; several items borrow ghost stories to satirize men and manners; some straightforwardly examine current beliefs and practices. Taken together, this miscellany presents a picture of the contemporary world unmatched in its scope and variety of perspectives, and in this way comes nearer to depicting “real life" than novels or institutional histories.
Provider: - Institution: - Data provided by Europeana Collections- Fotografija prikazuje naslovnico knjige Smeh na prepihu. V njej so anekdote in prigode, ki jih je zbral in napisal Jože Dular. Izšla ...je leta 1995, založil in izdal jo je Dolenjski list, natisnilo pa Tiskarstvo Opara Mali Slatnik.- All metadata published by Europeana are available free of restriction under the Creative Commons CC0 1.0 Universal Public Domain Dedication. However, Europeana requests that you actively acknowledge and give attribution to all metadata sources including Europeana
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