The role played by women in the evolution of religious art and architecture has been largely neglected. This study of upper-class women in the fifteenth and sixteenth centuries corrects that ...oversight, uncovering the active role they undertook in choosing designs, materials, and locations for monuments, commissioning repairs and additions to many parish churches, chantry chapels, and almshouses characteristic of the English countryside. Their preferred art, Barbara J. Harris shows, reveals their responses to the religious revolution and signifies their preferred identities.
Daniel Deronda Eliot, George
2016, 2021, 2016-11-15
eBook
Two members of the British upper class are drawn together—and torn asunder—by their search for self in this "startling and unexpected novel" (A.S. Byatt). As a true scion of the English gentry, ...Daniel Deronda has been raised with the expectation that he will take his rightful place in society—despite being possessed of a disquiet he cannot ignore. When he spies the beautiful Gwendolen Harleth, he senses a similarly dissatisfied soul in her. However, their shared discontent takes them in vastly different directions. Upon discovering some unsettling possibilities about his own ancestry, Daniel is drawn into the world of Judaism and the discipline and spiritual growth it entails while Gwendolen fiercely desires to be freed from her oppressive marriage to noble Henleigh Mallinger Grandcourt and rectify mistakes from her past in order to live on her own terms. The two find their paths intertwined as they seek life outside of their station. Set at the height of the British Empire, where racism, sexism, and the strict hierarchy of an absolutely uncompromising society held sway, Daniel Deronda is a jarring, emotional tale of a time and place often romanticized but rarely examined in all its facets, both glorious and grotesque. This ebook has been professionally proofread to ensure accuracy and readability on all devices.
Edited and with commentary by Joan Greatrex, this book makes available for the first time in printed form the sermon manuscript, MS Q. 18, which survives in its original home in the medieval ...cathedral library at Worcester. At first glance this small, untidy quarto-size manuscript appears to be merely an unremarkable collection of early fourteenth-century Latin sermons. However, their importance lies in the fact that they appear to be a rare, if not unique, example of working copies of sermons, providing us with a glimpse into daily life in a medieval monastic community.
Comprehensive guidance to support those involved in primary education in developing the curriculum to meet the requirements of the new Ofsted (2019) framework.
Dining out used to be considered exceptional; however, the Food Standards Authority reported that in 2014, one meal in six was eaten away from home in Britain. Previously considered a necessary ...substitute for an inability to obtain a meal in a family home, dining out has become a popular recreational activity for a majority of the population, offering pleasure as well as refreshment. Based on a major mixed-methods research project on dining out in England, this book offers a unique comparison of the social differences between London, Bristol and Preston from 1995 to 2015, charting the dynamic relationship between eating in and eating out. Addressing topics such as the changing domestic divisions of labour around food preparation, the variety of culinary experience for different sections of the population, and class differences in taste and the pleasures and satisfactions associated with dining out, the authors explore how the practice has evolved across the three cities.Dining out used to be considered exceptional; however, the Food Standards Authority reported that in 2014, one meal in six was eaten away from home in Britain. Previously considered a necessary substitute for an inability to obtain a meal in a family home, dining out has become a popular recreational activity for a majority of the population, offering pleasure as well as refreshment. Based on a major mixed-methods research project on dining out in England, this book offers a unique comparison of the social differences between London, Bristol and Preston from 1995 to 2015, charting the dynamic relationship between eating in and eating out. Addressing topics such as the changing domestic divisions of labour around food preparation, the variety of culinary experience for different sections of the population, and class differences in taste and the pleasures and satisfactions associated with dining out, the authors explore how the practice has evolved across the three cities.
The nineteenth century was a period of science and imagery: when
scientific theories and discoveries challenged longstanding
boundaries between animal, plant, and human, and when art and
visual ...culture produced new notions about the place of the human in
the natural world. Just as scientists relied on graphic
representation to conceptualize their ideas, artists moved
seamlessly between scientific debate and creative expression to
support or contradict popular scientific theories-such as Darwin's
theory of evolution and sexual selection-deliberately drawing on
concepts in ways that allowed them to refute popular claims or
disrupt conventional knowledges. Focusing on the close kinship
between the arts and sciences during the Victorian period, the art
historians contributing to this volume reveal the unique ways in
which nineteenth-century British and American visual culture
participated in making science, and in which science informed art
at a crucial moment in the history of the development of the modern
world. Together, they explore topics in geology, meteorology,
medicine, anatomy, evolution, and zoology, as well as a range of
media from photography to oil painting. They remind us that science
and art are not tightly compartmentalized, separate influences.
Rather, these are fields that share forms, manifest as waves,
layers, lines, or geometries; that invest in the idea of the
evolution of form; and that generate surprisingly kindred
responses, such as pain, pleasure, empathy, and sympathy.
Was there such a thing as a modern notion of race in the English Renaissance, and, if so, was skin color its necessary marker? In fact, early modern texts described human beings of various national ...origins-including English-as turning white, brown, tawny, black, green, or red for any number of reasons, from the effects of the sun's rays or imbalance of the bodily humors to sexual desire or the application of makeup. It is in this cultural environment that the seventeenth-centuryLondon Gazetteused the term "black" to describe both dark-skinned African runaways and dark-haired Britons, such as Scots, who are now unquestioningly conceived of as "white." InShades of Difference, Sujata Iyengar explores the cultural mythologies of skin color in a period during which colonial expansion and the slave trade introduced Britons to more dark-skinned persons than at any other time in their history. Looking to texts as divergent as sixteenth-century Elizabethan erotic verse, seventeenth-century lyrics, and Restoration prose romances, Iyengar considers the construction of race during the early modern period without oversimplifying the emergence of race as a color-coded classification or a black/white opposition. Rather, "race," embodiment, and skin color are examined in their multiple contexts-historical, geographical, and literary. Iyengar engages works that have not previously been incorporated into discussions of the formation of race, such as Marlowe's "Hero and Leander" and Shakespeare's "Venus and Adonis." By rethinking the emerging early modern connections between the notions of race, skin color, and gender,Shades of Differencefurthers an ongoing discussion with originality and impeccable scholarship.
"I cannot suppose any situation more distressing than for a woman of sensibility with an improving mind to be bound to such a man as I have described." Mary Wollstonecraft's response to one of her ...early critics points to the fact that fiction has long been employed by authors to cast a vision for social change. Less acknowledged, however, has been the role of the Christian faith in such works. In this Studies in Theology and the Arts volume, literary scholar Dalene Joy Fisher explores the work of four beloved female novelists: Jane Austen, Anne Brontë, Elizabeth Gaskell, and Mary Wollstonecraft. Each of these authors, she argues, appealed to the Christian faith through their heroines to challenge cultural expectations regarding women, especially in terms of marriage. Although Christianity has all too often been used to oppress women, Fisher demonstrates that in the hands of these novelists and through the actions of their characters, it could also be a transformative force to liberate women. The Studies in Theology and the Arts? series encourages Christians to thoughtfully engage with the relationship between their faith and artistic expression, with contributions from both theologians and artists on a range of artistic media including visual art, music, poetry, literature, film, and more.
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