From celebrated gardens in private villas to the paintings and sculptures that adorned palace interiors, Venetians in the sixteenth century conceived of their marine city as dotted with actual and ...imaginary green spaces. This volume examines how and why this pastoral vision of Venice developed.
Drawing on a variety of primary sources ranging from visual art to literary texts, performances, and urban plans, Jodi Cranston shows how Venetians lived the pastoral in urban Venice. She describes how they created green spaces and enacted pastoral situations through poetic conversations and theatrical performances in lagoon gardens; discusses the island utopias found, invented, and mapped in distant seas; and explores the visual art that facilitated the experience of inhabiting verdant landscapes. Though the greening of Venice was relatively short lived, Cranston shows how the phenomenon had a lasting impact on how other cities, including Paris and London, developed their self-images and how later writers and artists understood and adapted the pastoral mode.
Incorporating approaches from eco-criticism and anthropology, Green Worlds of Renaissance Venice greatly informs our understanding of the origins and development of the pastoral in art history and literature as well as the culture of sixteenth-century Venice. It will appeal to scholars and enthusiasts of sixteenth-century history and culture, the history of urban landscapes, and Italian art.
Historian Eric R Dursteler reconsiders identity in the early modern world to illuminate Veneto-Ottoman cultural interaction and coexistence, challenging the model of hostile relations and suggesting ...instead a more complex understanding of the intersection of cultures. Although dissonance and strife were certainly part of this relationship, he argues, coexistence and cooperation were more common.
Moving beyond the clash of civilizations model that surveys the relationship between Islam and Christianity from a geopolitical perch, Dursteler analyzes the lived reality by focusing on a localized microcosm: the Venetian merchant and diplomatic community in Muslim Constantinople.
While factors such as religion, culture, and political status could be integral elements in constructions of self and community, Dursteler finds early modern identity to be more than the sum total of its constitutent parts and reveals how the fluidity and malleability of identity in this time and place made coexistence among disparate cultures possible.
It is the first monograph in which the concertos of all composers active in this field in the Republic of Venice in the years 1695–1740 are methodically discussed. The Venetian instrumental concerto ...from Vivaldi’s time is portrayed here through an extensive and thorough survey of the most complete and representative musical material that allowed for the making of conclusions as to its typology, form, style and technique. The concertos discussed here include 974 works by fifteen composers active in Venice, Brescia, Bergamo and Padua. Such an approach not only gives an exhaustive but also a more objective view on the history of the Baroque concerto in its Venetian variant. It shows Vivaldi’s work in a new and broad context, which allows us to better understand its unique character.
Throughout history, marriage has been used as a method of creating and strengthening bonds between elites and the societies over which they ruled. Nowhere is this more apparent than in early modern ...Venice, where members of the patriciate looked to marital alliances with outsider brides to help maintain their position and social distinction in a fluid society. This book explores the parameters of upward social mobility, contemporary evaluations of social status and moral behaviour, and the place of marriage and concubinage within patrician society. Drawing heavily on the records of the Avogaria di Comun, which had the task of examining the social backgrounds and moral reputations of women from outside the patriciate who wished to marry patricians, this study provides a fascinating reconstruction of Venetian society as it was seen by individuals at every level.
Venice incognito Johnson, James H
2011., 20110402, 2011, c2011., 2011-03-02
eBook
"The entire town is disguised," declared a French tourist of eighteenth-century Venice. And, indeed, maskers of all ranks--nobles, clergy, imposters, seducers, con men--could be found mixing at every ...level of Venetian society. Even a pious nun donned a mask and male attire for her liaison with the libertine Casanova. In Venice Incognito, James H. Johnson offers a spirited analysis of masking in this carnival-loving city. He draws on a wealth of material to explore the world view of maskers, both during and outside of carnival, and reconstructs their logic: covering the face in public was a uniquely Venetian response to one of the most rigid class hierarchies in European history. This vivid account goes beyond common views that masking was about forgetting the past and minding the muse of pleasure to offer fresh insight into the historical construction of identity.
Men of Empire O'Connell, Monique
2009, 2009-04-27, Letnik:
127
eBook
The city-state of Venice, with a population of less than 100,000, dominated a fragmented and fragile empire at the boundary between East and West, between Latin Christian, Greek Orthodox, and Muslim ...worlds. In this institutional and administrative history, Monique O’Connell explains the structures, processes, practices, and laws by which Venice maintained its vast overseas holdings.
The legal, linguistic, religious, and cultural diversity within Venice’s empire made it difficult to impose any centralization or unity among its disparate territories. O’Connell has mined the vast archival resources to explain how Venice’s central government was able to administer and govern its extensive empire.
O’Connell finds that successful governance depended heavily on the experience of governors, an interlocking network of noble families, who were sent overseas to negotiate the often conflicting demands of Venice’s governing council and the local populations. In this nexus of state power and personal influence, these imperial administrators played a crucial role in representing the state as a hegemonic power; creating patronage and family connections between Venetian patricians and their subjects; and using the judicial system to negotiate a balance between local and imperial interests.
In explaining the institutions and individuals that permitted this type of negotiation, O’Connell offers a historical example of an early modern empire at the height of imperial expansion.
'That is what marriage gives – the right to destroy years and years of life.' Venice, Easter 1895. In the cafes around St Mark's Square, all the gossip among the English ex-pat community is about two ...mysterious arrivals in the city. Agnes Ebbsmith is a young widow with a scandalous past. Travelling with her is Lucas Cleeve, an up-and-coming Tory MP who has abandoned his wife in London. Defying convention, Agnes and Lucas are refusing to marry, and living in a 'compact' together. But before long their peace is shattered by the arrival of Lucas's aristocratic family from London. The Notorious Mrs Ebbsmith is a dramatic, entertaining, and utterly enthralling play by one of the greatest Victorian dramatists. This playtext, slightly adapted from the original, was prepared for its first ever revival, presented by Primavera at Jermyn Street Theatre in 2014. The Notorious Mrs Ebbsmith was last performed by Mrs Patrick Campbell in the West End in 1895. With an introduction to the play and its historical context by Dr Sos Eltis.
Translated from the Italian by William Thomas, Clerk of the Council to Edward VI, and by S. A. Roy, Esq., and Edited, with an Introduction, by Lord Stanley of Alderley. Originally bound together with ...49b but separately paginated. This is a new print-on-demand hardback edition of the volume first published in 1873.